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Primary view of Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe
Malan, Petronel
August 2001
Primary view of An Analysis of the Composition Process of Bartók's Eight Improvisations on Hungarian Peasant Songs, Op. 20
Kochbeck, Olivia M.
May 2000
Primary view of An analysis of the Sonata for Trumpet and Piano by Peter Maxwell Davies, identifying the use of historical forms, and the implications for performance.
Adduci, Kathryn James
August 2006
Primary view of '...and one of time.': A Composition for Full Orchestra with Narration
Rinker, John Thomas
December 1999
Primary view of Aphorismen, Capriccio, and Heptameron for Piano Solo By Jürg Baur: a Performer's Guide
Park, Esther
December 2012
Primary view of Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's  Königskinder (1897)
Kinnett, Forest Randolph
August 2004
Primary view of Chamber Music with Double Bass: A New Approach to Function and Pedagogy.
Raschen, Gudrun
December 2009
Primary view of Chen Yi and Her Choral Music: A Study of the Composer's Ideal of Fusing Chinese Music and Modern Western Choral Traditions
Yeung, Hin-Kei
December 2006
Primary view of The Chopin Etudes: a Study Guide for Teaching and Learning Opus 10 and Opus 25
Kim, Min Joung
December 2011
Primary view of Construction Applications, Practices, and Techniques of Natural Trumpets: A Comparative Analysis of Baroque and Modern Era Natural Trumpet Construction Methods
Wells, Lawrence E.
December 2006
Primary view of A Critical Study of Arnold Schoenberg's Chamber Transcription of Gustav Mahler's Das Lied von der Erde
Sun, Ai-Kuang
August 2006
Primary view of As Darkness Falls: A Composition for Wind Ensemble
Prinz, Kendall R.
December 1999
Primary view of A Different Drummer: A Chamber Opera
Friedman, Arnold Jacob
May 1999
Primary view of Dream of a Thousand Keys: A Concerto for Piano and Orchestra
Choi, Da Jeong
May 2011
Primary view of East Meets West: Nationalistic Elements in Selected Piano Solo Works of Chen Yi
Li, Songwen
August 2001
Primary view of Extemporizing Reawakened: Saxophonist Branford Marsalis's Approach to the Cadenza for  Concertino da Camera for Alto Saxophone and Eleven Instruments by Jacques Ibert
James, Matthew T.
December 2006
Primary view of Five Seasons: A composition for flutist and percussionist
Kim, Chol-Ho
August 2001
Primary view of Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony
Rober, Russell Todd
August 2003
Primary view of Gunther Schuller and John Swallow: Collaboration, Composition, and Performance Practice in Eine Kleine Posaunenmusik, with Three Recitals of Selected Works by Berio, Bogle, Gregson, Pryor, Suderburg and Others
Bogle, James Michael
May 2000
Primary view of José Antonio Gómez´s Versos Para Órgano (Section I): a Practical Guide for Performance
Carrasco Curíntzita, Laura A.
August 2012
Primary view of The Key to Unlocking the Secret Window
McConnell, Sarah E.
December 2010
Primary view of The Klezmer Influence in Paul Schoenfield’s Klezmer Rondos
Trimble, Mark
December 2011
Primary view of The Legacy of Theodore Leschetizky as Seen through His Pedagogical Repertoire and Teaching Style
Serrin, Bret
May 2010
Primary view of The Long Chorale Preludes of J. S. Bach (1685-1750): Study of Accompaniments together with Three Recitals of Selected Works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and Others
Lim, Aesook
May 2006