UNT Libraries - 125 Matching Results

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Primary view of "Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage
Boutwell, Brett N.
December 1999
Primary view of The Resurrexit from Hector Berlioz's Messe solennelle (1825): A Case Study in Self-Borrowing
Gill, Sarah M.
December 1999
Primary view of Nobody's Fool: A Study of the Yrodivy in Boris Godunov
Pollard, Carol J.
December 1999
Primary view of Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958)
Beard, Cynthia C.
May 2000
Primary view of Eighteenth-Century French Oboes: A Comparative Study
Cleveland, Susannah
May 2001
Primary view of he Essercizii musici: A Study of the Late Baroque Sonata
Volcansek, Frederick Wallace
May 2001
Primary view of Carlo Milanuzzi's Quarto Scherzo and the Climate of Venetian Popular Music in the 1620s
Gavito, Cory Michael
August 2001
Primary view of Scoring for the Specter: Dualities in the Music of the Ghost Scene in Four Film Adaptations of Hamlet
Dunn, John T.
August 2002
Primary view of Beyond the "Year of Song": Text and Music in the Song Cycles of Robert Schumann after 1848
Ringer, Rebecca Scharlene
May 2007
Primary view of Mus. Ms. 1511b: A Historical Review of a Lute Manuscript in the Herwarth Collection at the Bavarian Library, Munich
Beasley, Douglas William
August 2007
Primary view of In-between Music: The Musical Creation of Cholo Identity in Cochabamba, Bolivia
Jones, Eric
August 2007
Primary view of Robert Schumann's Symphony in D Minor, Op. 120: A Critical Study of Interpretation in the Nineteenth-Century German Symphony
Hellner, Jean Marie
May 2003
Primary view of The Whole as a Result of Its Parts: Assembly in Aaron Copland's Score for  The Red Pony
McGinney, William Lawrence
May 2003
Primary view of Jean-Georges Kastner's  Traité general d'instrumentation: A Translation and Commentary
Woodward, Patricia Jovanna
May 2003
Primary view of Social Discourse in the Savoy Theatre's Productions of  The Nautch Girl  (1891) and  Utopia Limited (1893): Exoticism and Victorian Self-Reflection
Hicks, William L.
August 2003
Primary view of Voice and Genre in Beethoven's  Deux Grandes Sonates pour le Clavecin ou Piano-Forte avec un Violoncelle obligé, Op. 5
Kim, Jungsun
May 2004
Primary view of Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's  Königskinder (1897)
Kinnett, Forest Randolph
August 2004
Primary view of Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640
Chung, Kyung-Young
December 2004
Primary view of Reconstructing Convention: Ensemble Forms in the Operas of Jules Massenet
Straughn, Gregory
December 2004
Primary view of Selected Lute Music from Paris, Rés. Vmd. Ms. 27 from the Bibliothèque Nationale: Reconstruction, Edition, and Commentary
Sequera, Héctor J.
December 2004
Primary view of The Waning of Victorian Imperialism: Stylistic Dualism in Gustav Holst's One-Act Opera Sāvitri (1908-9)
Broughton, Joseph Earl
May 2005
Primary view of Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710
Hale Harris, Kimberly Coulter
May 2005
Primary view of The Recorder Tutors in 't Uitnement Kabinet
Carpenter, Jennifer
August 2005
Primary view of Myth in the Early Collaborations of Benjamin Britten and William Plomer
Salfen, Kevin McGregor
August 2005