This thesis examines the development of Russian industry, and includes chapters on Russian manufacturing prior to the world war, heavy industry, light industry, sources of supplies, hindrances to manufacturing, and working and housing conditions.
Russian leaders have sought to put the theory of Communism into actual practice in the farming practices of the country. What has been accomplished? This study has been undertaken with this question in mind.
The purpose of this study is to examine one specific phase of Soviet life--the agricultural system. Whether the Russian peasants are better off under the Communists than they were under the Czar is a question of most importance and interest.
This work presents a brief historical survey of the Church and State relationship from the introduction of Christianity into Russia in the tenth century until the beginning of the Russo-German War in 1941.
This thesis presents a brief history of medicine in Russia leading up to the institution of socialized medicine by the U.S.S.R. in 1917. It also details Soviet medicine in the socialist period up through World War II.
Russia's position as one of the two greatest powers in the world of today is generally known. Industrial development, on of the factors that has played the major role in raising her to this position, is too often slighted in studies in favor of political and social matters. Her industrial development is unparalleled; it is completely single and unique. Because of all these factors the writer has endeavored to trace the development of Russia's basic industries and railroads up to 1932.
Just to what degree Dostoyevsky's thoughts paralleled those of the Slavophiles will be outlined in subsequent chapters in three major areas--Orthodoxy, Autocracy, and Nationality. Uvarov's old 1828 formula provides a simple outline in which to describe and compare the more complicated core of Dostoyevskyan and Slavophile philosophy.
This thesis is a study and evaluation of Russian foreign policy in the Balkan Wars, 1912-13. Its primary purpose is to seek out and define the goals and aspirations of Russian diplomacy at this time and evaluate them in terms of success or failure.
The purpose of this thesis is to examine the topic of political control of literature within the Soviet Union. The specific scope of this examination includes an investigation of Nikita S. Khrushchev and his utilization of socialist realism as one of the primary methods of literary control during the period, 1960-1963. A study of literature and its political control will demonstrate the important and dynamic roles which the political control of literature fulfills in the political system.
This thesis examines British Foreign Office views of Russia and Anglo-Russian relations prior to the 1907 Anglo-Russian Entente. British diplomatic documents, memoirs, and papers in the Public Record Office reveal diplomatic concern with ending Central Asian tensions. This study examines Anglo-Russian relations from the pre-Lansdowne era, including agreements with Japan (1902) and France (1904), the Russo-Japanese war of 1904-05, and the shift in Liberal thinking up to the Anglo-Russian Entente. The main reason British diplomats negotiated the Entente was less to end Central Asian friction, this thesis concludes, than the need to check Germany, which some Foreign Office members believed, was bent upon European hegemony.
The purposes of this study were (1) to identify the reasons for and the processes of underground communication in Russia since the seventeenth century and (2) to utilize the information to interpret the clandestine media's significance. The study concluded: (1) underground media have evolved because Russian governments have oppressed free speech; (2) dissidents have shared similarities in the methods of illicit communications; (3) whereas the earlier clandestine press tended to be either literary or political, today's samizdat is a synthesis of many varieties of dissent; (4) underground media have reflected the unique characteristics of Russian journalism; and (5) the Chronicle of Current Events is unparalleled as a news journal in the history of Russian dissent.
The following is a historical analysis on the Moscow Art Theatre’s (MAT) tours to the United States in 1923 and 1924, and the developments and changes that occurred in Russian and American theatre cultures as a result of those visits. Konstantin Stanislavsky, the MAT’s co-founder and director, developed the System as a new tool used to help train actors—it provided techniques employed to develop their craft and get into character. This would drastically change modern acting in Russia, the United States and throughout the world. The MAT’s first (January 2, 1923 – June 7, 1923) and second (November 23, 1923 – May 24, 1924) tours provided a vehicle for the transmission of the System. In addition, the tour itself impacted the culture of the countries involved. Thus far, the implications of the 1923 and 1924 tours have been ignored by the historians, and have mostly been briefly discussed by the theatre professionals. This thesis fills the gap in historical knowledge.
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