Search Results

Primary view of The Multi-percussion Writing of William Kraft in his Encounters Series With Three Recitals of Selected Works of Erb, Ptaszynska, Redel, Serry, and Others
Bridwell, Barry D.
May 1993
Primary view of A Multidimensional Polymetric Analysis of Excerpts from the Wind Band Music of Dan Welcher and Yo Gotō
Robinson, David D. (David DeWitt)
December 2016
Primary view of Music for Saxophone and Harp: An Investigation of the Development of the Genre with an Annotated Bibliography
Shner, Idit
December 2007
Primary view of Music for Solo Bassoon and Bassoon Quartet by Pulitzer Prize Winners: A Guide to Performance
Worzbyt, Jason Walter
May 2002
Primary view of Music for the Saxophone Duet Genre: an Annotated Bibliography of Selected Original Music
Chien, Wei-Lun
August 2015
Primary view of Music of the Spheres: Astronomy and Shamanism in the Music of Urmas Sisask
Edmonds, David Michael
August 2012
Primary view of Musical Borrowing in the Choral Music of Andrew Rindfleisch
Glann, Kerry
December 2015
Primary view of The Musical Language of Joan Tower: An Energy Line Analysis of  Island Prelude for Oboe and Wind Quartet
Shouha, Laura
December 2001
Primary view of Musical Time and Memory: A Bergsonian Interpretation of Sergei Rachmaninoff's Prelude Op. 32 No. 10 in B Minor
Buxton, Robert S.
August 2018
Primary view of Musique Concrète Instrumentale in Helmut Lachenmann's "Child's Play" (1980): A Pedagogical Study for Late Intermediate Students
Kong, Byung Sook
May 2023
Primary view of The Mystery of the “Althorn (Alto Horn) Sonata” (1943) by Paul Hindemith
Hemken, Jennifer Ann
August 2015
Primary view of The Mystery of the Chalumeau and Its Historical Significance as Revealed Through Selected Works for Chalumeau or Early Clarinet by Antonio Vivaldi: A Lecture
Braun, Lindsay Taylor
May 2016
Primary view of Naples and the Emergence of the Tenor as Hero in Italian Serious Opera
Ekstrum, Dave
May 2018
Primary view of A National Idiom Universally Understood: Brazilian Tradition and Personal Evolution in Osvaldo Lacerda's "Variações e Fuga para quinteto de sopros"
Leffler, Hannah
August 2018
Primary view of Native American Elements in Piano Repertoire by the Indianist and Present-Day Native American Composers
Thomas, Lisa Cheryl
May 2010
Primary view of Navigating Musical Tensions: African American Themes against Western Structure in Florence B. Price's (1887-1953) Piano Sonata in E minor
Chun, Yeo Hun
December 2021
Primary view of A Neglected Clarinet Concerto by Ludwig August Lebrun: A Performing Edition with Critical Commentary: A Lecture Recital, Together with Three Other Recitals
Duhaime, Ricky Edward
August 1986
Primary view of New Resources in Twentieth-Century Piano Music and Richard Wilson's Eclogue (1974)
Lan, Ping-Ting
August 2000
Primary view of New TEKS Health Standards: Awareness, Perceived Knowledge, and Perceived Competency among Choral Music Educators in Texas
Burrows, Gideon C.
August 2021
Primary view of The Nightingale's Flight from Opera to Symphonic Poem: A Comparative Study of The Nightingale and The Song of the Nightingale by Igor Stravinsky
Couturiaux, Clay
December 2000
Primary view of The Nineteenth-Century German Tradition of Solo Trombone Playing: A Lecture Recital, Together with Three Recitals of Selected Works of E. Bozza, W. Hartley, A. Frackenpohl, A. Pryor. G. Frescobaldi. L. Grondahl, P. Bonneau and Others
Wolfinbarger, Steve M.
August 1989
Primary view of The Nineteenth Century Oboe Concertino: An Overview of its Structure with Two Performance Guides
Murray, Lauren Baker
August 2002
Primary view of Octatonic Pitch Structure and Motivic Organization in George Walker's Canvas for Wind Ensemble, Voices, and Chorus
Nelson, Ryan
May 2003
Primary view of On Wings of Song: Exploring the First-Generation Chinese Art Song Composer Ellinor Valesby (1894-1969)
Xu, Jing
May 2023
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