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Primary view of The Anthem in America: 1900-1950
Fansler, Terry Lee
August 1982
Primary view of Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's  Königskinder (1897)
Kinnett, Forest Randolph
August 2004
Primary view of Busoni's Doktor Faust
Harrison, Charles Scott
August 1976
Primary view of Carlo Milanuzzi's Quarto Scherzo and the Climate of Venetian Popular Music in the 1620s
Gavito, Cory Michael
August 2001
Primary view of Centonization and Concordance in the American Southern Uplands Folksong Melody: A Study of the Musical Generative and Transmittive Processes of an Oral Tradition
Bevil, J. Marshall (Jack Marshall)
August 1984
Primary view of The Chevalier de Saint-Georges: An Exponent of the Parisian Symphonie Concertant
Braun, Melanie
August 1982
Primary view of The Christmas Cantatas of Christoph Graupner (1683-1760): Volume 2
Schmidt, René R.
August 1992
Primary view of A Comparative Study of Harmonic Tension in Hindemith's Piano Sonatas and in His Theoretical Writings
Tull, Charlotte
August 1957
Primary view of Composing Symbolism's Musicality of Language in Fin-de-siècle France
Varvir Coe, Megan Elizabeth, 1982-
August 2016
Primary view of Critical Reaction to Serge Koussevitzky's Programming of Contemporary Music with the Boston Symphony Orchestra 1924-1929
Morgan, Richard S. (Richard Sanborn)
August 1982
Primary view of Drama and Characterization in Opera Settings of "A Midsummer Nightʼs Dream" by Britten and Siegmeister
Allen, Debra K. (Debra Kaye)
August 1982
Primary view of The Dramatic and Musical Unity of Hector Berlioz's Les Troyens
Menn, Marta C.
August 1973
Primary view of An Edition of Verse and Solo Anthems by William Boyce
Fansler, Terry L.
August 1975
Primary view of Educating American Audiences: Claire Reis and the Development of Modern Music Institutions, 1912-1930
Freeman, Cole
August 2013
Primary view of The Famous Mr. Keach: Benjamin Keach and His Influence on Congregational Singing in Seventeenth Century England
Carnes, James Patrick
August 1984
Primary view of Foreignizing Mahler: Uri Caine’s Mahler Project As Intertraditional Musical Translation
Ritchie, J. Cole
August 2015
Primary view of Form and Meaning in Benjamin Britten's Sonnet Cycles
Stroeher, Vicki Pierce
August 1994
Primary view of Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony
Rober, Russell Todd
August 2003
Primary view of The Fourteen Seréstas of Heitor Villa-Lobos (1887-1959)
Sánchez, Noé
August 1999
Primary view of French Theories of Beauty and the Aesthetics of Music 1700 to 1750
Dill, Charles William
August 1982
Primary view of The Full Anthems and Services of John Blow and the Question of an English Stile Antico
King, Deborah Simpkin
August 1990
Primary view of The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams
Fledderus, France
August 1996
Primary view of Ignacy Feliks Dobrzyński (1807-1867): His Life And Symphonies
Smialek, William
August 1981
Primary view of In-between Music: The Musical Creation of Cholo Identity in Cochabamba, Bolivia
Jones, Eric
August 2007
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