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Goya's Fantastic Vision of Madness

Description: This paper discusses Francisco de Goya. Employing Foucault's discourse to specific works reveals Goya's ability to represent visually the fundamental tension between Romantic and Classical ideas, especially the ambiguous line between reason and madness.
Date: April 14, 2011
Creator: Prater, Paige & Abel, Mickey S.
Partner: UNT Honors College
open access

Making the Man: 'Suiting' Masculinity in Performance Art

Description: This paper examines research on the significance of clothing, specifically, the "men's suit," in select examples of contemporary American performance art. Drawing on sociology and art history, it considers the suit as a form of communication, and it suggests that performance artists Chris Burden, Paul McCarthy, and Vanessa Beecroft have used the "men's suit" to explore and communicate something about masculinity as a socially and culturally constructed hegemony.
Date: March 31, 2005
Creator: Cornwell, Alicia & Way, Jennifer
Partner: UNT Honors College
open access

"Actus non facit reum, nisi mens sit rea": An investigation into the treatment of mens rea in the quest to hold individuals accountable for genocide

Description: This paper discusses a research investigation into the treatment of mens rea in the quest to hold individuals accountable for genocide. This paper focuses on doctrinal controversies and examines how genocide is and has been addressed by modern tribunals, with special emphasis on the subjective mens rea (mental element) required for genocide.
Date: March 30, 2006
Creator: Jung, Andrew M. & King, Kimi L.
Partner: UNT Honors College

The Other Mary: The Absence of Mary Magdalene in the Santa Maria Trastevere

Description: This paper discusses research on the absence of Mary Magdalene in the Santa Maria Basilica in Trastevere, Rome. The author's research examines the social context throughout Rome during the medieval era, the status of prostitution, spatial analysis of Trastevere, and the inevitable entrance of promiscuity through the Santa Maria Basilica in Trastevere.
Date: April 14, 2011
Creator: Camp, Briana & Baxter, Denise Amy
Partner: UNT Honors College

A King's Decapitation

Description: This paper presents research on Francisco de Goya. This research proves that the painting of Francisco de Goya (1746-1828) from 1800 ('The Cannibals), and his paintings from 1820-1823 (The Black Paintings, 'Judith,' and 'Saturn,' and Miniature, 'Judith') represent changing ideas on decapitation of a monarch.
Date: April 14, 2011
Creator: Palyu, Cheryl & Donahue-Wallace, Kelly, 1968-
Partner: UNT Honors College

Goya's Los Caprichos: An Enlightened Bestiary

Description: This paper discusses research on Francisco de Goya's series Los Caprichos. A semiotic analysis of Francisco de Goya's prints 'Todos Caeran' and 'Devota Profesion' examines how Goya modifies the medieval iconography of the siren, the owl, and the ass to embody immoral aspects of contemporary Spanish society.
Date: April 14, 2011
Creator: Thompson, Julie & Donahue-Wallace, Kelly, 1968-
Partner: UNT Honors College
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