UNT Theses and Dissertations - 6 Matching Results

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Antoine Reicha's Theories of Musical Form

Description: Antoine Reicha stands as an important figure in the growing systematization of musical form. While Traite de melodie (1814) captures the essence of eighteenth-century concern with tonal movement and periodicity, Reicha's later ideas as represented in Traite de haute composition musicale (1824-26) anticipate descriptions of thematic organization characteristic of his nineteenth-century successors. Three important topics emerge as crucial elements: melody, thematic development, and schematic cate… more
Date: December 1989
Creator: McCachren, Jo Renee
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Curricular Content of Elementary Music in China Between 1912 and 1982

Description: The purpose of this study was to investigate the curricular content of elementary music in China between 1912 and 1982. The questions addressed were: (1) What changes in elementary music resulted from China's becoming a republic in 1912? (2) What changes in elementary music resulted from China's becoming a socialist country in 1949? (3) What changes in elementary music in the People's Republic of China resulted from the Anti—Rightist Struggle Movement in 1957? (4) What changes in elementary mus… more
Date: December 1989
Creator: Ma, Shuhui
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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Solo Trombone Performances at the Gewandhaus in the Nineteenth Century: a Lecture Recital, Together with Three Recitals of Selected Works of G. Jacobs, S. Sulek, E. Bloch, C. Wagenseil, W. Ross, G. Pergolesi, T. George, F. Hidas, J. Albrechtsberger and Others

Description: This study investigates and documents tenor/bass trombone solo performances at the Gewandhaus, Leipzig, East Germany, between 1821 and 1876. Included is the discussion of a newly discovered composition, the Concertino fur Bassposaune und Orchester, by Carl Heinrlch Meyer, which is the earliest concerto for the tenor/bass trombone. Its performance at the Gewandhaus in 1821 marked the beginning of the solo tradition for the tenor/bass trombone, and the Leipzig Gewandhaus became one of the leading… more
Date: May 1989
Creator: Lewis, Michael E. (Michael Edward), 1952-
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 1

Description: The life, music, and theoretical writings of Pietro Pontio (1532-1596) yield considerable insight into questions of theory and practice in the late sixteenth century. The dissertation places Pontio within his musical and cultural milieu, and assesses his role as both theorist and composer. Volume Two presents an annotated works list for Pontio's compositions, transcriptions of archival documents used in the study, and transcriptions of representative musical compositions.
Date: December 1989
Creator: Murray, Russell Eugene
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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The Voice of the Composer: Theory and Practice in the Works of Pietro Pontio, Volume 2

Description: The life, music, and theoretical writings of Pietro Pontio (1532-1596) yield considerable insight into questions of theory and practice in the late sixteenth century. The dissertation places Pontio within his musical and cultural milieu, and assesses his role as both theorist and composer. Volume Two presents an annotated works list for Pontio's compositions, transcriptions of archival documents used in the study, and transcriptions of representative musical compositions.
Date: December 1989
Creator: Murray, Russell Eugene
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
open access

Vox Organalis

Description: Vox Organalis is a concerto for organ and orchestra. It employs an ensemble comprising the compliment of wind, percussion, and string instruments normally available within a contemporary symphony orchestra with augmented brass and woodwind sections. It is intended to be performed with a large organ such as might be found in a symphony hall or large church. The work is in two movements, and its intended performance time is twenty-five minutes. Use of the concerto format within Vox organalis resu… more
Date: December 1989
Creator: Baczewski, Philip
Item Type: Refine your search to only Thesis or Dissertation
Partner: UNT Libraries
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