UNT Libraries - 724 Matching Results

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Primary view of Bandanna, An Opera by Daron Aric Hagen with Libretto by Paul Muldoon, Commissioned by the College Band Directors National Association: The Origins of an Artwork with a Glimpse at its Musical Character Development
Powell, Edwin C.
December 2002
Primary view of Baroque Elements In The Piano Sonata, Opus 9 By Paul Creston
Watanabe, Chie
December 2011
Primary view of The Baroque Guitar : Late Spanish Style as Represented by Santiago de Murcia in the Salvidar Manuscript (1732), with Three Recitals of Selected Works by Bach, Rak, Brouwer, Hummel, Gnattali and Others
Yates, Stanley
December 1993
Primary view of The "Beethoven Folksong Project" in the Reception of Beethoven and His Music
Lee, Hee Seung
December 2006
Primary view of Beethoven's Opus 18 String Quartets: Selected First Movements in Consideration of the Formal Theories of Heinrich Koch as Expressed in Versuch Einer Anleitung Zur Composition
Tompkins, Robert
December 2006
Primary view of “Before I Die…”: Original Composition with a Critical Essay Exploring the Techniques of Six Crossover Composers
Trusko, Robert
August 2014
Primary view of "Being" a Stickist:  A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Hodges, Jeff
May 2010
Primary view of Belle Musique and Fin' Amour: Thibaut de Champagne, Gace Brulé, and an Aristocratic Trouvére Tradition
Bly, Emily
December 2008
Primary view of Beneath the Dancing Moon: A Composition for Woodwind and Percussion Ensemble
Pang, Law Ma Rome Anne
December 1992
Primary view of Benjamin Britten's Sonata in C for Cello and Piano, Op. 65: A Practical Guide for Performance
Lee, Jeong-A
May 2009
Primary view of "Between the Staves" - Adaptations of Debussy's Six épigraphes antiques and Creative Tasks of the Performer
Astilla, Christopher
December 2007
Primary view of Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958)
Beard, Cynthia C.
May 2000
Primary view of Beyond the "Year of Song": Text and Music in the Song Cycles of Robert Schumann after 1848
Ringer, Rebecca Scharlene
May 2007
Primary view of Birth of a Modern Concerto: An Explication of Musical Design and Intention in Journey: Concerto for Contrabass Tuba and Orchestra
Daussat, David M.
May 2008
Primary view of I, Blavatsky: A One-Act Opera
Cooper, Steve, 1951 Dec. 4-
May 1990
Primary view of Blueline Concerto: Critical Essay
Lamb, Christopher
August 2013
Primary view of Bohuslav Martinu: An Examination of Selected Chamber Music Involving the Clarinet
Walzel, Robert L.
December 1997
Primary view of Boulez's Sonatine and the Genesis of His Twelve-tone Practice
Chang, Sangtae
May 1998
Primary view of Brass Band History and Idiomatic Writing in Brass Music
Kahler, Elyse T.
May 2013
Primary view of Britten’s Op 47, Five Flower Songs: Breaking Trends in Analysis
Jackson, Christopher Michael
August 2013
Primary view of A-Bu-GE: A Composition for Organ and Percussion
Kim, Chol-Ho
December 2010
Primary view of Cadential Syntax and Mode in the Sixteenth-Century Motet: a Theory of Compositional Process and Structure from Gallus Dressler's Praecepta Musicae Poeticae
Hamrick, David (David Russell)
May 1996
Primary view of Camille Saint-Säens'  Piano Concerto No. 5 in F Major, Opus 103: An Analytical Study of Form, Compositional Techniques, and a Performance Perspective
Yoo, Seung Won
December 2004
Primary view of The Cantatas of Jean-Philippe Rameau
McManus, Catherine
May 1991