Texas Fashion Collection - 2,268 Matching Results

Search Results

Jacket

Description: Waist-length black simulated alligator jacket. The cropped shell is constructed of panels of leather blind-stamped to simulate alligator. Panels are edged with silver-colored circular metal grommeted eyelets, and are joined with knitted black cording. The high, rounded spread collar is of ribbed black knit. Zipper closure from throat to hem at center front. The jacket is unlined, and has two interior, black canvas, envelope pockets with snap closures. Label is located inside at center back, below the collar. "Paco Rabanne / Paris Made in France". Jacket was donated as part of an ensemble which also included black wool and cashmere knit sweater by Dior, and black hip-hugger trousers by Remy.
Date: 1965/1970
Creator: Rabanne, Paco
Partner: UNT College of Visual Arts + Design

Ensemble

Description: Ensemble in black and oatmeal colored wool, consisting of: A) Jacket: Semi-fitted wool in abstracted herringbone weave with black and oatmeal yarns running double throughout; moderately rounded neckline with asymmetrical mandarin collar; full-length raglan sleeves with overarm seam and undersleeve; double breasted front opening with eight round, plastic, oatmeal colored buttons and four bound buttonholes supplemented by single hook & eye inside lap at waist; vertical welt pockets on front lined in black silk; fully lined in black silk. Designer's label at inside collar: "Balenciaga / 10 Avenue George V Paris" and "Made in France". Retailer's label at inside side seam: "Neiman-Marcus" B) Dress: Knee length dress; bodice of black wool gauze with jewel neckline; sleeveless; lapped centerfront opening with four round self-covered buttons and bound buttonholes supplemented by single snap and hook & eye; bodice gathers into seam at natural waistline; gathered hip yoke of same gauze; straight skirt of matching herringbone has three snaps at centerfront opening; folded hem; gauze is lined in black silk organdy; skirt is unlined.
Date: 1950
Creator: Balenciaga, Cristóbal
Partner: UNT College of Visual Arts + Design

Handbag

Description: Handbag. Arched frame of silver (plated?), lightly chased and engraved. Openwork areas on sides of frame allow rings from suspension chain to slide up and down acting as "locks". Mesh bag with enameled design of flowers. Inside bag are makers tag marked: "Mesh / Whiting & Davis Co. / Bags / Reg. U.S. & Can." and brand tag marked "El Sah".
Date: 1910/1910
Creator: Whiting & Davis Co.
Partner: UNT College of Visual Arts + Design

Purse

Description: Purse / Handbag for afternoon use. Rectangular plain polished gunmetal / steel frame with ball/snap closure and matching chain of elongated links. Body of purse formed of gunmetal / steel mesh, with linked chain latticework along bottom edge, terminating in small spheres. Purse of gunmetal mesh, suitable for afternoon use. Inside of frame is engraved "Bessie H. Brown" and "Dallas Texas 4205 Swiss Avenue"
Date: 1910/1915
Partner: UNT College of Visual Arts + Design

Sunbonnet

Description: Sunbonnet of brown linen. Made of a plain weave with both white and brown threads, the hat has pasteboard staves within the brim, a crenelated buttoning crown and long tail. The crown and tail are separate pieces, sewn together at neck seam, with the tail fastening to the sides of the brim by 3 off-white buttons on each side. The tail is semi-circular in shape, and the narrow chin ties are hemmed by hand. Poke-style bonnets are generally those that have brims stiffened either through quilting or plain starched fabric. Sunbonnets that rely on staves for brim support are not considered poke-style sunbonnets. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Date: 1890/1899
Partner: UNT College of Visual Arts + Design

Sunbonnet

Description: Sunbonnet of white cotton broadcloth. The hat has a square-shaped brim with an outer layer of off-white weave material with a plain-weave backing, and crocheted trim. The brim is thin and does not appear to contain much stiffening material or starch. The crenelated crown fastens to brim by a series of 9 buttons on top and 2 buttons on each side. The crown is trimmed with the same crocheted trim as is the brim. The crown and tail are of a made of a single length of fabric. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Date: 1890/1899
Partner: UNT College of Visual Arts + Design

Evening Pumps

Description: Pair of slip-on evening pumps. Grey/green leather sole with clear vinyl upper, the upper trimmed at vamp with a 4-row band of rhinestones. Spike- or stiletto-style heels formed of clear Lucite embossed with vertical bands of foliate forms and with metal heel-cap. Blind-stamped into sole at ball of feet: "80 M 6641 / 3218-V678". Right shoe stamped: "Joléne / Hollywood Inspired / Made in U.S.A." The Joléne Hollywood Inspired brand/label was manufactured by the Tober-Saifer Shoe Manufacturing Company of St. Louis.
Date: 1950/1969
Creator: Tober-Saifer Shoe Manufacturing Company
Partner: UNT College of Visual Arts + Design

Wedding Ensemble

Description: Wedding gown of fine white batiste with various kinds of lace. The full-length gown has a slender silhouette which flares out from the Empire waist downward to the hem. The high neckline has a standing lace collar at throat, an embroidered net section covering lower throat and upper chest, an attached small lace fichu or bertha below that, and attached lace simulated shawl collar "lapels" running from the waist at back, up and over the shoulders, to the waist at front. The short sleeves are of bands and tiers of lace, with a satin band and tightly pleated/ruched rosette on each sleeve near cuff. At waist is a wide satin band with larger pleated/ruched satin rosette in front and back. The main body of the skirt has a vertical inset lace panel at front and back which runs from waist to about knee-height. The lower part of the skirt is made of inset horizontal bands of various types of lace Dress has a center back opening with a series of 28 hook-and-eyes, four hook-and-eyes for satin band at waist, and 3 hook-and-eyes for inner waistband. Not shown are accompanying half slip edged with lace and elbow-length kidskin leather gloves size 5 3/4.
Date: 1908
Partner: UNT College of Visual Arts + Design

Dinner Dress

Description: Dinner dress and jacket ensemble of black wool; (a) Jacket: Short princess line black wool jacket; V-neckline with wide notched collar and wide lapels; full-length, set in, two piece sleeves; asymmetrical lapped front opening with one large, round, filligreed button with rhinestones and bound buttonhole; fully lined in black silk. Label stitched inside back neck below collar. (b) Dress: Matching sleeveless knee length dress with V-neckline in front due to surplice styled opening; fronts secure with four snaps and four hook&eyes; seam detail around bust; back neckline is square between straps; waistline seam with skirt gathering all around; lapped center-front opening in skirt with single hook&eye and two snaps; folded hem; fully lined in black silk. Label stitched inside on lining at right side seam. Size 12 BALENCIAGA, Paris
Date: 1960/1969
Creator: Balenciaga, Cristobal
Partner: UNT College of Visual Arts + Design

Cocktail Dress

Description: Cocktail dress. The bodice of the dress is of sheer black wool, with a Peter Pan style collar and short sleeves which are shirred at the ends. There is a narrow black satin ribbon at waist where the bodice meets the skirt. The skirt is composed of three layers. The innermost layer is of thick black chiffon, the middle layer is thin black chiffon/crepe. The outer layer is of panels of black and white printed hounds tooth/plaid chiffon, the panels arranged vertically and slit from 5" below waistline to hemline. The panels are gathered/pleated into the waistband. At the top of each slit is an applied black satin bow, forming a row of bows around the hip-line of the skirt. Each panel has side borders of black satin ribbon. The dress has a center-back zipper from neckline to below hips, with a single hook-and-eye at top of collar. There is an inner black grosgrain ribbon waistband, with hook-and-eye closure. The bodice is lined in sheer black material. Designer's label inside skirt: "Galanos"
Date: 1952/1957
Creator: Galanos, James
Partner: UNT College of Visual Arts + Design

Ensemble - Nightgown and Robe

Description: Ensemble consisting of a nightgown and robe of cream or pale peach nylon. Full-length robe with short sleeves and limp ruff collar. Opens down center front with hook-and-eye closure at waist and attached belt. Matching full-length nightgown is sleeveless, with wide straps. Nightgown opens at side with hook-and-eye closures and has string belt. Both pieces of the ensemble are fully accordion pleated on all parts. Robe has tag "Vanity Fair Nylon"
Date: 1950/1952
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of blue chiffon. The floor-length dress is formed of two layers, an inner sheath, and an outer layer which is fully ruched, covering the inner sheath completely with layers of draping, and affixed to the inner layer at the neckline, zipper, and at cuffs. The dress has a V-neck at both front and back. The ruching forms "swags" which join at the neckline and center seams on front and back. The three-quarter length sleeves are similarly ruched, anchored along seams running from shoulder to wrist. Center back zipper and hook-and-eye closure. Inner grosgrain ribbon band just below bust which secures with hook-and-eye closure. Designer's label sewn inside at ribbon band: "Halston".
Date: 1985
Creator: Halston
Partner: UNT College of Visual Arts + Design

Evening Sandals

Description: Pair of heeled sandals. Uppers made of black peau du soi silk crepe over leather. Edged in gold kid leather. Vamp formed of three bands, each with applied central black silk circular piece with attached gilt metal neoclassical head. Shoes buckle at side with oval gilt metal buckles set with rhinestones. 2 5/8" Boulevard-style heel. For late afternoon or evening wear. Inscribed in each shoe: "Sp14630 / 58545" Labels: In right shoe: "DELMAN / New York - Chicago - London - Paris"; In left shoe: "BERGDORF / GOODMAN".
Date: 1930
Creator: Delman
Partner: UNT College of Visual Arts + Design

Wedding Dress

Description: Wedding ensemble. The dress is of creme satin styled as a sleeveless A-line dress, with wide shoulder straps. The neckline of the bodice is embellished with rows of satin cording forming a cross-over design. The skirt has a high waistline, and is formed of a lattice of groups of four vertical and four horizontal rows of satin cording, with a backing of creme gauze. Label sewn into inside back of dress: "Victor Costa / Bridal" With veil of silk tulle with satin binding, not shown in photograph.
Date: 1994
Creator: Costa, Victor
Partner: UNT College of Visual Arts + Design

Ball Gown

Description: Ball gown of pink silk taffeta. The off-the-shoulder design has several layers of cream colored Chantilly lace around the neckline/shoulder edge. The dress itself is of bright fuchsia pink silk taffeta with ties over each arm. The bodice is seamed and fitted, with a left side seam zipper. The attached matching taffeta skirt is gathered and draped horizontally, and has several layers of Chantilly lace at hem. The skirt has three hoops under the lining.
Date: 1960
Creator: Balenciaga, Cristobal, 1895-1972
Partner: UNT College of Visual Arts + Design

Jacket

Description: Jacket of black silk satin. The jacket, formed as a basque bodice with typical close-fitting achieved by seaming, has extended front panels and is edged with ivory lace. The jacket is embellished with dark blue velvet and olive brown chenille appliques of floral and leaf forms and black jet beading. Lined in ivory silk satin. Photograph is from the exhibition Haute Couture - The Great Paris Designers, held at The Grace Museum, Abilene Texas, October 17 - December 30, 2000, and shows jacket as displayed with a period hat (Accession #: 1981.015.001) and skirt (Accession #: 1967.025.099).
Date: 1870
Creator: Worth, Charles Frederick, 1826–1895
Partner: UNT College of Visual Arts + Design

Suit

Description: Woman's suit consisting of three pieces, a coat, blouse, and skirt. Coat and skirt are made of navy blue wool. The coat has a center front opening, and long sleeves which end just above wrist. The skirt is slightly below mid-calf length. The blouse is made of rust-colored chiffon with rounded neck, and is decorated with beading and embroidery.
Date: 1921
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of rose pink rayon and silk, with ivory silk Peter Pan collar and with cut-out stitched trim. 24 silver ball buttons on left side, and geometric triple-tiered ruffles with drop-waist and self-fabric belt with silver buckle. Long, straight sleeves with ivory satin cuffs with stitched trim; single snap closure.
Date: 1926
Partner: UNT College of Visual Arts + Design

Pantsuit

Description: Evening pantsuit of ivory, blue, and black striped silk consisting of three pieces: a) Mid-length jacket of vertically striped silk with very wide, straight sleeves. Center front opening with no closure. Attached shoulder pads. (b) Pants of matching silk. Full-length, with center back snaps and hook-and-eye closure. Designed to fit loosely, with drawstring waist. (c) Short sleeved tank-style top of matching silk. Sleeveless, with round neckline. The hem, armholes, and neckline are trimmed in black. Each piece has designer's label "Oscar de la Renta".
Date: 2000?
Creator: de la Renta, Oscar
Partner: UNT College of Visual Arts + Design

Dress

Description: Evening dress of pale yellow silk chiffon with bead detailing. V-neckline in front creating the halter, with pieces draped from halter down and out to sides. The entire bodice is finely pleated and gathered, and has beaded panels which creates an empire waist. The beaded panels vary from narrow at center front to wide at sides, and meet at center back. The beading is white and silver beaded horizontal stripes on a mauve background. The skirt is formed by the chiffon being gathered into the beaded panels in many layers and falling to the floor. Dress has a matching lining and has a zipper down center back with hook-and-eye closures at top of zipper and at halter. Label in gown: "Victoria Royal Ltd. / Made In / British Crown Colony / of / Hong Kong".
Date: 1975?
Creator: Victoria Royal Ltd.
Partner: UNT College of Visual Arts + Design

Hat

Description: Hat of green felt. Designed as a modified cloche, the had is formed of a deep, domed crown of green felt with a rolled edge at back that extends to become a high, curved brim in front. The front extension is crowned by a feathered ornament formed as a stylized bird looking downwards. The "bird" has tan and dark feathers for the tail, green feathers for neck and breast, and a black plastic(?) beak. Around the base of the crown is a band of dark gray/bronze colored net, which extends at front and sides to become a veil. Around inside of crown is dark brown/black grosgrain ribbon band. Sewn to inner ribbon band is maker's label: "Hattie Carnegie / Inc / Custom Made"
Date: 1935/1939
Creator: Carnegie, Hattie
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of navy wool gabardine in two parts. The main body of the tubular-shaped dress is full-length, sleeveless, with a round neckline. It has decorative bead-work at upper bust, on back at shoulders and down spine, in a line from right hip down to hem, and around hem. The bead-work includes lines of red and clear beads, spirals and "bursts" of clear and red beads, circular ornaments of red beads, and a roundel at front to bottom right at hem of a scene of a wine jug against a blue, clear and green background. The dress has an opening from left shoulder to waist which is secured with a line of hidden snaps, and is decorated with nine cloth and plastic circular non-functioning buttons arranged in groups of three. The dress is unlined. The dress has with it a detachable cropped camisole of white cotton with center front hook-and-eyes closure and white elastic waistband. The sleeves of the camisole are of navy wool gabardine, bell-shaped, and match the dress. They are decorated with the same style bead-work as the dress, including lines of red and clear beads running from shoulders to wrist, clear and red beaded spirals and "bursts", and roundels with designs in blue, red, and green. When worn, the camisole sleeves blend in with the dress and look like one garment.
Date: 1920
Partner: UNT College of Visual Arts + Design

Dress

Description: Evening dress of bright green hammered silk. The tunic-style dress is full-length, tapering to lower hem in a V-line and with a slit up the side. Rounded collar/neckline and long, bat-wing style sleeves. Inner attached shoulder pads. Hand-written note on the designer label: "8624 #2"
Date: 2000?
Creator: de la Renta, Oscar
Partner: UNT College of Visual Arts + Design

Handbag

Description: Handbag. Cast and chased silver framework decorated with openwork figures of children harvesting grapes. Ball/snap closure. Silver suspension chain of alternating oval links and links formed of three flower-heads. Bag is of black wool with petit point embroidery decoration on each side of a bouquet of flowers. Pink satin lining.
Date: 189u
Partner: UNT College of Visual Arts + Design