UNT Theses and Dissertations - Browse

Primary view of The "Beethoven Folksong Project" in the Reception of Beethoven and His Music
Lee, Hee Seung
December 2006
Primary view of Beyond the "Year of Song": Text and Music in the Song Cycles of Robert Schumann after 1848
Ringer, Rebecca Scharlene
May 2007
Primary view of Cadential Syntax and Mode in the Sixteenth-Century Motet: a Theory of Compositional Process and Structure from Gallus Dressler's Praecepta Musicae Poeticae
Hamrick, David (David Russell)
May 1996
Primary view of Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz.
West, Aaron J.
December 2008
Primary view of The Christmas Cantatas of Christoph Graupner (1683-1760)
Schmidt, René R.
August 1992
Primary view of Composing Symbolism's Musicality of Language in fin-de-siècle France
Varvir Coe, Megan E
August 2016
Primary view of English Devotional Song of the Seventeenth Century in Printed Collections from 1638 to 1693: A Study of Music and Culture
Treacy, Susan
May 1986
Primary view of Foreignizing Mahler: Uri Caine’s Mahler Project As Intertraditional Musical Translation
Ritchie, J. Cole
August 2015
Primary view of Form, Style, Function and Rhetoric in Gottlob Harrer's Sinfonias: A Case Study in the Early History of the Symphony
Rober, Russell Todd
August 2003
Primary view of The Full Anthems and Services of John Blow and the Question of an English Stile Antico
King, Deborah Simpkin
August 1990
Primary view of Liturgy, Music, and Patronage at the Cappella di Medici in the Church of San Lorenzo in Florence, 1550-1609
Kim, Hae-Jeong
August 1995
Primary view of Mail Order Music: the Hinners Organ Company in the Dakotas, 1879-1936
Alcorn-Oppedahl, Allison A. (Allison Ann)
August 1997
Primary view of The Most Expressionist of All the Arts: Programs, Politics, and Performance in Critical Discourse about Music and Expressionism, c. 1918-1923
Carrasco, Clare
August 2016
Primary view of Musical Arrangements and Questions of Genre: A Study of Liszt's Interpretive Approaches
Van Dine, Kara Lynn
May 2010
Primary view of The Musical Fallout of Political Activism: Government Investigations of Musicians in the United States, 1930-1960
McCall, Sarah B.
August 1993
Primary view of Myth in the Early Collaborations of Benjamin Britten and William Plomer
Salfen, Kevin McGregor
August 2005
Primary view of "Now His Time Really Seems to Have Come": Ideas about Mahler's Music in Late Imperial and First Republic Vienna
Kinnett, Forest Randolph
December 2009
Primary view of Opera and Society in Early-Twentieth-Century Argentina: Felipe Boero's El matrero
Sauceda, Jonathan
August 2016
Primary view of Opera at the Threshold of a Revolution: Francis Poulenc’s Dialogues des Carmélites (1953-1956)
Beard, Cynthia C.
December 2011
Primary view of Orchestral Accompaniment in the Vocal Works of Hector Berlioz
Lee, Namjai
May 1994
Primary view of Patronage, Connoisseurship and Antiquarianism in Georgian England: The Fitzwilliam Music Collection (1763-1815)
Heiden, Mary Gifford
December 2011
Primary view of Poetry and Patronage: Alessandro Scarlatti, The Accademia Degli Arcadia, and the Development of the Conversazione Cantata in Rome 1700-1710
Hale Harris, Kimberly Coulter
May 2005
Primary view of Polyphonic Harmony in Three of Ferruccio Busoni’s Orchestral Elegies
Davis, Colin
May 2015
Primary view of The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters
Miller, Robin A. (Robin Annette)
August 1998