An analysis of the attempted amalgamation of western and Chinese musical elements in Huang Anlun's Piano concerto in G minor, opus 25B, a lecture recital, together with three recitals of selected works by Bach, Beethoven, Chopin, Liszt, Mozart, Schubert and Schumann
Description: While China possesses one of the world's richest musical heritages, it remained unaffected by Western music until early in this century. Subsequently there was a movement of nationalism in music approximately three decades after the introduction of Western music. This movement, aimed at utilizing the Western compositional techniques to create musical works that still would be uniquely Chinese, continues even today.
Date: August 1997
Creator: Pei, Yushu
Partner: UNT Libraries