Texas Fashion Collection - 24 Matching Results
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- Pale pink slip
- Slip of pale pink silk-like synthetic with Madeira embroidery on front-bodice and net lace trim at hem; V-neckline with scalloped trim; spaghetti straps; Madeira embroidery of embroidered vines, cutwork, and eyelets; fabric is gathered under crescent seams below bust; chevron seam at empire waistline; below knee-length. Label at back neckline: L'Elegance/ Imported/ Puerto Rican/ Hand Made
- Basket cloth
- Servilleta utility or basket cloth hand woven on the backstrap loom. Single breadth; double faced brocaded design in geometric, female, and angel motifs. White cotton warp and weft with pink, green and yellow cotton design threads. Hand twisted self fringe. Measures 34-1/2" x 29-3/4"
- Sun mola
- Mola. Decorative reverse appliqued panel of predominantly red cotton. Sun with face design motif. White fabric backing. These panels were originally used as the front and back of a Kuna woman’s blouse. This example appears to be for trade. Measures 18" x 14"
- Butterfly mola
- Mola. Decorative reverse appliquéd panel in predominantly red cotton in butterfly design motif. Backed in dark turquoise blue fabric. These panels were originally used as the front and back of a Kuna woman’s blouse. This example appears to be for trade. Measures 18" x 14"
- Jacket
- Jacket of magenta and floral batik print. No collar, center front opening with no closure. Long sleeves. Padded shoulders. All-over channel quilting in horizontal lines. Piping on all edges. Designer's label inside at back neckline: Ana Colón Size label: 6
- Ceremonial huipil
- Ceremonial/Cofradia (religious society) Huipil. 2 breadth garment back strap loomed in cotton with cotton and silk single-faced brocaded designs - broad and widely spaced red warp stripes amid very wide areas of ixcaco (natural brown cotton) - no trim at neck or sleeves.
- Tzut
- Man's tzut (head or shoulder cloth) of handspun cotton, possibly for a member of the Cofradia (religious society). Back strap loomed warp face plain weave with warp stripes and warp jaspe (ikat).
- Hupil
- Girl's huipil (blouse). Single breadth garment back strap loomed in cotton Double face brocaded geometric design motifs in synthetically-dyed cotton. Neck and side seams both hand stitched.
- Pants for a figure of a saint
- Pantalones (Pants) for a Boy or the Figure of a Saint. Back strap loomed white cotton ground with simple jaspe (ikat) of blue and white dash stripes. Simple cotton hand embroidered design motifs at lower edge of each leg.
- Banda
- Man's Banda (Sash). Handwoven cotton on a backstrap loom, plain weave, red with jaspe (ikat) striping, loose knotting at the ends.
- Huipil panel
- Unused (neck opening never cut) huipil (woman's blouse). White cotton warp and weft handwoven on the back strap loom - technique called picb'il (supplementary weft brocade on a spaced or gauze weave textile - no supplemental weft). This style huipil is always wider than longer so the side panels will hang lower than the center panel. This huipil is never tucked into the skirt, thus giving the wearer freedom to move around and feel cool in the subtropical climate of 3500'.
- Pants
- Man's Pantalones (Pants). Handwoven back strap loomed in cotton. White with purple stripes about 1/2" wide. Hand embroidered cotton design motifs at lower leg. Hand-stitched construction.
- Morga skirt
- Ceremonial Morga (Skirt) of purple and blue striped and patterned handwoven cotton and rayon. Created on a treadle loom with warp jaspe (ikat) patterning.
- Caftan
- Caftan. Vintage Guatemalan skirt (possibly from Santa Maria de Jesus) remade into a contemporary caftan. Original skirt handwoven on treadle loom all cotton. Hand embroidered cotton randa (joining seam). Notice the handmade fabric toggle closure at neckline to complement original design of skirt.
- Delantal
- Delantal (Apron). Made from remnant of jaspe (ikat) corte (skirt). Material is very nicely detailed with a scalloped bottom that is trimmed in velvet. The lining of the pockets is made from the same skirt material. This piece was probably used as an accessory to a garment for a statue of a saint.
- Huipil panel
- Center panel from a 3 breadth ceremonial huipil. Handwoven on a backstrap loom in cotton with cotton double- faced brocaded pattern motifs (geometric and double-faced eagles)
- Huipil panel
- Unused (neck opening never cut) huipil (woman's blouse). White cotton warp and weft handwoven on the backstrap loom - technique called picb'il (supplementary weft brocade on a spaced or gauze weave textile - no supplemental weft). This huipil is never tucked into the skirt, thus giving the wearer the freedom to move around and feel cool in the subtropical climate of 3500'.
- Huipil panel
- Unused (neck opening never cut) huipil (woman's blouse). White cotton warp and weft handwoven on the back strap loom - technique called picb'il (supplementary weft brocade on a spaced or gauze weave textile - no supplemental weft). This style of huipil is always wider than longer so the side panels will hang lower than the center panel. This huipil is never tucked into the skirt, thus giving the wearer the freedom to move around and feel cool in the subtropical climate of 3500'.
- Pants
- Man's Pantalones (pants) of red, blue, green, orange, and white striped woven cotton. Textile created on back strap loom. All hand seamed. One selvedge and three hemmed ends.
- Cinta
- Cinta (woman’s hairband) of red cotton with multicolored stripes and silk floss tassels at both ends. Textile was handwoven on the backstrap loom with cotton warp and weft.
- Cinta
- Cinta (hair ribbon). Handwoven on hair ribbon loom (cross between backstrap and fixed floor loom) using a slit tapestry weave. Although this piece was tagged Zihuatenango it is likely it was only purchased there.
- Mola panel
- Mola (panel for a woman's blouse). Three layer handstitched reverse applique with four keys motif on a red background. There is no indication this piece was part of a blouse - it was probably woven for trade.
- Mola panel
- Mola (panel for a woman's blouse) 3 layer handstitched reverse applique with bird and fish motif on a black background. There is no indication this piece was part of a blouse - it was probably woven for trade.
- Hat
- Panama hat of natural straw. The tan straw crown is domed, with wide band of red, white, and blue grosgrain ribbon around base. At back of ribbon is an applied "bow" of the same ribbon, inverted, with trailing ends. The wide brim turns up at left side, and down at right. Inside of crown with inner tan grosgrain ribbon hatband, to which is attached a black elastic strap to secure hat to wearer's head. Stamped inside crown is retailer's label: "Sold by / 'Lupi's' / 41 Central Ave 41 / Panama"