Texas Fashion Collection - 2,268 Matching Results

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Dress

Description: Dress of blue chiffon. The floor-length dress is formed of two layers, an inner sheath, and an outer layer which is fully ruched, covering the inner sheath completely with layers of draping, and affixed to the inner layer at the neckline, zipper, and at cuffs. The dress has a V-neck at both front and back. The ruching forms "swags" which join at the neckline and center seams on front and back. The three-quarter length sleeves are similarly ruched, anchored along seams running from shoulder to wrist. Center back zipper and hook-and-eye closure. Inner grosgrain ribbon band just below bust which secures with hook-and-eye closure. Designer's label sewn inside at ribbon band: "Halston".
Date: 1985
Creator: Halston
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of black net covered in silver and gold sequins; gold and black beads and rhinestones around high neckline and armholes; center back zipper; waistline seam; full-length skirt flares from hip; skirt has sparsely placed sequins connected with yellow thread; 3" wide crinoline around inside of hem; 3 layers of black net attached with interior belt at waist holds out fullness of skirt. Fall 2006 collection.
Date: 2006
Creator: de la Renta, Oscar
Partner: UNT College of Visual Arts + Design

Dress

Description: Evening dress of pale yellow silk chiffon with bead detailing. V-neckline in front creating the halter, with pieces draped from halter down and out to sides. The entire bodice is finely pleated and gathered, and has beaded panels which creates an empire waist. The beaded panels vary from narrow at center front to wide at sides, and meet at center back. The beading is white and silver beaded horizontal stripes on a mauve background. The skirt is formed by the chiffon being gathered into the beaded panels in many layers and falling to the floor. Dress has a matching lining and has a zipper down center back with hook-and-eye closures at top of zipper and at halter. Label in gown: "Victoria Royal Ltd. / Made In / British Crown Colony / of / Hong Kong".
Date: 1975?
Creator: Victoria Royal Ltd.
Partner: UNT College of Visual Arts + Design

Dress

Description: Evening dress of bright green hammered silk. The tunic-style dress is full-length, tapering to lower hem in a V-line and with a slit up the side. Rounded collar/neckline and long, bat-wing style sleeves. Inner attached shoulder pads. Hand-written note on the designer label: "8624 #2"
Date: 2000?
Creator: de la Renta, Oscar
Partner: UNT College of Visual Arts + Design

Dress

Description: Full-length evening dress of copper and olive polyester. Bodice has two sections of material which form a v-neckline in front and which are joined in back of neck by 3 cloth covered buttons, separating and falling almost all of the way down the back of the dress. Empire waistband,3 ½” wide, is gathered and pleated and wraps around to the back. Full-length wrap-style skirt. Center back zipper closure. The bodice is lined in orange polyester.
Date: 1980?
Creator: Rossi, Pilar
Partner: UNT College of Visual Arts + Design

Dress

Description: Tunic-style evening dress of royal blue hammered silk. Full-length, narrowing to hem and with a slit up the side. Dress has a round neckline with hook-and-eye closure at back and has wide, straight, bracelet-length sleeves. Hand-written notation on the designer label: "8634 #2"
Date: 2000?
Creator: de la Renta, Oscar
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of multi-colored velvets. The floor-length dress has an empire waist and bell-shaped long sleeves. The upper, bodice, section is made of a sheer, multi-colored fabric woven with bands of gold thread. Over the bodice is applied sections of burnout velvet in various colors, forming bands running up the bodice, over the shoulders, and down the back, another band forming a 1" high collar, and as 2" bands around each wrist. The sections are bordered in gold cording. The lower, skirt, section is of green velvet printed in browns, greens, and gold in an abstract geometric/organic design. Fully lined in green silk(?). Center back zipper from neckline to just above waist. Three hook-and-loop closures on collar. Designer label sewn alongside zipper at shoulder-blade height at right: "Ronald Amey / New York". Evidence of removed label at inside, center front of dress below neckline.
Date: 1972
Creator: Amey, Ronald
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress. Floor-length dress of ivory knit, overlaid with a gold netting. Sleeveless and with a boat-neckline, the sheath-style dress has ornate heavy gold cording around neckline, armholes, along side-seams, and hem. The skirt has small side slits, and a center lapped zipper closure located along center-back of garment with hook-and-eye closure at top of zipper. Lined with a light polyester.
Date: 1960
Creator: Millers, Raymond
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of off-white silk. Ankle-length dress with V neckline at front and back with piped edge and with long, lightly puffed sleeves supported by small pads. Hem and sleeves with fine rolled hems. At front is a wide, dropped, cross-over band at waist which repeats at back, the back forming a yoke into which the skirt gathers. Lapped zipper closure on left side. The entire garment has pleating inspired by the designs of Mariano Fortuny y Madrazo,(May 11, 1871–May 3, 1949) Acquired by the donor at the Fort Worth, Texas, branch of Neiman Marcus.
Date: 1980
Creator: McFadden, Mary
Partner: UNT College of Visual Arts + Design

Dress

Description: Day dress of black silk taffeta. The dress, in the style of the Aesthetic or Reform Movement, is full-length, with a slender silhouette. The front and back of the bodice is styled of tiny vertical knife-pleats, which gather into the rounded neckline. The side panels of the bodice are plain, and there is a line of 14 snaps along the left side forming the closure. The long sleeves are smooth, with slight pleating at the padded shoulders, and they taper to the pointed wrists. The sleeves have 5 hidden snaps and a line of 12 domed non-functioning black taffeta covered buttons on each sleeve. Bodice and skirt are divided by a thin black band. Skirt is fully pleated with tiny vertical knife-pleats. Bodice is lined with thin black crepe. Label sewn inside at back below neckline: "Harbison / Vandervoort's St Louis" Not shown is the accompanying cummerbund of black taffeta, the waistband of large horizontal pleats with a large fan/bow at back with wide, trailing ribbons. (43" from waist to lowest point of ribbons)
Date: 1902
Creator: Harbison, Samuel
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of rose pink rayon and silk, with ivory silk Peter Pan collar and with cut-out stitched trim. 24 silver ball buttons on left side, and geometric triple-tiered ruffles with drop-waist and self-fabric belt with silver buckle. Long, straight sleeves with ivory satin cuffs with stitched trim; single snap closure.
Date: 1926
Partner: UNT College of Visual Arts + Design

Dress

Description: Monastic Dress of red and black floral printed cotton. The dress is street-length, with natural shoulders, long sleeves and a high scoop neckline. At the waist is a black leather belt which passes through the garment at the sides, allowing the sides of the dress to be loose and flowing. The belt has a snap closure, and is designed to look "tied" at front. Also referred to as a Trapeze dress. Dress has two labels sewn inside at back of collar. Designer's label: "Claire McCardell Clothes / by Townley" and Retailer's label: "Neiman-Marcus" Belt has stamped in white on the back: "10 Claire McCardell 608" From the original Carrie Marcus Neiman Foundation collection assembled by Stanley and Edward Marcus.
Date: 1958
Creator: McCardell, Claire
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of polychrome cotton print. The floor-length dress is of cotton fabric with a raised "zig-zag" texture, in the style of cotton piqué weaving. It is printed with a series of horizontal bands in geometric designs in blues, reds, greens, tan/brown, orange, and purple. The sleeveless dress has a shallow boat neckline in front and deep squared-off neckline at back. The fitted bodice section ends at the natural waist, into which the long skirt is slightly gathered. The front of the skirt has two patch pockets of the same material, with the print matched to disguise the pockets. One of the lower bands of the skirt is embellished with applied non-functional circular gold-colored "buttons". The hem of the dress has a 7 cm. wide band horizontal band of red wool trim, from which hangs red wool fringe. The center back zipper closure has a single hook-and-eye at top. The dress is lined in red fabric. The dress has two labels sewn inside. At left side at seam is designer's label "Lanvin / Paris New York"; at right side near zipper is size label "6".
Date: 1970
Creator: Crahay, Jules-Francois
Partner: UNT College of Visual Arts + Design

Dress

Description: Evening dress of orange/tangerine silk chiffon with cut velvet fish scale design in silvery white partly outlined with silver bugle beads. Sleeveless, with round scoop neck, and armholes cut to waist. Straight tubular shape with drop waist, with a swag of pleated self-fabric at left hip, trimmed with five rhinestone medallions. 1" fur trim at hem. Dress has been shortened and fur may have been added at that time. Probably originally 1918-20's style.
Date: 1928
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress. Bodice of vertically striped blue and black satin with short sleeves in black. Shallow v-neck trimmed with band of gold net ribbon which continues down center of back to waist. Bodice has black band just below bust line as "hem". Below this hem is pleated sash of blue and black striped materials at raised waistline, and a second band of the striped material running vertically from below "hem" to under top tier of skirt. Mid-calf-length black skirt with two vertical tiers of long box pleats from waistline. Bodice is lined in cream silk(?) with wide ribbon inner waistband, with cream-trimmed pads added at underarms. Skirt is lined in black. Garment fastens down back from neck to mid-thigh with a series of hook-and-eye and hook-and-loop closures. Sash around waist fastens at center front and has hook-and-loop closures running around left side to back. Garment has no labels.
Date: 1914~
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of navy wool gabardine in two parts. The main body of the tubular-shaped dress is full-length, sleeveless, with a round neckline. It has decorative bead-work at upper bust, on back at shoulders and down spine, in a line from right hip down to hem, and around hem. The bead-work includes lines of red and clear beads, spirals and "bursts" of clear and red beads, circular ornaments of red beads, and a roundel at front to bottom right at hem of a scene of a wine jug against a blue, clear and green background. The dress has an opening from left shoulder to waist which is secured with a line of hidden snaps, and is decorated with nine cloth and plastic circular non-functioning buttons arranged in groups of three. The dress is unlined. The dress has with it a detachable cropped camisole of white cotton with center front hook-and-eyes closure and white elastic waistband. The sleeves of the camisole are of navy wool gabardine, bell-shaped, and match the dress. They are decorated with the same style bead-work as the dress, including lines of red and clear beads running from shoulders to wrist, clear and red beaded spirals and "bursts", and roundels with designs in blue, red, and green. When worn, the camisole sleeves blend in with the dress and look like one garment.
Date: 1920
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of champagne colored chantilly lace; short sleeves; drop waist with gathered, full, knee-length skirt; babydoll style.
Date: 1965
Creator: Balenciaga, Cristóbal
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of printed nylon with metallic embroidery. The fabric is a printed nylon with abstract floral designs in browns, yellows, and oranges on a cream ground, with areas of metallic embroidered leaf forms over the whole of the dress. The formal dress is full-length, with a slight train. Sleeveless, it has wide straps and a shallow rounded neckline, which deepens into a V in back. The natural or low waist has seaming below below the bust to create a band of horizontal ruching just above the waist. The skirt has wide, deep scalloping around the edges. On the back of the dress is a bow of the same material, set just above the lower back. From the hips around to the back are added panels of the same fabric forming tiers of ruffles, and two long panels are attached below the ruffles to hang down back. Closure along left side, alternating snaps and hooks-and-eyes. The dress is unlined, although the back ruffle panels are lined in a dark mahogany brown/red silk. Sewn in ribbon with hand-written notation: "72 20 499 29-327/979" (faded)
Date: 1930
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of printed cotton. The floor-length dress is of cotton with a printed geometric design of a lattice of black rectangles on white background. It is sleeveless, with black spaghetti straps. There is a wide black "belt" of "quilted" cotton just below the bust, with a bow in front. The dress has a center back zipper closure with two hook-and-eye closures at top. It is fully lined in thin white fabric. The designer's label is sewn inside bodice: "Clifton / Wilhite / Dallas"; a second label is sewn just below designer's label: "Lot 6464 Size 14"
Date: 1970/1979
Creator: Wilhite, Clifton
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress. Full-length sleeveless evening dress of printed silk. The bodice has a rounded neckline, bust darts, and widens slightly at hips. The silk print on the bodice is of horizontal stripes of black, yellow, green, and red. The skirt starts at a dropped waist, and is a slight "A" line in form. The printed on the skirt is of an Op Art pattern of pink, red, black, green, and purple squares and circles within squares, and with two large black squares, one on front and one on back. Black band at hem. The dress has a center back zipper closure and is lined in black silk. It has an accompanying black silk belt, 2" wide, with two domed buttons covered in black silk as closures. The dress has two labels sewn inside at back collar, to right of zipper. Maker's label: "Axel / of Denmark / 42" and second tag "Pure silk / by D'Este" [care instructions pictographs] and on reverse [care instructions pictographs] "Made in / Italy".
Date: 1970
Creator: Axel of Denmark
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of off-white / ivory wool knit. The form-fitting full-length sheath has a round neckline and short cap sleeves. The entire dress is covered with iridescent sequins, and is decorated at lower part with five bands of gold/copper sequins, 3 bands of rosettes composted of gold beads and pearls, and two bands of "garlands" with suspended pine-cone forms and diamond shapes of copper/gold sequins, gold bugle beads, and gold beads. Dress has zipper closure along center back. Label reads: "Gene Shelly's / Boutique Internationale / California / Hand Decorated in Hong Kong / 100% Wool"
Date: 1970/1979
Partner: UNT College of Visual Arts + Design

Dress

Description: Evening dress of blue silk gazar. The full-length dress has a fitted bodice simulating a wrap style, with V neckline, and long straight sleeves with 5 fabric buttons at each wrist. The skirt has an asymmetrical peplum with an inverted opening in front that is equal to the floor length A-line skirt, giving the effect of an over-skirt pulled back to reveal an underskirt. At back is a zipper closure from neckline to below hips, with a series of snaps at the top of the peplum. The dress has an accompanying leather belt covered with the same blue silk gazar.
Date: 1980/1989
Creator: Givenchy, Hubert de, 1927-
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress. Bodice of dress is made of chiffon with printed pattern of pink, red, green, blue, and purple swirls and bands and stylized foliage, woven with gold metallic threads forming paisley designs throughout bodice. Slight standing ring collar. The collar, waistband, cuffs, and bands running from collar along shoulders and down to cuffs are all trimmed with wide bands of gold braid/cording. The knee-length skirt is of red velour printed with large floral pattern in pink, purple, yellow, and dark maroon/brown. Reverse box pleat at center front, and zipper closure along back of garment, with three large gilt filigree buttons at collar. Cuffs also have 3 gilt buttons on each, with hidden snap closure. Dress is lined in pink fabric. Designer's label sewn inside bodice: "Ronald Amey / New York".
Date: 1970/1975
Creator: Amey, Ronald
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress. The mid-length dress has a pink crepe under-dress/slip which is overlaid with a black net sheath embellished with lavish black bead-work in the forms of rose-heads forming a trellis and fan-shapes in the openings of the trellis. The dress is sleeveless, with a high boat neckline. At natural waist is an attached pink satin belt with bow in front. Center back zipper, with section of hooks-and-eyes at upper part. The dress is accompanied by a long rectangular pink chiffon scarf. There are two labels in the dress, the Retailer's label "Neiman-Marcus" sewn inside at waist to right of zipper, and maker's label sewn inside near top of under-dress on left of zipper "Made in British Crown / Colony Hong Kong". No labels on scarf.
Date: 1950
Partner: UNT College of Visual Arts + Design