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Pictorial Landscape-Photography
Book containing discussions of photographic analysis and techniques.
Development of the Near-Death Phenomena Knowledge and Attitudes Questionnaire
Article explaining a questionnaire used to study nurses' knowledge of and attitudes toward near-death phenomena and patients who have experienced them, as well as the development of a revised questionnaire that is more valid and reliable.
Evaluating Near-Death Testimony: A Challenge for Theology
Article proposing a nonreductionist interpretation of near-death experiences (NDEs), showing that it is possible to give credit to individual testimony while still taking into account the physiological, psychological, and cultural conditions that influence visionary experience in the face of death.
Guest Editorial: Near-Death Experiences: A Speculative Neural Model
Article detailing a personal mystical experience that led the author to the belief that a little known structure in the center of the spinal cord, Reissner's fiber, is identical with the anatomical entity described by kundalini yoga. The author's struggles to understand the meaning of that experience have led him to believe that an understanding of the deeper realities underlying quantum phenomena can be integrated with an understanding of the mysterious realities of near-death and other mystical experiences, and that Reissner's fiber can serve as an empirical basis for a scientific investigation of these phenomena.
Critical Reaction to Serge Koussevitzky's Programming of Contemporary Music with the Boston Symphony Orchestra 1924-1929
Serge Koussevitzky, conductor of the Boston Symphony Orchestra from 1924-1949, had, throughout his career, a reputation as a champion of modern music. The anticipation of his arrival in Boston in 1924 sparked a great deal of public debate about his reported modernism which the critics reflected and contributed to. This thesis analyzes the critical reaction, preserved in scrapbooks of newspaper clippings at Symphony Hall, Boston, to Koussevitzky's programming of contemporary music during his first five years with the BSO.
The Wang Institute of Graduate Studies: A Historical Perspective
The Wang Institute of Graduate Studies was an independent, non-profit corporate college located Tyngsboro, Massachusetts originated through the benevolence of An Wang. This study focuses on the problems in education and industry that acted as the impetus for this institute and develops a historical perspective of Wang Institute from its inception in 1979 until its end in August, 1987. The study describes the philosophy, organizational structure, curriculum, faculty, and students of Wang Institute. Wang Institute of Graduate Studies no longer exists. The facility used by Wang Institute of Graduate Studies is now known as Wang Institute of Boston University.
The Beginnings of Music in the Boston Public Schools: Decisions of the Boston School Committee in 1837 and 1845 in Light of Religious and Moral Concerns of the Time
The research problems of this dissertation were: 1) A description of the perceived value of music in light of political undercurrents in Boston prior to and during the years under investigation, and 2) the profile of the constituency of the Boston School Committee and Committee on Music in 1837 and 1845. Questions addressed the effect of religious and moral concerns of the day on the decision by the School Committee in 1837 to try music in the curriculum, and the possible effect of religious politics on Lowell Mason's dismissal from the schools in 1845. In the minds of mid-nineteenth century Bostonians, religious and moral values were intrinsic to the very nature of music. Key members on the School Committee portrayed music as being spiritual yet nonsectarian in its influence. Therefore, the findings suggest that music was believed to provide common ground between opposing and diverse religious sects. Reasons given for Mason's dismissal by John Sargent, a member of the Committee on Music, showed parallels to H. W. Day's accusations in the press a year earlier that Mason had managed his position in a sectarian manner. Sargent's background supports the theory that religious politics were at work in Mason's dismissal. Although members of the School Committee of 1845 were religious, only isolated cases support the proposition that any of them would have opposed Mason strictly on the basis of religious issues. Evidence suggests that their passivity to the action by the Committee on Music was probably due to concurrent public criticism of attempts at school reform within the Committee. While under such scrutiny, Committee members' inaction regarding Mason's dismissal may have reflected a desire not to jeopardize their own positions as a political body.
Regional Highlights from Global Climate Change Impacts in the United States
This fact sheet describes climate change scenarios in Great Plains region of the United States.
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