UNT Libraries - 27 Matching Results

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Primary view of Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimentation in Timbre
O’Neal, John Micheal
December 2015
Primary view of The Bass Clarinetist’s Pedagogical Guide to Excerpts From the Wind Band Literature
Bland, Britni Cheyenne
August 2015
Primary view of Breaking the Doubler Barrier: Using Sy Brandon’sDivertissement to Demonstrate a Practical Approach to Performing Multiple WoodwindWorks
Levels, Brian Eugene
December 2014
Primary view of Charles Wuorinen’s Flute Variations Ii: an Analysis and Performance Guide
Dewhirst, Kristan K
December 2014
Primary view of The Comparative Analysis of Slovakian Folk Elements From Béla Bartók’s for Children in Paul Schoenfield’s Slovakian Children’s Songs
Son, Kristyn Hyun
August 2015
Primary view of The Creation of a Performance Edition of Gustav Mahler's Lieder Und Gesänge Aus Der Jungendzeit and Its Role in Bass Tuba Pedagogy
Baker, Jeffrey T.
December 2012
Primary view of Determining the Authenticity of the Concerto for Two Horns, Woo 19, Attributed to Ferdinand Ries
Laursen, Amy D.
December 2015
Primary view of Evoking the Mystery: A Pedagogical Method to Enable an Advanced Violinist to Master George Crumb’s Four Nocturnes (Night Music II)
Homer, Scott Daniel
May 2015
Primary view of Form in Popular Song, 1990-2009
Ensign, Jeffrey S.
December 2015
Primary view of A Guide to Arranging Late Eighteenth and Early Nineteenth Century Harmoniemusik in an Historical Style
April Marie Ross
August 2015
Primary view of Hâfez and Betinis: a Conductor’s Approach to Ancient Persian Poetry As Voiced by a Twenty-first Century, Western Composer
Steenblik, Peter C.
December 2015
Primary view of Modern Forms of an Ancient Art: A Selection of Contemporary Fanfares for Multiple Trumpets Demonstrating Evolutionary Processes in the Fanfare Form
Florek, Paul J.
May 2015
Primary view of The Modern Trombone in the African American Church: Shout Bands and the African American Preacher in the United House of Prayer
Block, Tyrone J.
May 2015
Primary view of Music for the Saxophone Duet Genre: an Annotated Bibliography of Selected Original Music
Chien, Wei-Lun
August 2015
Primary view of Musical Borrowing in the Choral Music of Andrew Rindfleisch
Glann, Kerry
December 2015
Primary view of The Mystery of the “Althorn (Alto Horn) Sonata” (1943) by Paul Hindemith
Hemken, Jennifer Ann
August 2015
Primary view of The Pedagogy of Robert Dick
Bost-Sandberg, Lisa
December 2014
Primary view of A Practical Edition of the Twenty-four Caprices for Solo Violin by Sir William Herschel
Vu, Chuong Viet
December 2015
Primary view of The Practice of ‘Adoptive’ Transcription in Selected Works for Clarinet by Eugène Bozza
Liu, Hsing-Fang
December 2015
Primary view of Professor Han Xianguang and His Contribution to the Horn World
Yeoh, Li Zhi
December 2015
Primary view of Reading Isang Yun’s Concerto No 3 Beyond Western Notational Norms
Ro, Sophia M.
December 2014
Primary view of Reimagining “The Art of Phrasing” by Jean Baptiste Arban: Teaching Musical Style to Modern Day Trumpet Players
George, Miranda
December 2015
Primary view of Rhythmic Consonance and Dissonance in Eckhard Kopetzki’s Works for Solo Percussion: Topf-tanz and Canned Heat
Hampton, Walter Ellis
December 2014
Primary view of Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment
Fick, Kimary E.
December 2015
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