UNT Libraries - 158 Matching Results

Search Results

Primary view of Addition, Omission and Revision: the Stylistic Changes Made to Zehn Variationen über ein Präludium von Chopin by Ferruccio Busoni
Yoon, Soomee
December 1994
Primary view of An Analysis of Dominick Argento's "Peter Quince at the Clavier": the Music and Its Relationship to the Text
Gonzales, Cynthia I. (Cynthia Inez)
August 1990
Primary view of '...and one of time.': A Composition for Full Orchestra with Narration
Rinker, John Thomas
December 1999
Primary view of Andrejs Jurjāns as Symbol of Latvian Identity: Native Folk Songs in his Large-Scale Symphonic Works
Švalbe, Erika Lynn
December 1997
Primary view of Animations: A Composition for Percussion and Computer Music on Tape
Criswell, Madeleine L.
August 1993
Primary view of An Application of Grundgestalt Theory in the Late Chromatic Music of Chopin: a Study of his Last Three Polonaises
Spicer, Mark Joseph
December 1994
Primary view of Applications of Reductive Analytical Techniques in the Phrygian Settings of the Orgelbüchlein by J.S. Bach
Leite, Zilei de Oliveira
May 1995
Primary view of An Argument for the Reassessment of Stravinsky's Early Serial Compositions
Hughes, Timothy Stephen
December 1995
Primary view of Art Song by Turn-of-the-Century Female Composers
Click, Sarah, D.
December 1993
Primary view of Aspects of Performance in Three Works for Piano and Tape : Larry Austin's Sonata Concertante, Thomas Clark's Peninsula, and Phil Winsor's Passages
Brandenburg, Octavia
May 1993
Primary view of Assimilation of Baroque and Classical Essence with Romantic Sentiment: a Structural Analysis of Felix Mendelssohn-Bartholdy's Sonata in C Minor for Organ, Opus 62, No. 2
Chou, Kwong-Yan Godwin
December 1994
Primary view of Autographs 1928 : Four Songs for Soprano and Chamber Ensemble
Walls, Jay Alan
August 1995
Primary view of Band Directors and Hearing: Measuring School Bands for Potentially Hazardous Sound Levels
Samford, Brent R.
August 1993
Primary view of The Baroque Guitar : Late Spanish Style as Represented by Santiago de Murcia in the Salvidar Manuscript (1732), with Three Recitals of Selected Works by Bach, Rak, Brouwer, Hummel, Gnattali and Others
Yates, Stanley
December 1993
Primary view of Beneath the Dancing Moon: A Composition for Woodwind and Percussion Ensemble
Pang, Law Ma Rome Anne
December 1992
Primary view of I, Blavatsky: A One-Act Opera
Cooper, Steve, 1951 Dec. 4-
May 1990
Primary view of Bohuslav Martinu: An Examination of Selected Chamber Music Involving the Clarinet
Walzel, Robert L.
December 1997
Primary view of Boulez's Sonatine and the Genesis of His Twelve-tone Practice
Chang, Sangtae
May 1998
Primary view of Cadential Syntax and Mode in the Sixteenth-Century Motet: a Theory of Compositional Process and Structure from Gallus Dressler's Praecepta Musicae Poeticae
Hamrick, David (David Russell)
May 1996
Primary view of The Cantatas of Jean-Philippe Rameau
McManus, Catherine
May 1991
Primary view of A Capella Eletronnica
Bonneau, Paul G. (Paul Gregory)
August 1995
Primary view of Cenotaph: A Composition for Computer-Generated Sound
Rogers, Rowell S. (Rowell Seldon)
August 1990
Primary view of The Chaconne Bass as a Musical Topos in Mozart's Fantasia Music
Spicer, Mark Stuart
August 1990
Primary view of Chaos, Cosmos, and Communion: Three Movements for String Quartet
Moran, David W. (David Wayne)
August 1994