UNT Theses and Dissertations - 184 Matching Results

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The English Walnut Joke: A Composition for Dramatic Soprano and Band

Description: The English Walnut Joke is a composition for concert band and dramatic soprano. The English Walnut Joke was based on a text of the same title by Alec Rowell and is divided into two movements with a total duration of approximately twenty-two minutes. The joke concerns itself with the dealings between a wood-chopper and a jongleur in medieval England and is related to the audience by a destitute factory worker (the dramatic soprano) in the early Industrial Age of that country.
Date: December 1980
Creator: Futterer, Kenneth Thomas
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Among the Voices Voiceless: Setting the Words of Samuel Beckett

Description: Among the Voices Voiceless is a composition for flute (doubling piccolo), clarinet (doubling bass clarinet), viola, cello, percussion, piano, and electronics, based on the poem "What would I do without this world faceless incurious" by Samuel Beckett. The piece is a setting for disembodied voice: the vocal part exists solely in the electronics. Having no physical body, the voice is obscured as the point of empathy for the audience. In addition, instrumental solos compete for focus during the wo… more
Date: August 2017
Creator: Lyszczarz, Joseph E.
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Interactive Networks in Forgotten Lyres: Critical Analysis and Original Composition

Description: Forgotten Lyres is a musical response to Percy Bysshe Shelley's poem Mutability, which depicts the fragility and unpredictable nature of human life. Four independent chamber ensembles make up the performing forces of Forgotten Lyres; the musicians evoke the topics of Shelley's text as they interact and coordinate with one another according to a variety of paradigms and without the use of a conductor. This essay focuses on the approaches to coordination within and between ensembles, and the ways… more
Date: August 2017
Creator: Harenda, Timothy
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Monolith: A Piece for Midi Piano, Mixed Sextet, and Fixed Electronics

Description: Reference to a regular pulse is one of the most common ways of measuring time in music. As the basis for tempo, meter, subdivisions, and even formal symmetry, pulse, or the sonic articulation of regular units of time, is found throughout all levels of music. In this paper, I describe how I used a structure of twelve simultaneous pulses to compose "Monolith," a recent piece for MIDI piano, Pierrot ensemble, and fixed electronics. In the first chapter, I contextualize "Monolith" by briefly examin… more
Date: August 2017
Creator: Vaughn, Mark, 1987-
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Virtual Stage: Merging Virtual Reality Technologies and Interactive Audio/Video

Description: Virtual Stage is a project to use Virtual Reality (VR) technology as an audiovisual performance interface. The depth of control, modularity of design, and user immersion aim to solve some of the representational problems in interactive audiovisual art and the control problems in digital musical instruments. Creating feedback between interaction and perception, the VR environment references the viewer's behavioral intuition developed in the real world, facilitating clarity in the understanding o… more
Date: May 2017
Creator: Lucas, Stephen, 1985-
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Recent Approaches to Real-Time Notation

Description: This paper discusses several compositions that use the computer screen to present music notation to performers. Three of these compositions, Law of Fives (2015), Polytera II (2016), and Terraformation (2016–17), employ strategies that allow the notation to change during the performance of the work as the product of composer-regulated algorithmic generation and performer interaction. New methodologies, implemented using Cycling74's Max software, facilitate performance of these works by allowing … more
Date: May 2017
Creator: Shafer, Seth
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Jasmine's Secret: Narrative Cantata for Five Solo Voices, Narrator, and Orchestra

Description: Since Jasmine's Secret contains elements of cantata and follows a dramatic story or program, the work may be classified as a narrative or dramatic story or program, the work may be classified as a narrative or dramatic cantata employing five solo voices, narrator and orchestra. This work attempts a revival of these two genres as a combined entity due to the decreased popularity of both cantata and programmatic music in the 20th century.
Date: December 1994
Creator: Alley, Candace P.
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In the Midst of Spoils: A Composition for Mixed Chorus (SATB) and Small Instrumental Ensemble

Description: In the Midst of Spoils is a setting, for SATB choir and small instrumental ensemble, of the poem "Blight," by Ralph Waldo Emerson. Emerson's poem contrasts modern man's exploitative attitude toward nature with the more reverent attitude assumed by ancient or primitive cultures. This setting is in a single movement, approximately twenty minutes in duration, consisting of fifteen distinct sections.
Date: August 1991
Creator: Norris, Thomas B.
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Breakdown

Description: Breakdown is a 17 minute, single movement work for orchestra in five sections. It is scored for 2 flutes, 2 oboes, 2 Bb clarinets, 2 bassoons, 3 Bb trumpets, 4 horns in F, 3 trombones, tuba, percussion, piano, and strings. The percussion consists of a tam-tam, 5 break drums, 4 timbales, 2 gourds, chimes, marimba, vibraphone, snare drum, 2 field drums, bass drum and tympani. The inspiration for this work is the poetry of Bruce Weigl which deals with many facets of the Vietnam experience. One par… more
Date: December 1994
Creator: Kappaz, Philip C., 1956-
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Five Soundscapes for Acoustic Instruments and Taped Computer Music

Description: Inspired by Chinese poems, the overall characteristics of the work reflect the assimilation of several non-Western musical and philosophical influences such as the use of pentatonic scale patterns, the principle of embellishing a single note, and the application of the I-Ching in dealing with active instrumental passages over a long-sustained computer music drone. Traditional Western compositional techniques such as aleatory counterpoint, serialism, and moment form are also employed in the trea… more
Date: August 1998
Creator: Tseng, Yu-Chung, 1960-
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Chronomorphosis

Description: Chronomorphosis is a chamber ensemble piece for flute, clarinet, viola, cello, piano, and percussion. The work, comprising three movements is approximately fourteen minuted in duration. One of the most apparent characteristics of the work is its progression from non-metrical time organization involving aleatoric elements to metrical time organization involving changing meters but no aleatoric elements. The Pitch set is a constant element throughout the piece. The instrumentation selected exhibi… more
Date: August 1983
Creator: Hemphill, David
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A Study of Timbre Modulation Using a Digital Computer, with Applications to Composition

Description: This paper presents a means of modulating timbre in digital sound synthesis using additive processes . A major portion of the paper is a computer program, written in Pl/1, which combines this additive method of timbre modulation with several other sound manipulation ideas to form a compositional program. This program-which is named CART for Computer Aided Rotational Translation-provides input for the Music 360 digital sound synthesis program. The paper contains three major parts: (1) a discussi… more
Date: December 1977
Creator: Hamilton, Richard L.
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Elatio: Praises and Prophecies

Description: ELATIO: Praises and Prophecies is an allegorical composition based upon a collection of carols, poetry and prose in selected verses, phrases and fragments from medieval Christian liturgy, the canonical Hebrew Bible (Old Testament) and New Testament, and portions of various non-canonical Dead Sea Scroll texts. The languages used in the selections presented here are English, Medieval Latin, and transliterated Biblical Hebrew.
Date: December 1998
Creator: Job, Lynn R. (Lynn Renee)
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Capriccio: A Composition for Symphonic Orchestra

Description: A body of works titled 'capriccio' have existed for over four hundred years. Most of these works are characterized by a composers abandonment of expected stylistic norms. Guided only by the fanciful whim of the composer, a capriccio exhibits extreme contrasts in the various parameters of a musical composition including melody, harmony, counterpoint, mood and texture. The composition embedded in these compositional parameters as its point of departure and development.
Date: August 1994
Creator: Walczyk, Kevin, 1964-
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The Seven Last Words of Christ: A Sacred Cantata

Description: The Seven Last Words of Christ is a sacred cantata for SATB chorus with soloists accompanied by a woodwind quintet, brass quintet and three percussionists. The text employed in this work is based on the Gospel accounts of the crucifixion of Jesus Christ in the King James Version of the of the Holy Bible. The cantata consists of seven movements with an instrumental introduction and postlude, and has a duration of approximately twenty-seven minutes. The majority of the movements are slow in tempo… more
Date: May 1987
Creator: Roberson, Kevin D. (Kevin Douglas)
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Te Deum

Description: Te Deum is a single movement work for chorus and orchestra. It employs an ensemble comprising the complement of string, woodwind, and brass instruments typically available in a small symphony orchestra with an expanded percussion section. The choral forces are in proportional relation to the instrumental forces are in proportional relation to the instrumental forces and it is sung in the original Latin. The intended performance time is approximately 18 minutes. Temporal aspects of the work are … more
Date: May 1994
Creator: Piekarski, James
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Creating Musical Momentum: Textural and Timbral Sculpting with Intuitive Compositional Systems and Formal Design

Description: This dissertation explores the analysis and creation of compositions from the standpoint of texture and momentum. It is comprised of four chapters. The first presents a number of concepts as tools for analysis, including textural typography and transformation, perception of time and psychological engagement of an audience, and respiration as a metaphor for musical momentum. The second and third chapters apply these tools to Gerard Grisey's "Periodes" and "Partiels," and Brian Ferneyhough's "Lem… more
Date: August 2016
Creator: Robin, Brad
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Tempered Confetti: Defining Instrumental Collage Music in Tempered Confetti and Venni, Viddi, --

Description: This thesis explores collage music's formal elements in an attempt to better understand its various themes and apply them in a workable format. I explore the work of John Zorn; how time is perceived in acoustic collage music and the concept of "super tempo"; musical quotation and appropriation in acoustic collage music; the definition of acoustic collage music in relation to other acoustic collage works; and musical montages addressing the works of Charles Ives, Lucciano Berio, George Rochberg,… more
Date: August 2016
Creator: Campbell, Andrew (Andrew S.)
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"Deborah": The Creation of a Chamber Oratorio in One Act

Description: In comparing oratorio traits across history, three aspects of oratorio were found to be particularly applicable to the creation of "Deborah: A Chamber Oratorio in One Act." These aspects were: the selection of topic and the creation or adaptation of text; the differences between recitative and aria, in form and function; and the level of stylistic diversity within a given work.
Date: May 2016
Creator: Mixter, Mary
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Ta/v\am: Real-time Audio/video Scrubbing Tools for Analysis of Multimedia and G®¡nd

Description: tA/v\Am (the Audio/Video Analysis Machine) is an interactive analysis engine optimized for audio/visual mediums, such as film, video games, and music. I designed tA/v\Am to allow users to pace the playback speed of videos containing sub-title style analytical text, without affecting the pitch content of the audio. The software affords writers the opportunity to display the relevant sensory data (i.e., analytical text and sound/visual media) more efficiently than the paper format. It also serves… more
Date: May 2015
Creator: Tramte, Daniel Albert
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An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition

Description: Beginning in the 1970s, and aided by the advancement and an increased prevalence of computers, spectral music emerged as an important development in twentieth century music. Spectral composers, as exemplified by Gérard Grisey and Tristan Murail, took the harmonic spectra of sounds as the fundamental materials of composition. The resulting music placed an emphasis on texture and gradually evolving forms. The generation of composers immediately following the spectralists assimilated their techniq… more
Date: May 2015
Creator: Allen, John Clay
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The Nothingness of Presence: Sound, Ritual, and Encounter in the Music of Into Your Hands

Description: The ritual music written for the Compline service of the Liturgy of the Hours, Into Your Hands, is analyzed using an ontological and phenomenological approach, which seeks to answer how such sound/musical phenomena wed to the specific ritual dynamics of Compline in their own right can create a potential for encounter with the Divine. The Jewish philosopher Martin Buber’s understanding of encounter is used to show that the sound/musical phenomena in itself bears similarities with the nature of t… more
Date: May 2015
Creator: Evans, Eric
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A Voltage-Controlled Incandescent Lamp Driver for Musical Performances of Multimedia Works

Description: Performances of multimedia works are hampered by the difficulty of controlling large numbers of incandescent lamps rapidly and accurately. The instrument described in this document is aimed at alleviating this problem. Chapter I describes the design and operation of the voltage-controlled dimmer unit and the DC controller. Chapter II describes step-by-step procedures for building the instrument. Schematics, wiring diagrams, and illustrative photographs are included. Chapter III discusses some o… more
Date: August 1975
Creator: Balentine, Bruce
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