UNT Theses and Dissertations - Browse

Primary view of Accent and Grouping Structures in the String Quartets of Béla Bartók
Bocanegra, Cheryl D.
May 2001
Primary view of Algorithmic Music Analysis: a Case Study of a Prelude From David Cope’s “From Darkness, Light”
Krämer, Reiner
May 2015
Primary view of An Analytical Study of Paradox and Structural Dualism in the Music of Ludwig van Beethoven
Graf, Benjamin Stewart
May 2016
Primary view of Antoine Reicha's Theories of Musical Form
McCachren, Jo Renee
December 1989
Primary view of An Application of Grundgestalt Theory in the Late Chromatic Music of Chopin: a Study of his Last Three Polonaises
Spicer, Mark Joseph
December 1994
Primary view of Beethoven's Transcendence of the Additive Tendency in Opus 34, Opus 35, Werk ohne Opuszahl 80, and Opus 120
Kramer, Ernest J. (Ernest Joachim)
December 1989
Primary view of Consonance, Tertian Structures and Tonal Coherence in Wladimir Vogel's Dodecaphonic World
Hale, Jacquelyn
December 2002
Primary view of Dialogo della musica antica et della moderna of Vincenzo Galilei: Translation and Commentary
Herman, Robert H., 1934-
August 1973
Primary view of Drafts, Page Proofs, and Revisions of Schenker's Der freie Satz:  The Collection at the Austrian National Library and Schenker's Generative Process
Auerbach, Jennifer Sadoff
May 2009
Primary view of Form in Popular Song, 1990-2009
Ensign, Jeffrey S.
December 2015
Primary view of Gualterio Armando's 34 Canciones Hispanoamericanas Para Canto Y Piano: a Comprehensive Edition and an Analytical Study of the Work’s Thematic Unity, Chromaticism, and Use of Musical Quotations
Pérez Torres, René
May 2014
Primary view of Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck
Cranford, Dennis R. (Dennis Ray)
May 1992
Primary view of Harmony in the Songs of Hugo Wolf
McKinney, Timothy R. (Timothy Richmond)
August 1989
Primary view of Imagined Sounds: Their Role in the Strict and Free Compositional Practice of Anton Bruckner
Brooks, Jonathan
May 2008
Primary view of The Lessons of Arnold Schoenberg in Teaching the Musikalische Gedanke
Conlon, Colleen Marie
May 2009
Primary view of Martin Agricola's 'Musica Instrumentalis Deudsch': A Translation
Hollaway, William W.
May 1972
Primary view of The Missae De Beata Virgine C. 1500-1520: A Study of Transformation From Monophonic to Polyphonic Modality
Woodruff, Lawrence Theodore
August 1986
Primary view of Music Theory in Mexico from 1776 To 1866: A Study of Four Treatises by Native Authors
Flores, Carlos A. (Carlos Arturo)
August 1986
Primary view of Musical and Dramatic Functions of Loops and Loop Breakers in Philip Glass's Opera "The Voyage"
Wu, Chia-Ying
May 2016
Primary view of Non-Linear and Multi-Linear Time in Beethoven's Opus 127: An Analytical Study of the "Krakow" Sketch Materials
Lively, Michael
August 2010
Primary view of Op. 34: Evidence of Arnold Schoenberg's Musikalische Gedanke
Fukuchi, Hidetoshi
May 2004
Primary view of A Phenomenology of Music Analysis
Anderson, Andrew E. (Andrew Edwin)
December 1995
Primary view of A Seventeenth-century Musiklehrbuch in Context: Heinrich Baryphonus and Heinrich Grimm’s Pleiades Musicae
Dobbs, Benjamin M.
August 2015
Primary view of A Study of the Relationship Between Motive and Structure in Brahms's op. 51 String Quartets
Yang, Benjamin H. (Benjamin Hoh)
August 1989