UNT Libraries - 223 Matching Results

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Primary view of 161 Glass: Site Specific Music in an Artistic Context
Rusnak, Christina S.
May 2010
Primary view of The 1896 Vienna Tonkünstler-verein Competition: the Three Award-winning Works and Seven Anonymous Submissions with Clarinet
Harrell, Andrea
August 2014
Primary view of The Adagio of Mahler's Ninth Symphony: A Schenkerian Analysis and Examination of the Farewell Story
Patterson, Jason
May 2011
Primary view of Aesthetic and Technical Analysis on Soar!
Wang, Hsiao-Lan
August 2010
Primary view of Alberto Ginastera and the Guitar Chord: An Analytical Study
Gaviria, Carlos A.
December 2010
Primary view of Alfredo Casella's Serenata, op. 46, A Performance Guide for the Ensemble and Trumpet Part
Walker, Brian Matthew
May 2011
Primary view of An Analysis and Comparison of Four Rotations Pour Marimba, A Solo Marimba Suite, by Eric Sammut
Suen, Ming-Jen
May 2011
Primary view of An Analysis of Honegger’s Cello Concerto (1929): a Return to Simplicity?
Kleinmann, Denika Lam
May 2014
Primary view of An Analysis of Pitch Organization in Villa-lobos's Rudepoêma
Kruger, Esthea
May 2013
Primary view of Analysis of Roger-ducasse’s Pastorale Pour Orgue
Kim, Jung-Won
May 2012
Primary view of An Analysis of the Pedagogical Advantages Relating to Combined Study of Euphonium and Trombone through the Use of Specific Repertoire
Lipton, Jamie
August 2010
Primary view of Ancient Musical Ideas Through a Twenty-First Century Lens: An Examination of Tarik O’Regan’s Scattered Rhymes and Its Relationship to Guillaume de Machaut’s Messe de Notre Dame
LaBarr, Cameron Frederick
August 2011
Primary view of An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano
Bradfield, Ann
May 2010
Primary view of Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part
Tang, Wen-Chien
August 2010
Primary view of Aphorismen, Capriccio, and Heptameron for Piano Solo By Jürg Baur: a Performer's Guide
Park, Esther
December 2012
Primary view of Arvo Pärt and Three Types of His Tintinnabuli Technique
Kongwattananon, Oranit
May 2013
Primary view of The Avatar by Steve Rouse:  A Performance Practice Guide
Lynn, Mark J.
August 2010
Primary view of Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay
Peringer, Patrick Edward
August 2014
Primary view of Baroque Elements In The Piano Sonata, Opus 9 By Paul Creston
Watanabe, Chie
December 2011
Primary view of “Before I Die…”: Original Composition with a Critical Essay Exploring the Techniques of Six Crossover Composers
Trusko, Robert
August 2014
Primary view of "Being" a Stickist:  A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Hodges, Jeff
May 2010
Primary view of Blueline Concerto: Critical Essay
Lamb, Christopher
August 2013
Primary view of Brass Band History and Idiomatic Writing in Brass Music
Kahler, Elyse T.
May 2013
Primary view of Britten’s Op 47, Five Flower Songs: Breaking Trends in Analysis
Jackson, Christopher Michael
August 2013