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Primary view of Carlos Guastavino’s Sonata Para Trombón O Trompa Y Piano: Analysis of Argentine Song and Formal Western Music Tradition Applied to Trombone Repertoire
Rego Borges, Lucas
August 2014
Primary view of The Castrato Sacrifice: Was it Justified?
Sowle, Jennifer
August 2006
Primary view of Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz.
West, Aaron J.
December 2008
Primary view of The Centralized Higher Education System in Turkey and the National Music Teacher Training Program Since 1998: An Analysis.
Karakelle, Sibel
August 2006
Primary view of "Ch'io t'abbandono" by Felix Mendelssohn Bartholdy: A Dramatic Image of the Education and Aptitudes of the Composer
Turley, Charles William
August 2002
Primary view of Chamber Music with Double Bass: A New Approach to Function and Pedagogy.
Raschen, Gudrun
December 2009
Primary view of The Changing Symbolic Images of the Trumpet: Bologna and Venice in the Seventeenth Century
Karp, Jamie Marie
May 2014
Primary view of Chaos, Cosmos, and Communion: Three Movements for String Quartet
Moran, David W. (David Wayne)
August 1994
Primary view of The Characteristics of Teacher-Directed Modeling Evidenced in the Practices of Three Experienced High School Choral Directors.
Grimland, Fredna H.
December 2001
Primary view of Characterizing Noise and Harmonicity: The Structural Function of Contrasting Sonic Components in Electronic Composition
Dribus, John Alexander
May 2010
Primary view of Chen Yi and Her Choral Music: A Study of the Composer's Ideal of Fusing Chinese Music and Modern Western Choral Traditions
Yeung, Hin-Kei
December 2006
Primary view of The Chopin Etudes: a Study Guide for Teaching and Learning Opus 10 and Opus 25
Kim, Min Joung
December 2011
Primary view of The Choral Music of Ola Gjeilo: a New Vision of the Choral Instrument in the 21St Century
Schmidt, Brian A.
May 2012
Primary view of Choral Resonance: Re-Examining Concepts of Tone and Unification.
Quist, Amanda Renee
August 2008
Primary view of The Choral Works of Robert Ward: A View of His Compositional Approach to Text Settings and His Use of Symbols and Allusions
Tucker, Carlton S.
May 2007
Primary view of The Christmas Cantatas of Christoph Graupner (1683-1760)
Schmidt, René R.
August 1992
Primary view of The Cimbasso and Tuba in the Operatic Works of Giuseppe Verdi: A Pedagogical and Aesthetic Comparison
Costantino, Alexander
August 2010
Primary view of Circumfusion: a Composition for Real-Time Computer Music Spatialization System
Morgan, Christopher R. (Christopher Robert)
August 1998
Primary view of Claude Bolling’s Toot Suite for Trumpet and Jazz Piano: a Performance Guide
Passley, Oscar O.
August 2012
Primary view of Clestrinye [El Carnaval del Perdón]: Traditional Rituals in Intermedia Composition.
Salazar, Camilo
August 2008
Primary view of The Collective Pedagogy Utilized By the Trombone Instructors at the Rotterdam Conservatory of the Netherlands
Wallace, Noel James
May 2012
Primary view of A Combination of Asian Language with Foundations of Western Music: An Analysis of Isang Yun's Salomo for Flute Solo or Alto Flute Solo
Hur, Dae-Sik
August 2005
Primary view of The Combination of Eastern and Western Musical Worlds: Korean Performance Techniques Applied to Western Symphony Orchestra in Relation to Isang Yun’s Tänzerische Fantasie Für Großes Orchester, Muak (1987)
Lo, MeeAh
August 2014
Primary view of Combining of Korean Traditional Performance and Recent German Techniques in Isang Yun's Kontraste: Zwei Stücke für Violine Solo (1987)
Kim, Hyo Jung
December 2010