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Primary view of The 1896 Vienna Tonkünstler-verein Competition: the Three Award-winning Works and Seven Anonymous Submissions with Clarinet
Harrell, Andrea
August 2014
Primary view of An Analysis of Honegger’s Cello Concerto (1929): a Return to Simplicity?
Kleinmann, Denika Lam
May 2014
Primary view of The Automatic Compensating Euphonium As the Ideal Choice for Performing Music Composed Originally for Ophicleide
Demy, Richard R.
August 2014
Primary view of Babel: a Composition for Rock Band, Soprano Quartet, and Chamber Ensemble—music and Critical Essay
Peringer, Patrick Edward
August 2014
Primary view of Carlos Guastavino’s Sonata Para Trombón O Trompa Y Piano: Analysis of Argentine Song and Formal Western Music Tradition Applied to Trombone Repertoire
Rego Borges, Lucas
August 2014
Primary view of The Changing Symbolic Images of the Trumpet: Bologna and Venice in the Seventeenth Century
Karp, Jamie Marie
May 2014
Primary view of The Combination of Eastern and Western Musical Worlds: Korean Performance Techniques Applied to Western Symphony Orchestra in Relation to Isang Yun’s Tänzerische Fantasie Für Großes Orchester, Muak (1987)
Lo, MeeAh
August 2014
Primary view of A Comparative Examination of Six American Master Trumpet Teachers and the Regional Schools of Playing That They Represent
Bloss, Laura L.
August 2014
Primary view of A Comparison of Rhythm, Articulation, and Harmony in Jean-michel Defaye’s À La Manière De Stravinsky Pour Trombone Et Piano to Common Compositional Strategies of Igor Stravinsky
Mullins, Dustin Kyle
August 2014
Primary view of Constructions of Choir Identity in a High School
Brimhall, Jennifer Pierce
December 2014
Primary view of Defining the Contralto Voice Through the Repertoire of Ralph Vaughan Williams
Daniels, Sarah M.
May 2014
Primary view of Douglas Campbell: American Horn Pedagogue and Performer
Suchodolski, Heather Blase
May 2014
Primary view of Erich Wolfgang Korngold’s Idea of the “Modern”: Developing Variation in the Piano Concerto in C Sharp, Opus 17
Huang, Shu-Yuan
May 2014
Primary view of Études: Five Compositional and Technical Studies for Solo Organ
Lloyd, S. Andrew
May 2014
Primary view of An Examination of Text Reflection and Imagery in Zoltán Gárdonyi’s Fünf Lieder Nach Gedichten Von Rainer Maria Rilke
Beloncik Schantz, Anne
August 2014
Primary view of The First Movement of Piano Sonata in B-flat Minor by Julius Reubke: a Comparison of Three Editions From the Performer’s Point of View
Pátkai, Imre
August 2014
Primary view of Form and Pianistic Texture in the Operatic Fantasies Based on La Sonnambula and Der Freischütz of Franz Liszt and Julian Fontana: a Comparison of Compositional Approach
Chung, Migeun
May 2014
Primary view of Gordon Binkerd’s “Intermezzo” From Essays for the Piano (1976): a Comprehensive Analysis of Brahmsian Compositional Influences and Stylistic Elements
Noh, Kyung-Ah
August 2014
Primary view of Gualterio Armando's 34 Canciones Hispanoamericanas Para Canto Y Piano: a Comprehensive Edition and an Analytical Study of the Work’s Thematic Unity, Chromaticism, and Use of Musical Quotations
Pérez Torres, René
May 2014
Primary view of The Influence of Indigenous Bushmen Musical Elements and Significant Compositional Traits on Niel Van Der Watt’s Song Cycle, Die Wind Dreun Soos ‘N Ghoera, ‘N Siklus Boesman-mites
Bester, Christiaan
August 2014
Primary view of James Macmillan’s St John Passion: the Role of Celtic Folk Idioms and the Reproaches
Frank, Nathan
May 2014
Primary view of Krzysztof Penderecki’s Divertimento/suite for Cello Solo (1994-2013): a Stylistic Analysis and Performance Guide
Sturman, Esra
May 2014
Primary view of The Measurement of Occupational Identity Among Undergraduate Preservice Music Teachers: a Test Development Study
Rewolinski, Christine
August 2014
Primary view of Pedagogical Applications of Scat-singing Within the Jazz Trombone Studio
Schneller, Aric Lewis
August 2014
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