UNT Theses and Dissertations - Browse

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Primary view of The Aesthetics of Minimalist Music and a Schenkerian-Oriented Analysis of the First Movement "Opening" of Philip Glass' Glassworks
Wu, Chia-Ying
May 2009
Primary view of Alberto Ginastera and the Guitar Chord: An Analytical Study
Gaviria, Carlos A.
December 2010
Primary view of An Analysis of Periodic Rhythmic Structures in the Music of Steve Reich and György Ligeti
Isgitt, David
August 2002
Primary view of An Analysis of Robert Nathaniel Dett's In the Bottoms
Miles, Debra A. (Debra Ann)
December 1983
Primary view of An Analysis of the Composition Process of Bartók's Eight Improvisations on Hungarian Peasant Songs, Op. 20
Kochbeck, Olivia M.
May 2000
Primary view of Arvo Pärt and Three Types of His Tintinnabuli Technique
Kongwattananon, Oranit
May 2013
Primary view of Bach's Mass in B minor: An Analytical Study of Parody Movements and their Function in the Large-Scale Architectural Design of the Mass
Pérez Torres, René
December 2005
Primary view of Beethoven's Opus 18 String Quartets: Selected First Movements in Consideration of the Formal Theories of Heinrich Koch as Expressed in Versuch Einer Anleitung Zur Composition
Tompkins, Robert
December 2006
Primary view of Deconstructing Webern's Op 25, Drei Lieder: a Multidimensional Assessment
Morgeson, Paul Taylor
August 2013
Primary view of Dissonance Treatment in Fuging Tunes by Daniel Read from The American Singing Book and The Columbian Harmonist
Sims, Scott G.
May 1987
Primary view of Dmitri Shostakovich and the Fugues of Op. 87: A Bach Bicentennial Tribute
Adams, Robert M. (Robert Michael)
August 1981
Primary view of Formal Devices of Trance and House Music: Breakdowns, Buildups, and Anthems
Iler, Devin
December 2011
Primary view of Formal Organization in Ground-bass Compositions
Stevens, Bryan
August 2015
Primary view of From Outward Appearance to Inner Reality: A Reading of Aaron Copland's Inscape
Ensign, Jeffrey S.
December 2010
Primary view of Functions of Quotations in Steven Stucky's Oratorio August 4, 1964 and Their Placements within the Context of a Quotation Continuum:  Cultural, Commentary, Remembrance, and Unity
Davenport, Jennifer Tish
May 2011
Primary view of The Fundamental Unity in Brahm's Horn Trio, Op. 40
Kim, JongKyun
August 2007
Primary view of Gewesener Magdeburgische Musicus: An Examination into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben Wehret Siebenzig Jahr'
Dobbs, Benjamin Michael
December 2010
Primary view of Hugo Wolf's Interpretation of Paul Heyse's Texts: An Examination of Selected Songs from the Italienisches Liederbuch
Shin, Dong Jin
December 2010
Primary view of The Influence of Fredrik Melius Christiansen on Six Minnesota Conductor-Composers
Armendarez, Christina Marie
May 2006
Primary view of Jacques Ibert: an Analytical Study of Three Movements From Histoires
Waldroup, William Allan
August 2012
Primary view of The Key to Unlocking the Secret Window
McConnell, Sarah E.
December 2010
Primary view of Ligeti’s Early Experiments in Compositional Process: Simple Structures in Musica Ricercata
Grantham, Daniel
December 2014
Primary view of “A Metaphor for the Impossibility of Togetherness”: Expansion Processes in Gubaidulina’s First String Quartet
Stroud, Cara
August 2012
Primary view of Missa Papae Marcelli: A Comparative Analysis of the Kyrie and Gloria Movements of Giovanni Pierluigi da Palestrina and an Adaptation by Giovanni Francesco Anerio
Moore, Michael J.
May 2006