UNT Theses and Dissertations - 70 Matching Results

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Primary view of Musical and Dramatic Functions of Loops and Loop Breakers in Philip Glass's Opera "The Voyage"
Wu, Chia-Ying
May 2016
Primary view of An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven
Graf, Benjamin Stewart
May 2016
Primary view of The Musical Language of Alberto Ginastera’s Panambí and the Influence of Claude Debussy’s La Mer and Igor Stravinsky’s Le Sacre Du Printemps
Lovern, Kenneth R.
December 2015
Primary view of Form in Popular Song, 1990-2009
Ensign, Jeffrey S.
December 2015
Primary view of Václav Philomathes’ Musicorum Libri Quattuor (1512): Translation, Commentary, and Contextualization
Iler, Devin
December 2015
Primary view of Formal Organization in Ground-bass Compositions
Stevens, Bryan
August 2015
Primary view of A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae
Dobbs, Benjamin M.
August 2015
Primary view of Tonality and the Extended Common Practice in the Music of Thad Jones
Rogers, Michael A
May 2015
Primary view of Algorithmic Music Analysis: a Case Study of a Prelude From David Cope’s “From Darkness, Light”
Krämer, Reiner
May 2015
Primary view of Ligeti’s Early Experiments in Compositional Process: Simple Structures in Musica Ricercata
Grantham, Daniel
December 2014
Primary view of Theorizing Atonality: Herbert Eimert’s and Jefim Golyscheff’s Contributions to Composing with Twelve Tones
Weaver, Jennifer L.
August 2014
Primary view of A Survey of the Influence of Heinrich Schenker on American Music Theory and Its Pedagogy Since 1940
Austin, John C.
December 1974
Primary view of The Published Writings of Ernest McClain Through Spring, 1976
Wingate, F. Leighton
August 1977
Primary view of An Analysis of Robert Nathaniel Dett's In the Bottoms
Miles, Debra A. (Debra Ann)
December 1983
Primary view of Dmitri Shostakovich and the Fugues of Op. 87: A Bach Bicentennial Tribute
Adams, Robert M. (Robert Michael)
August 1981
Primary view of Dissonance Treatment in Fuging Tunes by Daniel Read from The American Singing Book and The Columbian Harmonist
Sims, Scott G.
May 1987
Primary view of Martin Agricola's 'Musica Instrumentalis Deudsch': A Translation
Hollaway, William W.
May 1972
Primary view of Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary
Herman, Robert H., 1934-
August 1973
Primary view of A.B. Marx's Concept of Rondo and Sonata: A Critical Evaluation of His Explanations of Musical Form
Lang, Adelheid K.
July 1993
Primary view of Syntactic Structures in Functional Tonality
Phelps, James, 1954-
August 1985
Primary view of Gualterio Armando's 34 Canciones Hispanoamericanas Para Canto Y Piano: a Comprehensive Edition and an Analytical Study of the Work’s Thematic Unity, Chromaticism, and Use of Musical Quotations
Pérez Torres, René
May 2014
Primary view of Thematic and Formal Narrative in Respighi’s Sinfonia Drammatica
Amato, Alexander G.
May 2014
Primary view of Redeeming the Betrayer: Elgar’s Portrayal of Judas in the Apostles
Taycher, Ryan
December 2013
Primary view of The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality
Woodruff, Lawrence Theodore
August 1986