It is the purpose of this thesis to acquaint the reader with the various systems, materials, and people who produce the art , in order to evaluate it and to pass on the results of its research to others who may find it useful in acquainting themselves with the advertising field.
The first movement of the present work is a French overture patterned in form after the overtures of Jean Baptiste Lully. The second movement (Lento) is a simple ABA song-form and presents a rather rhapsodic development of its theme. The third movement consists of a set of six continuous variations on the polyphonic chanson Revecy venu du printans by Claude le Jeune (1528-1600). The last movement is a rondo (ABACADA).
The purpose of this study is to trace the development of the concert band from its earliest stages to the present time and to compile a list of original compositions for band that are worthy of serious concert performance, including compositions from 1750 until the present.
The purpose of writing the Overture for Orchestra is two-fold: first, to produce a short orchestral work in the modern idiom; second, to compose a symphonic piece within the technical scope of semi-professional orchestras such as college and civic organizations.
The Requiem, for mixed chorus (4 and 8 parts), two brass quartets (2 trumpets, horn and trombone each), timpani (4) and organ, is divided into four sections or movements: I. Introit and Kyrie II. Sanctus III. Pie Jesu IV. "Take Thou Comfort". The principal feature of the Requiem is the cyclic treatment of the two main themes. These will be referred to as the "Introit" theme and the "Kyrie" theme, in that these are the sections in which they first appear, respectively.
The overall style of this sonata begins with music similar to pre-World War I French music in the first movement and become progressively more modern with each movement. The classical forms of composition are used for each movement. There is a different combination of instruments throughout every movement of the sonata to offer orchestral variation.
The libretto of Three Lyrics was written by Terry Blake, a minster for the North Amarillo Church of Christ in Amarillo, Texas. The first and last cantos are paeans to the harp and guitar, respectively. The second canto is a gentle elegy to Time and Death. The use of nature and its manifestations serve to unite the three poems.
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