UNT Libraries - 174 Matching Results

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Primary view of 161 Glass: Site Specific Music in an Artistic Context
Rusnak, Christina S.
May 2010
Primary view of Accessibility and Authenticity in Julia Smith's Cynthia Parker
Buehner, Katie R.
December 2007
Primary view of The Adagio of Mahler's Ninth Symphony: A Schenkerian Analysis and Examination of the Farewell Story
Patterson, Jason
May 2011
Primary view of The Aesthetics of Minimalist Music and a Schenkerian-Oriented Analysis of the First Movement "Opening" of Philip Glass' Glassworks
Wu, Chia-Ying
May 2009
Primary view of Alberto Ginastera and the Guitar Chord: An Analytical Study
Gaviria, Carlos A.
December 2010
Primary view of American Choral Music in Late 19th  Century New Haven:  The Gounod and New Haven Oratorio Societies
Clark, R. Andrew
May 2001
Primary view of An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti
Isgitt, David
August 2002
Primary view of An Analysis of the Composition Process of Bartók's Eight Improvisations on Hungarian Peasant Songs, Op. 20
Kochbeck, Olivia M.
May 2000
Primary view of '...and one of time.': A Composition for Full Orchestra with Narration
Rinker, John Thomas
December 1999
Primary view of Andrejs Jurjāns as Symbol of Latvian Identity: Native Folk Songs in his Large-Scale Symphonic Works
Švalbe, Erika Lynn
December 1997
Primary view of Animations: A Composition for Percussion and Computer Music on Tape
Criswell, Madeleine L.
August 1993
Primary view of Applications of Reductive Analytical Techniques in the Phrygian Settings of the Orgelbüchlein by J.S. Bach
Leite, Zilei de Oliveira
May 1995
Primary view of An Argument for the Reassessment of Stravinsky's Early Serial Compositions
Hughes, Timothy Stephen
December 1995
Primary view of Artistic Expression in Music and Poetry
Wertz, Charles Bradley
May 2007
Primary view of Arvo Pärt and Three Types of His Tintinnabuli Technique
Kongwattananon, Oranit
May 2013
Primary view of Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's  Königskinder (1897)
Kinnett, Forest Randolph
August 2004
Primary view of Assimilation of Baroque and Classical Essence with Romantic Sentiment: a Structural Analysis of Felix Mendelssohn-Bartholdy's Sonata in C Minor for Organ, Opus 62, No. 2
Chou, Kwong-Yan Godwin
December 1994
Primary view of Autographs 1928 : Four Songs for Soprano and Chamber Ensemble
Walls, Jay Alan
August 1995
Primary view of Bach's Mass in B minor: An Analytical Study of Parody Movements and their Function in the Large-Scale Architectural Design of the Mass
Pérez Torres, René
December 2005
Primary view of Band Directors and Hearing: Measuring School Bands for Potentially Hazardous Sound Levels
Samford, Brent R.
August 1993
Primary view of Beethoven's Opus 18 String Quartets: Selected First Movements in Consideration of the Formal Theories of Heinrich Koch as Expressed in Versuch Einer Anleitung Zur Composition
Tompkins, Robert
December 2006
Primary view of “Before I Die…”: Original Composition with a Critical Essay Exploring the Techniques of Six Crossover Composers
Trusko, Robert
August 2014
Primary view of "Being" a Stickist:  A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Hodges, Jeff
May 2010
Primary view of Belle Musique and Fin' Amour: Thibaut de Champagne, Gace Brulé, and an Aristocratic Trouvére Tradition
Bly, Emily
December 2008