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open access

Access to Film and Video Works: Surrogates for Moving Image Documents

Description: This doctoral dissertation discusses access to film and video works. Physical and intellectual access to moving image documents is insufficient, often insignificant, at the level of the individual user. Existing access tools suffer from a lack of recognition of the differences between linguistic text communication and image communication. Browsing and relevance judgements are made difficult by the physical realities of film and video documents - one cannot flip through them - and by the habits … more
Date: 1984
Creator: O'Connor, Brian Clark
Partner: UNT College of Information

Prototypes: Hand Masters Machine

Description: I investigated several problems I have found concerning contemporary jewelry design. These problems are linked to the industrialization of jewelry making. The industrialization of jewelry making led to the preference of using less precious metal, of using Prong, Crown, and Channel stone-settings, and of using high polished mirror finish for surface treatment. My work addressed the prominence of metal in jewelry design and alternate forms and techniques of stone-setting and surface treatment.
Access: Restricted to UNT Community Members. Login required if off-campus.
Date: May 2001
Creator: Milton, Robert L.
Partner: UNT Libraries
open access

User Experience of Access Points: Eye-tracking, Metadata, and Usability Testing

Description: This doctoral dissertation applies user experience and complex systems theory, combining eye-tracking data with verbal and observational data from user test instances, to study the effectiveness of metadata records that accompany digital primary source objects available on The Portal to Texas History.
Date: May 2016
Creator: Krahmer, Ana
Partner: UNT Libraries Digital Projects Unit
open access

The Charanga in New York, 1987-88: Musical Style, Performance Context, and Tradition

Description: This study describes the state of the charanga, a Latin popular music ensemble, in New York in 1987–1988. After sketching the historical background of the ensemble, I will present and analyze data derived from primary fieldwork with Orquesta Broadway and secondary work with La Orquesta Típica Novel and Charanga América in the domains of musical style, performance context, and tradition.
Date: 2020
Creator: Murphy, John P. (John Patrick)
Partner: UNT College of Music
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