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Form and tonality as elements of neoclassical style in two works by Jean Francaix: Divertimento pour flute et piano (1955) and Suite pour flute seule (1963) with three recitals of selected works of Mozart, Widor, Feld, Muczynski and others

Description: The music of Jean Francaix is well known to those familiar with woodwind chamber literature. His long, successful career began in the 1930s when French composers rejected the excessively chromatic harmonies, intense emotionalism and grandiose proportions of late Romantic music. Embracing the concepts of neoclassicism, economy of means, clarity and objectivity, and a return to diatonicism and formal structures, the new "Classical" music contained the added spice of twentieth-century harmonic tec… more
Date: May 1996
Creator: Ruppe, Elizabeth Ambler
Partner: UNT Libraries
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The Formative Years: an Exploration of the Early Training and Song Juvenilia of Samuel Barber

Description: In the art of song composition, American composer Samuel Barber was the perfect storm. Barber spent years studying under superb instruction and became adept as a pianist, singer, composer, and in literature and languages. The songs that Barber composed during those years of instruction, many of which have been posthumously published, are waypoints on his journey to compositional maturity. These early songs display his natural inclinations, his self-determination, his growth through trial and… more
Date: May 2013
Creator: Chester, Derek T.
Partner: UNT Libraries
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Four Evening Service Settings of Joel Martinson: An American's Contribution to Anglican Evensong Repertoire

Description: The Evening Service settings of great British composers like Charles Stanford, A. Herbert Brewer, Charles Wood and Herbert Howells are well known and performed often throughout the world. However, little is known about the body of settings created by American composers. There are currently approximately 75 American composers dating from 1890 to the present, with Evening Service settings in print. Joel Martinson, based in Dallas, Texas, is an American composer, church musician, concert organist,… more
Date: May 2019
Creator: Gordon, Gary (Gary Adrian)
Partner: UNT Libraries
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Four Organ Chorale Preludes of Johann Sebastian Bach (1685-1750) as Realized for the Piano by Ferruccio Busoni (1866-1924): A Comparative Analysis of the Piano Transcriptions and the Original Works for Organ. A Lecture Recital, Together with Three Recitals of Selected Works of J. Sweelinck, J.S. Bach, W. Mozart, F. Schubert, J. Brahms, and S. Prokofieff

Description: Busoni's contribution to the art of the piano transcription is formidable. His chorale prelude transcriptions make him responsible for giving over to the piano repertoire a small portion of sacred literature. His special admiration of J. S. Bach, evidenced throughout his life, make Busoni's transcriptional practices all the more significant. Bach himself was a prolific transcriber of his own works and the works of others. This paper presents a brief history of keyboard transcriptional practices… more
Date: August 1980
Creator: Lauderdale-Hinds, Lynne Allison
Partner: UNT Libraries
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Francis Poulenc's Sonata for Horn, Trumpet and Trombone: A Structural Analysis Identifying Historical Significance, Form and Implications for Performance

Description: Research has been conducted on Francis Poulenc and his prominent 20th century sonata for brass instruments. Poulenc and members of the French compositional collaboration known as Les Six have all been subjects of research. Francis Poulenc's Sonata for Horn Trumpet and Trombone is a crucial piece in the development of brass chamber music during the 20th century. As one of the first works written for modern brass instruments, it demonstrates a highly crafted compositional style representative of … more
Date: August 2009
Creator: Cord, John T.
Partner: UNT Libraries
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François Couperin's Neuvième Concert, "Ritratto Dell' Amore": A Performance Guide and Edition for Flute and Keyboard

Description: François Couperin (1668-1733) was one of the earliest French Baroque composers to merge the Italian style into the French tradition. He had great influence on the development of French Baroque music from the end of the seventeenth century until his death. Couperin's four Concerts Royaux and the ten Concerts Nouveaux (published in 1722 and 1724) were written for the enjoyment of Louis XIV. Those suites were popular in the court before they were published, as they were requested to be performed e… more
Date: May 2021
Creator: Wong, Ieng Wai
Partner: UNT Libraries
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Franz Liszt: (1811-1886): The Two Episodes from Lenau's Faust as a Unified Work

Description: Franz Liszt composed his Two Episodes from Lenau's Faust between 1856 and 1861. The composer intended to portray two emotionally contrasting scenes from Lenau's Faust in a set for orchestra, the first being The Night Procession and the second The Dance in the Village Inn. Liszt created a duet version of the orchestral set, and also a solo piano version of The Dance in the Village Inn, known as the Mephisto Waltz No. 1. The set was not performed together due to the immense popularity of The Danc… more
Date: August 2007
Creator: Grobler, Pieter Johannes Christoffel
Partner: UNT Libraries
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Franz Liszt as Transcriber and Editor: A Historical Overview and Analytical Study of His Three Versions of Franz Schubert's "Wanderer Fantasy," D.760

Description: This dissertation is divided into six chapters. The first chapter explains the purpose and significance of the study. The second chapter presents an analysis about Wanderer Fantasy, D.760 composed by Schubert, employing Schenker analysis to elucidate important motives. Chapter 3 provides an analysis of Schubert-Liszt, Wanderer Fantasy for Piano and Orchestra, S. 366 and shows how Liszt transcribed the original to emphasize certain motives, and further, describes the development of the piano his… more
Date: August 2021
Creator: Kwon, Jin Ah
Partner: UNT Libraries
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Franz Schubert's op. 59, Performance Edition: A Vocal Approach for the Novice Bass Tuba Player

Description: The purpose of this project is to help bridge the gap of available solos for the novice bass tuba player. It is necessary for the growing tuba player to transition to the bass tuba for solos at the professional level, but the majority of pieces that are written for the bass tuba are at the professional level, and it leaves very little for the transitional phase from a repertoire standpoint. Through transcribing vocal works, an aspiring bass tuba soloist can focus on fundamental aspects of tuba … more
Date: May 2022
Creator: Humphreys, David Kyle
Partner: UNT Libraries
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French Accompanied Keyboard Music from Mondonville's Opus III to Mondonville's Opus V: The Birth of a Genre, a Lecture Recital, Together with Three Recitals of Selected Works of J.S. Back, F. Couperin, G. Frescobaldi, W.A. Mozart, C. Balbastre, D. Scarlatti, J.P. Rameau and Others

Description: In mid-eighteenth-century France, a type of ensemble music was introduced for harpsichord and another instrument(s) in which the harpsichord part is completely written out, instead of a bass line with figures to be realized. Composers of this genre used the word "accompanied" in the tides or in the prefaces of their collections to describe the genre. This study examines the earliest examples of this genre, the works of seven composers, published in the 1740's, (Mondonville, Rameau, Boismoitier,… more
Date: December 1993
Creator: Patterson, Yumi Uchikoda
Partner: UNT Libraries
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The French Sonatina of the Twentieth Century for Piano Solo: With Three Recitals of Works by Mussorgsky, Brahms, Bartok, Durilleux, and others

Description: The purpose of this study is to define the French sonatina of the twentieth century, to expose those works which are most suitable for concert performances, and to provide a resource for teachers and performers. Of the seventy-five scores available to the writer, five advanced-level piano sonatinas of the twentieth century were chosen as the best of those by French composers, in attractiveness and compositional craftsmanship: Maurice Ravel's Sonatine (1905), Maurice Emmanuel's Sonatine VI VI(19… more
Date: August 1999
Creator: Carrell, Scott Allen
Partner: UNT Libraries
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From Deux Danses to Fluctuations: Compositional components and innovations in two solo trombone works of Jean-Michel Defaye.

Description: The purpose of this dissertation is to investigate and document the compositional components and innovations in the compositional style of Jean-Michel Defaye as they relate to two of his works for solo trombone, Deux Danses (1953, trombone and piano) and Fluctuations (1980, trombone solo, six trombones and two percussionists.) This document investigates the circumstances surrounding the creation of each piece as well as the compositional processes of Monsieur Defaye. Jean-Michel Defaye is an i… more
Date: August 2006
Creator: Flanigan, Sean Gerard
Partner: UNT Libraries
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From Germany to Palestine: a Comparison of Two Choral Works by Paul Ben-haim – “Joram” and “Kabbalat Shabbat”

Description: The choral music of Israeli composer Paul Ben-Haim (1897-1984) falls clearly into two distinct compositional periods. Born in Munich, Germany as Paul Frankenburger, the composer received formal, classical training at the Munich Academy of Music. His compositions from this period are an amalgamation of many styles, and they include influences of Bach, Handel, Mahler, Debussy, and Strauss. In 1933, Ben-Haim, along with other trained artists and composers, immigrated to Palestine as part of the… more
Date: August 2013
Creator: Dalrymple, Holly
Partner: UNT Libraries
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From Ritual to Art in the Puritan Music of Colonial New England: the Anthems of William Billings

Description: The manner in which Billings’s music contrasts with the Puritan musical ideal clearly demonstrates his role in the transition from ritual to art in the music of eighteenth-century New England. The tenets of Puritan worship included the restriction that music should serve primarily as a form of communal prayer for the congregation and in a secondary capacity to assist in biblical instruction. Billings’s stylistic independence from Puritan orthodoxy began with a differing ideology concerning th… more
Date: August 2012
Creator: Dill, Patrick W.
Partner: UNT Libraries
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Fugal And Canonic Techniques In Selected Large Chorale Preludes Of Clavierübung III By J.S. Bach

Description: Numerous scholars have studied the Clavierübung III, but their studies mainly focused on the relationship between the chorale text and Bach♠s response in music. Analysis without explaining J.S. Bachs word painting in other chorale preludes can be found easily, but most analyses treat rhetoric, especially those dealing with Clavierübung III. There have been numerous studies linking Bach's organ works to Lutheran doctrine. However, to give a better understanding of the work's structure and its i… more
Date: December 2011
Creator: Kwon, Wonjung
Partner: UNT Libraries
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Functional Orchestral Collaboration Skills for Wind Band Pianists: A Study Guide

Description: As opportunities to perform as a soloist diminish, more pianists consider chamber and orchestral playing as an alternative solution. By so doing, ample performance opportunities are introduced. Although most university music programs offer ensemble courses for pianists and have begun to offer degrees with an emphasis in accompaniment, their curriculum lacks instructions specifically designed to train and prepare pianists for playing in large ensembles, especially wind bands. This dissertation a… more
Date: August 2016
Creator: Kim, Grace Jisoo
Partner: UNT Libraries
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Gabriel Pierné's Sonata in D Minor, op. 36: A Study of the Work's Compositional Language and Context, Focusing on the Composer's Transcription for Flute

Description: There are very few significant sonatas for flute and piano written between 1880 and 1918, a period of unusually rich stylistic diversity. Gabriel Pierné composed his Sonata in D Minor, Op. 36 for piano and violin in 1900, and later transcribed it for flute and piano. Unfortunately, the work has not been embraced to a significant extent by either violinists or flutists. The wealth of violin sonatas from this period might explain it not becoming part of the canon for violinists, but this is not t… more
Date: May 2021
Creator: Le, Huong Thu
Partner: UNT Libraries
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Geonyong Lee's Violin Works, Rhapsody for Violin and Piano and Heoten Garak: A Study of Compositional Style and Stylistic Influences

Description: The purpose of this study is to research the music of Geonyong Lee (이건용), one of the most recognized active Korean composers, while determining Lee's intent to compose with influences from both Western and traditional Korean music. This paper analyses Lee's violin works Rhapsody for Piano and Violin and Heoten Garak, and explains the cultural and historical significance surrounding both works in terms of traditional Korean music. Lee asserts that his primary influence Rhapsody for Piano and Vio… more
Date: May 2018
Creator: Cho, Eun
Partner: UNT Libraries
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Georg Philipp Telemann's Use Of The Trumpet In Tafelmusik II-TWV 55: D1 (1733) Together with Three Recitals of Selected Works by Kennan, Torelli, Chaynes and Others

Description: While trumpeters know him best for his concertos, Telemann included trumpets in his operas, cantatas, oratorios, orchestral music and mixed chamber music. This project will study the opening suite and conclusion of Tafelmusik II (TWV: D1, 1733) in order to examine his use of the trumpet in a mixed chamber work. Since Telemann was heavily influenced by his environment, the first chapter will focus on the city of Hamburg. As a major port, Hamburg's thriving economy gave rise to a wealthy merch… more
Date: December 2005
Creator: Swisher, Eric
Partner: UNT Libraries
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George Gershwin's Rhapsody in Blue (Solo Piano Version) : An Historical, Rhythmic and Harmonic Perspective, a Lecture Recital, Together with Three Recitals of Selected Works of R. Schumann, F. Liszt and Others

Description: The evolution of twentieth century American music involves much more than the continuation of European tradition. The music of black Americans before and after the turn of the century had a profound impact on the musical sensibility of American culture in general. Additionally, the fledgling popular music publishing industry had a dramatic effect on the course of "classical" tradition. Nowhere was this more apparent than in the music of George Gershwin. Gershwin's importance in the history of A… more
Date: December 1994
Creator: Innis, Steve (Stephen Gregory)
Partner: UNT Libraries
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Georgy L'vovich Catoire: His Life and Music for Piano, with Special Emphasis on Poem: Second Sonata for Violin and Piano, Op. 20

Description: A Russian composer of French descent, Georgy L'vovich Catoire (also often spelled "Katuar") (1861-1926) is one of the most neglected composers of the turn of the nineteenth and twentieth centuries. Catoire composed a number of piano pieces, most of which are chamber and solo works. These pieces are rarely studied or performed in the West. This study makes an attempt to fill this void. It thoroughly investigates Catoire's life, as well as looks into his genealogy, since his family was influen… more
Date: May 2008
Creator: Bolshakova, Natalia
Partner: UNT Libraries
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Go-hyang (Ancestral Home) By David Burge: a Performer’s Guide to Integrating Korean Musical and Cultural Aspects

Description: David Burge (b. 1930) composed the work Go-Hyang (1994) inspired by his impressions of Korea. the purpose of this study is to provide a performance guide particularly for the benefit of non- Korean pianists. Each of the six pieces of Go-Hyang contains Korean musical and/or cultural references. This document details these aspects, obviously stated or implied through the work. Investigation into distinct characteristics and Korean elements of each of the six movements will involve sources from mu… more
Date: May 2012
Creator: Lee, Soomin
Partner: UNT Libraries
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Goethe Settings By Johann Friedrich Reichardt and Carl Friedrich Zelter: Text, Music and Performance Possibilities

Description: The connection between text, music, and performance in the lieder of the late eighteenth and early nineteenth centuries is an integral aspect to fully comprehending the style and performance of the genre. It is also essential in order to understand the full development of the lied in its totality. The era represented a transitional period in musical development, influenced by Enlightenment values of elegance, good taste, simplicity, and naturalness which sought to eradicate the overly decora… more
Date: August 2012
Creator: Moore, Wes C.
Partner: UNT Libraries
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Gordon Binkerd’s “Intermezzo” From Essays for the Piano (1976): a Comprehensive Analysis of Brahmsian Compositional Influences and Stylistic Elements

Description: Gordon Binkerd (1916-2003) was an influential and well-known twentieth century composer. While his choral works are renowned worldwide, his piano music is rather unfamiliar to present-day scholars and performers. Binkerd’s Essays for the Piano (1976) is a set of six pieces that was greatly influenced by Brahms’ music. Especially noteworthy is the first piece of the set, titled “Intermezzo,” which is based on Brahms’ “Intermezzo” Op. 118, No. 1. The fact that Binkerd’s compositional procedures a… more
Date: August 2014
Creator: Noh, Kyung-Ah
Partner: UNT Libraries
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