UNT Theses and Dissertations - Browse

ABOUT BROWSE FEED
Primary view of Accessibility and Authenticity in Julia Smith's Cynthia Parker
Buehner, Katie R.
December 2007
Primary view of Anton Bruckner's Treatment of the Credo Text in His Last Three Masses
Lee, Namjai
December 1985
Primary view of Asserting Identity in Wagner's Shadow: The Case of Engelbert Humperdinck's  Königskinder (1897)
Kinnett, Forest Randolph
August 2004
Primary view of The "Beethoven Folksong Project" in the Reception of Beethoven and His Music
Lee, Hee Seung
December 2006
Primary view of "Being" a Stickist:  A Phenomenological Consideration of "Dwelling" in a Virtual Music Scene
Hodges, Jeff
May 2010
Primary view of Belle Musique and Fin' Amour: Thibaut de Champagne, Gace Brulé, and an Aristocratic Trouvére Tradition
Bly, Emily
December 2008
Primary view of Beyond the Human Voice: Francis Poulenc's Psychological Drama La Voix humaine (1958)
Beard, Cynthia C.
May 2000
Primary view of Beyond the "Year of Song": Text and Music in the Song Cycles of Robert Schumann after 1848
Ringer, Rebecca Scharlene
May 2007
Primary view of Busoni's Doktor Faust
Harrison, Charles Scott
August 1976
Primary view of Cadential Syntax and Mode in the Sixteenth-Century Motet: a Theory of Compositional Process and Structure from Gallus Dressler's Praecepta Musicae Poeticae
Hamrick, David (David Russell)
May 1996
Primary view of Carlo Milanuzzi's Quarto Scherzo and the Climate of Venetian Popular Music in the 1620s
Gavito, Cory Michael
August 2001
Primary view of Caught Between Jazz and Pop: The Contested Origins, Criticism, Performance Practice, and Reception of Smooth Jazz.
West, Aaron J.
December 2008
Primary view of The Chevalier de Saint-Georges: An Exponent of the Parisian Symphonie Concertant
Braun, Melanie
August 1982
Primary view of The Christmas Cantatas of Christoph Graupner (1683-1760)
Schmidt, René R.
August 1992
Primary view of Clavichord Traits in Selected Late Eighteenth-Century Keyboard Pieces
Clark, Alice Ham
May 1983
Primary view of A Comparison of the Use of Music in the Holy Eucharist of the Roman Catholic Church and the Sabbath Morning Service of the Jewish Synagogue in the Middle Ages
Simmons, Sandra K. (Sandra Kay)
July 1971
Primary view of Composing Symbolism's Musicality of Language in fin-de-siècle France
Varvir Coe, Megan E
August 2016
Primary view of Critical Reaction to Serge Koussevitzky's Programming of Contemporary Music with the Boston Symphony Orchestra 1924-1929
Morgan, Richard S. (Richard Sanborn)
August 1982
Primary view of Criticism of Beethoven's Pastoral Symphony in London and Boston, 1819-1874: A Forum for Public Discussion of Musical Topics
Cooper, Amy Nicole
December 2011
Primary view of Don Gillis's Symphony No 5½: Music for the People
Morrison, Sean
May 2013
Primary view of Drama and Characterization in Opera Settings of "A Midsummer Nightʼs Dream" by Britten and Siegmeister
Allen, Debra K. (Debra Kaye)
August 1982
Primary view of Dramatic Expression in Thirty Musical Settings of Goethe's "Der Erlkonig"
McDaniel, Mary Eileen
May 1973
Primary view of An Edition of Verse and Solo Anthems by William Boyce
Fansler, Terry L.
August 1975
Primary view of Educating American Audiences: Claire Reis and the Development of Modern Music Institutions, 1912-1930
Freeman, Cole
August 2013