UNT Libraries - 162 Matching Results

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Primary view of The 1896 Vienna Tonkünstler-verein Competition: the Three Award-winning Works and Seven Anonymous Submissions with Clarinet
Harrell, Andrea
August 2014
Primary view of The 1986 National Endowment for the Arts Commission: An Introspective Analysis of Two Marimba Works
Fang, I-Jen
August 2005
Primary view of Alberto Grau: The Composer, Selected Works, and Influence upon the Venezuelan and International Choral Community
Yu, Julie
August 2007
Primary view of Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe
Malan, Petronel
August 2001
Primary view of The American Trumpet Sonata in the 1950s: An Analytical and Sociohistorical Discussion of Trumpet Sonatas by George Antheil, Kent Kennan, Halsey Stevens, and Burnet Tuthill.
Dearden, Jennifer Lorien
August 2007
Primary view of An Analysis of Joe Lovano's Tenor Saxophone Improvisation on "Misterioso" by Thelonius Monk: An Exercise in Multi-Dimensional Thematicism
Dahlke, Andrew Richard
August 2003
Primary view of An Analysis of Selected Choral Works by Kirke Mechem: Music-Textual Relationships in Settings of Poetry of Sara Teasdale
Bierschenk, Jerome Michael
August 2003
Primary view of An analysis of the American Concerto by Ellen Taaffe Zwilich, identifying the use of motives, and a guide for performance preparation.
Samayoa, Raquel Rodriquez
August 2008
Primary view of An Analysis of the Attempted Amalgamation of Western and Chinese Musical Elements in Huang Anlun's Piano Concerto in G Minor, Opus 25b, a Lecture Recital, Together with Three Recitals of Selected Works by Bach, Beethoven, Chopin, Liszt, Mozart, Schubert, and Schumann
Pei, Yushu
August 1997
Primary view of An Analysis of the Pedagogical Advantages Relating to Combined Study of Euphonium and Trombone through the Use of Specific Repertoire
Lipton, Jamie
August 2010
Primary view of Analysis of the Re-Orchestrations of Robert Schumann's Four Symphonies Employed by Felix Weingartner: With Four Recitals of Selected Works by Schumann, Beethoven, Tchaikovsky, Poulenc, Bizet, Rossini, and Chabrier
Cummings, Ronn (Ronn Thomas)
August 1997
Primary view of An analysis of the Sonata for Trumpet and Piano by Peter Maxwell Davies, identifying the use of historical forms, and the implications for performance.
Adduci, Kathryn James
August 2006
Primary view of Ancient Musical Ideas Through a Twenty-First Century Lens: An Examination of Tarik O’Regan’s Scattered Rhymes and Its Relationship to Guillaume de Machaut’s Messe de Notre Dame
LaBarr, Cameron Frederick
August 2011
Primary view of Antonín Dvořák’s Piano Concerto in G Minor, Opus 33: A Discussion of Musical Intent and Pianistic Effectiveness in Vilém Kurz's Version of the Solo Piano Part
Tang, Wen-Chien
August 2010
Primary view of An Approach to the Analytical Study of Jung-Sun Park's Choral Work: Arirang Mass
Im, Changeun
August 2006
Primary view of The Assimilation of Baroque Elements in Ferruccio Busoni's Compositions as Exemplified by the Fantasia nach Bach and the Toccata
Van Schalkwyk, Willem Andreas Stefanus
August 2009
Primary view of The Automatic Compensating Euphonium As the Ideal Choice for Performing Music Composed Originally for Ophicleide
Demy, Richard R.
August 2014
Primary view of The Avatar by Steve Rouse: A Performance Practice Guide
Lynn, Mark J.
August 2010
Primary view of Britten’s Op 47, Five Flower Songs: Breaking Trends in Analysis
Jackson, Christopher Michael
August 2013
Primary view of Carl Orff's Carmina Burana: A Comparative Study of the Original for Orchestra and Choruses with the Juan Vicente Mas Quiles Wind Band and Chorus Arrangement.
Simon, Philip G.
August 2008
Primary view of Carl Sandburg's Timeless Prairie: Philip Wharton's Song Cycle, The Prairie Sings
Wunderlich, Kristen A.
August 2008
Primary view of Carlos Guastavino’s Sonata Para Trombón O Trompa Y Piano: Analysis of Argentine Song and Formal Western Music Tradition Applied to Trombone Repertoire
Rego Borges, Lucas
August 2014
Primary view of "Ch'io t'abbandono" by Felix Mendelssohn Bartholdy: A Dramatic Image of the Education and Aptitudes of the Composer
Turley, Charles William
August 2002
Primary view of Choral Resonance: Re-Examining Concepts of Tone and Unification.
Quist, Amanda Renee
August 2008
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