Texas Fashion Collection - 2,264 Matching Results

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Ensemble - Jacket, Blouse, and Skirt

Description: Ensemble consisting of: A) Jacket of woven silver metallic, heavy-weight thread in a diamond pattern; scoop neckline; short, raglan sleeves; open-front; reverse pleat at center-back below waistline; crescent, princess seams at back and front; 2 slit pockets at sides; knee-length; fully lined in ivory silk organdy. B) Blouse of off-white silk organza moire, sleeveless and cinched under the armpit; scoop neckline embellished at front with various rectangular pieces of fabric swatches in self-fabric and white knit with triangular and square crystal gem accents; under-layer of self-moire with an extended hem; attached tie at waist sides of white cotton. C) Mini-skirt of ivory crisp woven fabric (wool) with wide waistband, with box pleat at center-front; 2 pleats at back; waistband has double breasted snap closure at back and is lined in ivory silk; center-back zip closure that adjusts to a slit with 2 zipper tabs; lined in silk taffeta; 18 ½” length.
Date: 2007
Creator: Wang, Vera
Partner: UNT College of Visual Arts + Design

Ensemble - Japanese Traditional Ensemble

Description: Complete "Geisha" traditional Japanese women's ensemble, of the Kyoto style. The complete ensemble includes various under garments and accessories not seen in images, as well as primary components: Kimono - Salmon colored polyester outer garment with woven geometric design ground decorated with cherry blossoms, mums, and other flowers. Applique of flowers across back of neck/right shoulders. Hand sewn, this is a "Spring" kimono.; Obi of white, silver, and orange brocade; Sash of pink and white shibori; Obi Jimi braided orange cord belt to tie around obi; Tabi socks; Geta sandals (not in images); Fan, and traditional wig, embellished with artificial flowers.
Date: 1960/1979
Partner: UNT College of Visual Arts + Design

Pumps

Description: Pumps of black satin. The shoes are designed with gently pointed toes, rounded at ends, with rounded vamp. At vamp is set a bow of thin black satin ribbon, threaded into the lobes of which are black spherical beads studded with rhinestones. The plain uppers are top-stitched in parallel lines, giving them the appearance of corduroy. The 3 1/5" continental heels are covered in plain black satin. Designer's label, Right: "design by / Evins" and "Maxine Last" Retailer's label, Left: "Neiman-Marcus" Handwritten note: "7B / 1912-2EVS / 31836"
Date: 1960~
Creator: Evins, David
Partner: UNT College of Visual Arts + Design

D'Orsay Pumps

Description: Pair of D'Orsay pumps of pink leather. The shoes have cut-away sides and rounded toes. The toebox and heel uppers of pink leather, with pink leather strap from heels to secure around ankle with small oval gilt metal buckle. 3 1/4" high stacked wooden heel tapers to base. Stamped leather label inside: "Joan & David Too / Made in Italy" Stamped on sole: "Made in Italy / Vero Cuoio / 8 1/2"
Date: [1987..1997]
Creator: Joan & David Too
Partner: UNT College of Visual Arts + Design

Pumps

Description: Pair of pumps of multicolored leather and lace. The pumps are designed with rounded toes and almost squared-off vamps. The uppers are made of off-white mesh overlaid with a lattice of beige lace, with diamond shapes of yellow, green, and coral pink leather set in the openings. The upper is edged with white leather. The medium-high heels are curved around sides and back, taper to base, and are covered with same white leather. Front of heel is cut straight across, covered with light tan leather. Designer's label: "design by / Evins" Retailer's label: "Neiman Marcus" Handwritten, partly illegible, inside: "7 1/2 B Luis(?) / 29223 - 1E / 6(?) 152Y9"
Date: [1960..1978]
Creator: Evins, David
Partner: UNT College of Visual Arts + Design

Pumps

Description: Pair of pumps of black grosgrain. The shoes are designed with a pointed toe and plain upper. The 4" high stiletto heel tapers gently to base. Retailer's label stamped on sole: "Neiman-Marcus" Stamped inside: "8 1/2 B 3509 / 250"
Date: 197u
Partner: UNT College of Visual Arts + Design

Pumps

Description: Pair of pumps of black leather. The shoes are designed with a pointed toe and plain upper. The high stiletto heel tapers gently to base. Retailer's label stamped on sole: "Neiman-Marcus" Stamped inside: "8 1/2 B 3507 / 250"
Date: 1970~
Partner: UNT College of Visual Arts + Design

Ensemble - Kutchi Group, Pashtun Peoples, Afghanistan

Description: Ensemble - Kutchi Dress, Pashtun Peoples, Afghanistan. This assembled ensemble consists of: 1. Dress. Full-length. High neckline, slight V-shape. Front yoke/bib panel of fine needlework geometric shapes and patterns, in orange, purple, green, and blue. Front of bodice with four large embroidered rosettes of silver couching with orange silver/white, and black borders. Over-length, wide sleeves of patchwork of materials, including red, purple, and pink. Cuffs of heavy silver couching with central band of small circular mirrors in needlework frames. High, narrow waistband of silver/gold couching. Front of skirt formed of thin black fabric heavily gathered to form voluminous front panel. Wide band of red fabric lining inside of front panel at hem. Back of bodice formed of red cloth with vertical white stripes. Embroidered panels under arms. Back of skirt formed of upper panel of purple printed with blue and off-white flowers and leaves, heavily gathered into waistband. Lower panel of purple fabric, as full as upper panel. Black hem on back of skirt. 2. Headpiece of silver set with glass and plastic(?) rubies and emeralds, center plaque with glass segments simulating lapis and jade(?). Central circular plaque with central red circular glass "stone" surrounded by 6 alternating triangular green and blue glass plaques forming a star. Star is encircled by ring of glass (plastic?) simulated rubies and emeralds. Outer openwork border. Extending above central plaque and connected by 4 small metal bar-shaped links is a triangular plaque set with same simulated rubies and emeralds. Extending horizontally from central plaque on either side are three rectangular metal plaques set with same simulated rubies and emeralds. All plaques connected by metal bar-shaped links. Hanging below connected plaques is fringe of short metal chain sections terminating in hollow spheres. The plaques are sewn to a narrow black cloth band designed to fit ...
Date: 1940/1960
Partner: UNT College of Visual Arts + Design

Powder Compact

Description: Pendant compact of sterling silver and enamel. The small, circular compact has plain silver sides and base; the lid embellished with pale blue enamel over engraved guilloche patterns. Plain silver circle at center, surrounded by blue circular field with engraved pinwheel design; the outer border with silver edges, divided into four arcs, and with 4 "keystone" or "T" shapes at cardinal points, the fields enameled pale blue over engraved ground. Pressure clasp opens to reveal interior, plain, with circular mirror in lid. On outside at hinge is loop to suspend from a chain or ribbon. Stamped on base: "Sterling" Contains small circular "puff" of dense beige felt-like material.
Date: 192u
Partner: UNT College of Visual Arts + Design

Purse

Description: Drawstring purse of silver thread crochet with circle and flower appliques. Near top of purse on front and back are sewn-on single metal rings and evidence of second lost ring where the top crochet border may have been folded down and attached to the purse. Lined in pink silk satin. Closure of two silver braided drawstrings at sides.
Date: 192u
Partner: UNT College of Visual Arts + Design

Purse

Description: Pouch purse of ivory cotton with red trim at top and bottom; red piping at seams. Rectangular shape. Covered in floral embroidery. Zipper closure across top with wooden ring attached to zipper pull. Lined in ivory crepe silk with interior pockets at each side.
Date: 193u
Partner: UNT College of Visual Arts + Design

Ensemble - Egyptian Traditional Ensemble

Description: Egyptian Ensemble. A) Galabeya. Full-length galabeya of black cotton, with rounded neckline cut at base to for a shallow "V". Caftan style, with long sleeves and slit from hem upwards on right side. Front of galabeya with embroidered and applique decoration. Around neck and front of bodice is floral decoration and scrolls in gold, greens, red, and blue, and central shield-shaped gold satin applique piece with embroidered scroll work in gold and blue. Lower part of galabeya with matching, but inverted similar gold satin appliques with embroidered scrolls, and embroidered floral forms. Long sleeves with thin rectangular embroidered gold bands along wrist. Unlined. B) Head Scarf. Rectangle of fine red fabric, lower edge scalloped. Upper edge with sewn border incorporating spaced gold cylindrical beads. Ends of scarf and scalloped area of lower edge with thin crocheted/sewn band with spaced gold tear-drop beads and simulated gold coins. Applied to center of scarf are two bands of red crocheted/knitted net with gold spherical beads and pendant simulated gold coins.
Date: 1975/2000
Partner: UNT College of Visual Arts + Design

Hatlet

Description: Hatlet of black velvet. Black velvet hatlet has a shallow domed crown edged with large upstanding "M" shapes and descending "V" shapes of black velvet edged with black beads. The overall effect is of a child's image of a coronet. The whole is overlaid with black net veil, with triplets of black beads worked into some intersections of the net. Crown is lined in black mesh netting and edged with black grosgrain ribbon. Two plastic combs inside crown help secure hat to wearer's head. Designer's Label: "Bes-Ben / Made in Chicago". Gift of Mr. John C. Murphy, through the Chicago Historical Society.
Date: 1955
Creator: Green-Field, Benjamin B.
Partner: UNT College of Visual Arts + Design

Hatlet

Description: Hatlet of straw and velvet. Formed as a modified X-shaped skullcap, the hatlet is made of woven straw with white straw warp and gold ribbon weft, edged in a narrow ribbon of light tan velvet. At the center of the crown is applied pair of bows of the same velvet ribbon. Evidence of fine brown veiling, now gone. Interior of crown lined in taupe mesh and edged with taupe gros-grain ribbon. Attached at either side is a small plastic comb to secure hat to wearer's head. Designer's label inside crown: "Bes-Ben / Made in Chicago". Gift of Mr. John C. Murphy, through the Chicago Historical Society.
Date: 1955
Creator: Green-Field, Benjamin B.
Partner: UNT College of Visual Arts + Design

Hatlet

Description: Hatlet of black plastic tubing. Formed as an open circular crown, the hatlet is composed of three sections of black tubing shaped as crescents, attached at points. Overlaid with black net veiling with sections of black tubing affixed at some intersections. Crown is lined with black mesh, and edged in black velvet. Designer's label inside crown: "Bes-Ben / Made in Chicago". Gift of William T. Doyle, from the estate of Dorothy Wrigley Offield, through the Chicago Historical Society.
Date: 1955
Creator: Green-Field, Benjamin B.
Partner: UNT College of Visual Arts + Design

Hat

Description: Hat of gray suede. Designed as a modified fedora, the high, domed crown is lightly creased from front to back, and is encircled at its base by a narrow hatband of the same suede, with trailing ribbons. The medium-width brim is of the same suede, and slopes slightly to the outer edge. The brim is lined in the same suede, while the crown is lined in black fabric, with an inner black grosgrain ribbon hatband. Designer's label inside: "Givenchy / Paris"; "Made in / France"
Date: 1965/1975
Creator: Givenchy, Hubert de
Partner: UNT College of Visual Arts + Design

Cocktail Hat

Description: Cocktail hat of black velvet. The hat has a high, cylindrical crown with flattened top, and a wide brim which curves downwards. Around the base of the crown is tied a wide piece of black net veiling, with bow at back. The veiling "pools" on the sides and front of the brim, and then extends down to cover wearer's face. The brim is lined with the same velvet, while the crown is lined in black satin, with an inner black grosgrain ribbon hatband. Designer's label inside: "Givenchy / Paris"; "Made in / France"
Date: 1970/1978
Creator: Givenchy, Hubert de
Partner: UNT College of Visual Arts + Design

Hat

Description: Hat of navy blue jersey knit. Styled as a bowler, the hat has a domed crown encircled at the base by a narrow hatband of same knit. The narrow, rolled brim is of the same fabric, curving up around the crown. The brim is lined in the same fabric; the crown is lined in a dark blue fabric, and has a dark blue grosgrain ribbon inner hatband. Designer's label inside: "Givenchy / Paris"; "Made in / France"
Date: 1965/1975
Creator: Givenchy, Hubert de
Partner: UNT College of Visual Arts + Design

Hat

Description: Hat of cobra skin. The hat is designed with a cylindrical crown, flattened at top, encircled by a narrow hatband of same snake skin. The circular brim slopes downwards. The underside of the brim is lined in cobra, while the crown is lined in brown fabric, and has a black grosgrain ribbon inner hatband. Designer's label sewn inside: "Givenchy / Paris"; "Made in / France"
Date: 1965/1975
Creator: Givenchy, Hubert de
Partner: UNT College of Visual Arts + Design

Ensemble - Dress and Coat

Description: Dress and coat of peacock feathers. The short, sleeveless dress is entirely covered with peacock breast feathers, accented with a 1" band of blue cording and chenille trim at neckline and with blue cord spaghetti straps. It is fully lined with navy polyester. The long, sleeveless coat is covered with peacock herl / flue feathers. It has a round neckline, and no closure. These pieces are part of a larger ensemble, consisting of a total of 9 pieces decorated with peacock and/or golden pheasant feathers. Worn to the Emmy Awards ceremony in Los Angeles, California, April 1976.
Date: 1976
Creator: Ventura, Jane
Partner: UNT College of Visual Arts + Design

Sunbonnet

Description: Sunbonnet of tan and blue braided straw. The hat has a wired brim and a grayish-white silk lining. It is trimmed in tan silk ribbon, and the bavolet, or back panel which shades the neck, is composed of brown, brick red, tan and blue striped cotton fabric. The ties are of brown silk taffeta and are attached to lower edge of brim with a herringbone stitch. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Date: 1830/1839
Partner: UNT College of Visual Arts + Design

Toque

Description: Toque hat of black felt. The brimless hat has a high, cylindrical crown which is higher in front than back; and with a sunken top which is domed at center. Around the front and sides are applied wide curving bands of black satin ribbon. The front and sides are overlaid by black net veiling, which extends slightly down over wearer's face. The hat is unlined. Stamped inside: "Body Made In / Italy / Union Made".
Date: 1955~
Partner: UNT College of Visual Arts + Design

Cartwheel Hat

Description: Cartwheel hat of natural Milan straw. The low, cylindrical crown is flattened at top, and is encircled by a wide band of deep golden orange velvet with large bow at back. The wide, flat brim has stiffening at outer edge. The hat is unlined, with an inner straw-yellow grosgrain ribbon hatband. Designer's label inside: "Sally Victor / 18 East 53rd St."
Date: 196u
Creator: Victor, Sally
Partner: UNT College of Visual Arts + Design

Calotte

Description: Hat of pale purple or violet felt/velor. Styled as a calotte (also spelled "calot"), the hat has a domed pale purple felt crown "stacked" on another domed form of the same felt. The lower form has a horizontal "tuck" near the base, enhancing the impression of the hat being stacked felt domes. On right side of the crown near base is an applied bow of the same felt. The hat is unlined, with an inner dark blue grosgrain ribbon hatband. Stamped inside the crown: "Premier / Finest Quality / Imported / Velour" Joint Designer's and Retailer's label sewn to inner hatband: "Hattie Carnegie / Inc / Original / Expressly for / Neiman-Marcus". Retains original Neiman-Marcus paper tag. Obverse: "Neiman-Marcus / B830 / x8SINZ / 7529x / 2995"; Reverse: "15 00" With matching hatpin, the head covered with a small pad of the same felt as the hat.
Date: 1955
Creator: Carnegie, Hattie
Partner: UNT College of Visual Arts + Design