UNT Theses and Dissertations - 74 Matching Results

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Primary view of Martin Agricola's 'Musica Instrumentalis Deudsch': A Translation
Hollaway, William W.
May 1972
Primary view of Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary
Herman, Robert H., 1934-
August 1973
Primary view of A Survey of the Influence of Heinrich Schenker on American Music Theory and Its Pedagogy Since 1940
Austin, John C.
December 1974
Primary view of The Published Writings of Ernest McClain Through Spring, 1976
Wingate, F. Leighton
August 1977
Primary view of A Study of Root Motion in Passages Leading to Final Cadences in Selected Masses of the Late Sixteenth Century
Lindsey, David R.
August 1979
Primary view of Dmitri Shostakovich and the Fugues of Op. 87: A Bach Bicentennial Tribute
Adams, Robert M. (Robert Michael)
August 1981
Primary view of The Traité d'harmonie of Charles-Simon Catel
George, David Neal
December 1982
Primary view of J. F. Daube's "General-Bass in drey Accorden" (1756): A Translation and Commentary
Wallace, Barbara Kees
May 1983
Primary view of An Analysis of Robert Nathaniel Dett's In the Bottoms
Miles, Debra A. (Debra Ann)
December 1983
Primary view of Syntactic Structures in Functional Tonality
Phelps, James, 1954-
August 1985
Primary view of The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality
Woodruff, Lawrence Theodore
August 1986
Primary view of Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors
Flores, Carlos A. (Carlos Arturo)
August 1986
Primary view of Dissonance Treatment in Fuging Tunes by Daniel Read from The American Singing Book and The Columbian Harmonist
Sims, Scott G.
May 1987
Primary view of Transposition and the Transposed Modes in Late-Baroque France
Parker, Mark M. (Mark Mason)
December 1988
Primary view of Harmony in the Songs of Hugo Wolf
McKinney, Timothy R. (Timothy Richmond)
August 1989
Primary view of A Study of the Relationship Between Motive and Structure in Brahms's op. 51 String Quartets
Yang, Benjamin H. (Benjamin Hoh)
August 1989
Primary view of Antoine Reicha's Theories of Musical Form
McCachren, Jo Renee
December 1989
Primary view of Beethoven's Transcendence of the Additive Tendency in Opus 34, Opus 35, Werk ohne Opuszahl 80, and Opus 120
Kramer, Ernest J. (Ernest Joachim)
December 1989
Primary view of Klangfarben, Rhythmic Displacement, and Economy of Means: A Theoretical Study of the Works of Thelonious Monk
Kteily-O'Sullivan, Laila Rose
December 1990
Primary view of Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck
Cranford, Dennis R. (Dennis Ray)
May 1992
Primary view of A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form
Lang, Adelheid K.
July 1993
Primary view of Tonal Perspectives in the Selected Piano Preludes of Shostakovich (Op.34: nos.1, 3, 6, 14, and 24): an Analytical Study
Lee, Tze Fung Alfred
August 1994
Primary view of An Application of Grundgestalt Theory in the Late Chromatic Music of Chopin: a Study of his Last Three Polonaises
Spicer, Mark Joseph
December 1994
Primary view of A Phenomenology of Music Analysis
Anderson, Andrew E. (Andrew Edwin)
December 1995