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Primary view of Consonance, Tertian Structures and Tonal Coherence in Wladimir Vogel's Dodecaphonic World
Hale, Jacquelyn
December 2002
Primary view of Ran, Shulamit: Concerto da Camera II, Analysis of Pitch and Formal Structure
Lin, Sheng
May 2000
Primary view of An Analysis of the Composition Process of Bartók's Eight Improvisations on Hungarian Peasant Songs, Op. 20
Kochbeck, Olivia M.
May 2000
Primary view of Redeeming the Betrayer: Elgar’s Portrayal of Judas in the Apostles
Taycher, Ryan
December 2013
Primary view of Toward a Unified Whole: Allan Pettersson's Symphony No. 5.
Davis, Colin
August 2007
Primary view of Dissonance Treatment in Fuging Tunes by Daniel Read from The American Singing Book and The Columbian Harmonist
Sims, Scott G.
May 1987
Primary view of Martin Agricola's 'Musica Instrumentalis Deudsch': A Translation
Hollaway, William W.
May 1972
Primary view of Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary. [Part 1]
Herman, Robert H., 1934-
August 1973
Primary view of A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form
Lang, Adelheid K.
July 1993
Primary view of Thematic and Formal Narrative in Respighi’s Sinfonia Drammatica
Amato, Alexander G.
May 2014
Primary view of Drafts, Page Proofs, and Revisions of Schenker's Der freie Satz:  The Collection at the Austrian National Library and Schenker's Generative Process
Auerbach, Jennifer Sadoff
May 2009
Primary view of The Lessons of Arnold Schoenberg in Teaching the Musikalische Gedanke
Conlon, Colleen Marie
May 2009
Primary view of An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven
Graf, Benjamin
May 2016
Primary view of A Phenomenology of Music Analysis
Anderson, Andrew E. (Andrew Edwin)
December 1995
Primary view of An Application of Grundgestalt Theory in the Late Chromatic Music of Chopin: a Study of his Last Three Polonaises
Spicer, Mark Joseph
December 1994
Primary view of Tonal Perspectives in the Selected Piano Preludes of Shostakovich (Op.34: nos.1, 3, 6, 14, and 24): an Analytical Study
Lee, Tze Fung Alfred
August 1994
Primary view of Sibelius's Seventh Symphony: Genesis, Design, Structure, and Meaning
Pavlak, F. William
May 2004
Primary view of Op. 34: Evidence of Arnold Schoenberg's Musikalische Gedanke
Fukuchi, Hidetoshi
May 2004
Primary view of Missa Papae Marcelli: A Comparative Analysis of the Kyrie and Gloria Movements of Giovanni Pierluigi da Palestrina and an Adaptation by Giovanni Francesco Anerio
Moore, Michael J.
May 2006
Primary view of Deconstructing Webern's Op 25, Drei Lieder: a Multidimensional Assessment
Morgeson, Paul Taylor
August 2013
Primary view of Klangfarben, Rhythmic Displacement, and Economy of Means: A Theoretical Study of the Works of Thelonious Monk
Kteily-O'Sullivan, Laila Rose
December 1990
Primary view of Dmitri Shostakovich and the Fugues of Op. 87: A Bach Bicentennial Tribute
Adams, Robert M. (Robert Michael)
August 1981
Primary view of An Analysis of Robert Nathaniel Dett's In the Bottoms
Miles, Debra A. (Debra Ann)
December 1983
Primary view of The Fundamental Unity in Brahm's Horn Trio, Op. 40
Kim, JongKyun
August 2007
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