UNT Theses and Dissertations - Browse

ABOUT BROWSE FEED
Primary view of An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven
Graf, Benjamin Stewart
May 2016
Primary view of Musical and Dramatic Functions of Loops and Loop Breakers in Philip Glass's Opera "The Voyage"
Wu, Chia-Ying
May 2016
Primary view of Form in Popular Song, 1990-2009
Ensign, Jeffrey S.
December 2015
Primary view of The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps
Lovern, Kenneth R.
December 2015
Primary view of Václav Philomathes’ Musicorum Libri Quattuor (1512): Translation, Commentary, and Contextualization
Iler, Devin
December 2015
Primary view of Formal Organization in Ground-bass Compositions
Stevens, Bryan
August 2015
Primary view of A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae
Dobbs, Benjamin M.
August 2015
Primary view of Algorithmic Music Analysis: a Case Study of a Prelude From David Cope’s “From Darkness, Light”
Krämer, Reiner
May 2015
Primary view of Tonality and the Extended Common Practice in the Music of Thad Jones
Rogers, Michael A
May 2015
Primary view of Ligeti’s Early Experiments in Compositional Process: Simple Structures in Musica Ricercata
Grantham, Daniel
December 2014
Primary view of Theorizing Atonality: Herbert Eimert’s and Jefim Golyscheff’s Contributions to Composing with Twelve Tones
Weaver, Jennifer L.
August 2014
Primary view of Gualterio Armando's 34 Canciones Hispanoamericanas Para Canto Y Piano: a Comprehensive Edition and an Analytical Study of the Work’s Thematic Unity, Chromaticism, and Use of Musical Quotations
Pérez Torres, René
May 2014
Primary view of Thematic and Formal Narrative in Respighi’s Sinfonia Drammatica
Amato, Alexander G.
May 2014
Primary view of Redeeming the Betrayer: Elgar’s Portrayal of Judas in the Apostles
Taycher, Ryan
December 2013
Primary view of Deconstructing Webern's Op 25, Drei Lieder: a Multidimensional Assessment
Morgeson, Paul Taylor
August 2013
Primary view of Arvo Pärt and Three Types of His Tintinnabuli Technique
Kongwattananon, Oranit
May 2013
Primary view of Jacques Ibert: an Analytical Study of Three Movements From Histoires
Waldroup, William Allan
August 2012
Primary view of “A Metaphor for the Impossibility of Togetherness”: Expansion Processes in Gubaidulina’s First String Quartet
Stroud, Cara
August 2012
Primary view of Toward a Descriptive Eidetics of Atonality: a Phenomenological Analysis of Webern Op 3, No 1
Schnitzius, Michael P.
August 2012
Primary view of Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems
Iler, Devin
December 2011
Primary view of Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum:  Cultural, Commentary, Remembrance, and Unity
Davenport, Jennifer Tish
May 2011
Primary view of Alberto Ginastera and the Guitar Chord: An Analytical Study
Gaviria, Carlos A.
December 2010
Primary view of From Outward Appearance to Inner Reality: A Reading of Aaron Copland's Inscape
Ensign, Jeffrey S.
December 2010
Primary view of Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'
Dobbs, Benjamin Michael
December 2010