UNT Libraries - 152 Matching Results

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Primary view of The 1896 Vienna Tonkünstler-verein Competition: the Three Award-winning Works and Seven Anonymous Submissions with Clarinet
Harrell, Andrea
August 2014
Primary view of Alfredo Casella's Serenata, op. 46, A Performance Guide for the Ensemble and Trumpet Part
Walker, Brian Matthew
May 2011
Primary view of An Analysis and Comparison of Four Rotations Pour Marimba, A Solo Marimba Suite, by Eric Sammut
Suen, Ming-Jen
May 2011
Primary view of An Analysis of Honegger’s Cello Concerto (1929): a Return to Simplicity?
Kleinmann, Denika Lam
May 2014
Primary view of An Analysis of Pitch Organization in Villa-lobos's Rudepoêma
Kruger, Esthea
May 2013
Primary view of Analysis of Roger-ducasse’s Pastorale Pour Orgue
Kim, Jung-Won
May 2012
Primary view of An Analysis of the Pedagogical Advantages Relating to Combined Study of Euphonium and Trombone through the Use of Specific Repertoire
Lipton, Jamie
August 2010
Primary view of Ancient Musical Ideas Through a Twenty-First Century Lens: An Examination of Tarik O’Regan’s Scattered Rhymes and Its Relationship to Guillaume de Machaut’s Messe de Notre Dame
LaBarr, Cameron Frederick
August 2011
Primary view of An Annotated Bibliography of Selected Music for Saxophone by Charles Ruggiero with an Analysis of Interplay for Soprano Saxophone and Piano
Bradfield, Ann
May 2010
Primary view of Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part
Tang, Wen-Chien
August 2010
Primary view of Aphorismen, Capriccio, and Heptameron for Piano Solo By Jürg Baur: a Performer's Guide
Park, Esther
December 2012
Primary view of The Automatic Compensating Euphonium As the Ideal Choice for Performing Music Composed Originally for Ophicleide
Demy, Richard R.
August 2014
Primary view of The Avatar by Steve Rouse: A Performance Practice Guide
Lynn, Mark J.
August 2010
Primary view of Baroque Elements In The Piano Sonata, Opus 9 By Paul Creston
Watanabe, Chie
December 2011
Primary view of Britten’s Op 47, Five Flower Songs: Breaking Trends in Analysis
Jackson, Christopher Michael
August 2013
Primary view of A-Bu-GE: A Composition for Organ and Percussion
Kim, Chol-Ho
December 2010
Primary view of Carlos Guastavino’s Sonata Para Trombón O Trompa Y Piano: Analysis of Argentine Song and Formal Western Music Tradition Applied to Trombone Repertoire
Rego Borges, Lucas
August 2014
Primary view of The Changing Symbolic Images of the Trumpet: Bologna and Venice in the Seventeenth Century
Karp, Jamie Marie
May 2014
Primary view of The Chopin Etudes: a Study Guide for Teaching and Learning Opus 10 and Opus 25
Kim, Min Joung
December 2011
Primary view of The Choral Music of Ola Gjeilo: a New Vision of the Choral Instrument in the 21St Century
Schmidt, Brian A., 1980-
May 2012
Primary view of The Cimbasso and Tuba in the Operatic Works of Giuseppe Verdi: A Pedagogical and Aesthetic Comparison
Costantino, Alexander
August 2010
Primary view of Claude Bolling’s Toot Suite for Trumpet and Jazz Piano: a Performance Guide
Passley, Oscar O.
August 2012
Primary view of The Collective Pedagogy Utilized By the Trombone Instructors at the Rotterdam Conservatory of the Netherlands
Wallace, Noel James
May 2012
Primary view of The Combination of Eastern and Western Musical Worlds: Korean Performance Techniques Applied to Western Symphony Orchestra in Relation to Isang Yun’s Tänzerische Fantasie Für Großes Orchester, Muak (1987)
Lo, MeeAh
August 2014
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