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Primary view of Aesthetics in the Popular Culture
Holland, Barbara
May 1968
Primary view of A Catalogue of American Victorian Chairs and Sofas at Dallas Old City Park Restoration Village, January 1, 1975
Burgess, Sue Irene
May 1976
Primary view of A Content Analysis of Lexicons, Word Lists, and Basal Readers of the Elementary Grades: Their Relation to Art
Hogan, Priscilla Lea
May 1976
Primary view of A Critical Analysis of Twenty Paintings by Western European Artists from the Anthony Denney Collection c.1950-1965
Brumbach, Mary Alice
May 1972
Primary view of The Design and Function of the Interior Space of the Morton H. Meyerson Symphony Center of Dallas, 1980-1989
McNair, Gay E.
May 1990
Primary view of The Effects of Discipline-Based Art Education upon Reading Test Scores of Suburban North Texas Second Grade Children
Stephens, Pamela Geiger
May 1991
Primary view of Existential Influences on the Use of Space by a Contemporary Painter
Carlman, Sandra Marcom
May 1968
Primary view of A Humanist Outlook for the Contemporary Artist
Humphries, Judith Garrett
May 1978
Primary view of An Investigation of Line and Plane Relationships in Two Concepts of Painting
Reed, Emil Patrick
May 1971
Primary view of An Investigation of the Use of Acrylic Polymer Paints in Printing Photographic Silk Screen Images
Blue, Monte L.
May 1972
Primary view of A Needs Survey of Interior Designers in the South Texas Area with Implications for Curriculum Revision of the Interior Design Program of the Department of Home Economics at Southwest Texas State University
Laman, Jene T.
May 1981
Primary view of Nineteenth Century Light and Color Theory: Rainbow Science in the Art of Frederic Edwin Church
Upchurch, Diane M. (Diane Marie)
May 1991
Primary view of A Student Interior Design Laboratory Manual for Perspective Drawing 134
Farias, Anna Laura
May 1977
Primary view of A Technique for Developing Interior Color Schemes Based on the Additive and Subtractive Principles of Color-mixing
McDonnell, Michael L.
May 1969
Primary view of Ultrastructured Elements of the Microcosm as a Stimulus for Painting
McCarter, Samuel Charles
May 1973
Primary view of The Use of Fantasy by European Artists from 1250 to 1650 A.D.
Polk, Annabell
May 1964
Primary view of The Utilization of Semantic Webbing as a Method of Teaching Art Criticism in the Elementary School
Peel, Marie A. (Marie Annette)
May 1991
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