Texas Fashion Collection - 2,268 Matching Results

Search Results

Platform Lace-Up Sandals

Description: Pair of platform sandals. Silver leather covered black plastic(?) sole with silver metal lace and cords. 4" spike set-back heel. Marked in relief on sole of each shoe: "Made in France". Anonymous gift to the Texas Fashion Collection.
Date: 1970
Creator: Jourdan, Charles, 1883-1976
Partner: UNT College of Visual Arts + Design

Bag

Description: Handbag for afternoon or evening use. Frame of simulated tortoiseshell, carved and with openwork, with ball/snap closure and chain. Body of bag is of beige fabric with multi-colored petit-point embroidery of a bouquet of flowers. Floral motif on bag in grey, greens, blues, pinks and rose. Lined in rose ribbed silk, and contains a change purse and mirror. French or English in origin.
Date: 1880/1920
Partner: UNT College of Visual Arts + Design

Reticule

Description: Reticule. Drawstring handbag/purse of black knit with openwork band along top through which drawstring is threaded. Running around center of bag are three horizontal bands of blue beads bordered by silver/gold lined beads. Lower part of the bag is completely covered by horizontal bands of silver/gold lined beads and blue beads. Bottom of bag with large sphere covered with blue beads from which hangs tassel of silver/gold lined bead loops. Unlined. Has been dated 1880-1890 or ca. 1916.
Date: 1880/1916
Partner: UNT College of Visual Arts + Design

Purse

Description: Purse / Handbag for afternoon use. Rectangular plain polished gunmetal / steel frame with ball/snap closure and matching chain of elongated links. Body of purse formed of gunmetal / steel mesh, with linked chain latticework along bottom edge, terminating in small spheres. Purse of gunmetal mesh, suitable for afternoon use. Inside of frame is engraved "Bessie H. Brown" and "Dallas Texas 4205 Swiss Avenue"
Date: 1910/1915
Partner: UNT College of Visual Arts + Design

Sunbonnet

Description: Sunbonnet of brown linen. Made of a plain weave with both white and brown threads, the hat has pasteboard staves within the brim, a crenelated buttoning crown and long tail. The crown and tail are separate pieces, sewn together at neck seam, with the tail fastening to the sides of the brim by 3 off-white buttons on each side. The tail is semi-circular in shape, and the narrow chin ties are hemmed by hand. Poke-style bonnets are generally those that have brims stiffened either through quilting or plain starched fabric. Sunbonnets that rely on staves for brim support are not considered poke-style sunbonnets. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Date: 1890/1899
Partner: UNT College of Visual Arts + Design

Dress

Description: Day dress of black silk taffeta. The dress, in the style of the Aesthetic or Reform Movement, is full-length, with a slender silhouette. The front and back of the bodice is styled of tiny vertical knife-pleats, which gather into the rounded neckline. The side panels of the bodice are plain, and there is a line of 14 snaps along the left side forming the closure. The long sleeves are smooth, with slight pleating at the padded shoulders, and they taper to the pointed wrists. The sleeves have 5 hidden snaps and a line of 12 domed non-functioning black taffeta covered buttons on each sleeve. Bodice and skirt are divided by a thin black band. Skirt is fully pleated with tiny vertical knife-pleats. Bodice is lined with thin black crepe. Label sewn inside at back below neckline: "Harbison / Vandervoort's St Louis" Not shown is the accompanying cummerbund of black taffeta, the waistband of large horizontal pleats with a large fan/bow at back with wide, trailing ribbons. (43" from waist to lowest point of ribbons)
Date: 1902
Creator: Harbison, Samuel
Partner: UNT College of Visual Arts + Design

Sunbonnet

Description: Sunbonnet of white cotton broadcloth. The hat has a square-shaped brim with an outer layer of off-white weave material with a plain-weave backing, and crocheted trim. The brim is thin and does not appear to contain much stiffening material or starch. The crenelated crown fastens to brim by a series of 9 buttons on top and 2 buttons on each side. The crown is trimmed with the same crocheted trim as is the brim. The crown and tail are of a made of a single length of fabric. The TFC thanks Rebecca Jumper Matheson for her research on this object.
Date: 1890/1899
Partner: UNT College of Visual Arts + Design

Ensemble - Nightgown and Robe

Description: Ensemble consisting of a nightgown and robe of cream or pale peach nylon. Full-length robe with short sleeves and limp ruff collar. Opens down center front with hook-and-eye closure at waist and attached belt. Matching full-length nightgown is sleeveless, with wide straps. Nightgown opens at side with hook-and-eye closures and has string belt. Both pieces of the ensemble are fully accordion pleated on all parts. Robe has tag "Vanity Fair Nylon"
Date: 1950/1952
Partner: UNT College of Visual Arts + Design

Evening Pumps

Description: Pair of slip-on evening pumps. Grey/green leather sole with clear vinyl upper, the upper trimmed at vamp with a 4-row band of rhinestones. Spike- or stiletto-style heels formed of clear Lucite embossed with vertical bands of foliate forms and with metal heel-cap. Blind-stamped into sole at ball of feet: "80 M 6641 / 3218-V678". Right shoe stamped: "Joléne / Hollywood Inspired / Made in U.S.A." The Joléne Hollywood Inspired brand/label was manufactured by the Tober-Saifer Shoe Manufacturing Company of St. Louis.
Date: 1950/1969
Creator: Tober-Saifer Shoe Manufacturing Company
Partner: UNT College of Visual Arts + Design

Wedding Ensemble

Description: Wedding gown of fine white batiste with various kinds of lace. The full-length gown has a slender silhouette which flares out from the Empire waist downward to the hem. The high neckline has a standing lace collar at throat, an embroidered net section covering lower throat and upper chest, an attached small lace fichu or bertha below that, and attached lace simulated shawl collar "lapels" running from the waist at back, up and over the shoulders, to the waist at front. The short sleeves are of bands and tiers of lace, with a satin band and tightly pleated/ruched rosette on each sleeve near cuff. At waist is a wide satin band with larger pleated/ruched satin rosette in front and back. The main body of the skirt has a vertical inset lace panel at front and back which runs from waist to about knee-height. The lower part of the skirt is made of inset horizontal bands of various types of lace Dress has a center back opening with a series of 28 hook-and-eyes, four hook-and-eyes for satin band at waist, and 3 hook-and-eyes for inner waistband. Not shown are accompanying half slip edged with lace and elbow-length kidskin leather gloves size 5 3/4.
Date: 1908
Partner: UNT College of Visual Arts + Design

Ensemble - Dress and Coat

Description: Ensemble consisting of green leather jacket and green and black striped knit dress with green leather belt. The sheath-style street-length dress is of wool jersey with a knitted pattern of horizontal green and black stripes. It has very short sleeves and a wide boat neckline, and is unlined. The dress has an accompanying green leather belt that ends in fringe. The street-length coat is of matching green leather, with long sleeves and tuxedo collar that extends to lower hem. The center-front opening has no closures, and there is a welt pocket at each side seam. The coat is lined in the same fabric the dress is made from, and faces the tuxedo collar and opening. There are no designer labels in the garments, and the coat has retailer's label: "Neiman-Marcus / Trophy Room".
Date: 1956
Creator: Cashin, Bonnie
Partner: UNT College of Visual Arts + Design

Handbag

Description: Beaded handbag. Rectangular gilt metal frame with suspension chain and ball closure. Body of bag is covered with multi-colored glass beads forming a picture of a bird and flowers amid scrolling forms, same image on each side. Bottom of bag with blue beaded loops of fringe. Interior lining of blue satin, with attached circular mirror on a ribbon. European, either Paris or Vienna.
Date: 1910?
Partner: UNT College of Visual Arts + Design

Evening Sandals

Description: Pair of heeled sandals. Uppers made of black peau du soi silk crepe over leather. Edged in gold kid leather. Vamp formed of three bands, each with applied central black silk circular piece with attached gilt metal neoclassical head. Shoes buckle at side with oval gilt metal buckles set with rhinestones. 2 5/8" Boulevard-style heel. For late afternoon or evening wear. Inscribed in each shoe: "Sp14630 / 58545" Labels: In right shoe: "DELMAN / New York - Chicago - London - Paris"; In left shoe: "BERGDORF / GOODMAN".
Date: 1930
Creator: Delman
Partner: UNT College of Visual Arts + Design

Pumps

Description: Pumps of black satin and black kid leather. Vamp with cutwork in leather forming a modified sunray or comet design centered on circular metal button set with rhinestones. The cutwork is embellished with black jet beadwork. Louis XV style heels covered in black satin. Stamped inside one shoe in gold, partly illegible: "Kasson's / Knickerbocker / Cincinnati"
Date: 1920
Partner: UNT College of Visual Arts + Design

Suit

Description: Woman's suit consisting of three pieces, a coat, blouse, and skirt. Coat and skirt are made of navy blue wool. The coat has a center front opening, and long sleeves which end just above wrist. The skirt is slightly below mid-calf length. The blouse is made of rust-colored chiffon with rounded neck, and is decorated with beading and embroidery.
Date: 1921
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of rose pink rayon and silk, with ivory silk Peter Pan collar and with cut-out stitched trim. 24 silver ball buttons on left side, and geometric triple-tiered ruffles with drop-waist and self-fabric belt with silver buckle. Long, straight sleeves with ivory satin cuffs with stitched trim; single snap closure.
Date: 1926
Partner: UNT College of Visual Arts + Design

Hat

Description: Woman's black velour top hat. Designed after a man's top hat, this version has a cylindrical, slightly domed crown and narrow velour-covered brim which gently curves up. The brim has a second section below, also covered in black velour, that curves downwards, giving the brim an appearance of thickness. Around the lower part of the crown is a folded black silk taffeta grosgrain ribbon, with a large simulated silver metal buckle placed near the front on the right side of the hat. The buckle is of stamped metal simulating cut steel. The hat is lined in black silk. Embroidered label sewn to lining inside crown includes an oval frame containing a monogram, possibly RSCM, and "Gold Medal / Pattern"
Date: 1915/1918
Partner: UNT College of Visual Arts + Design

Dress

Description: Monastic Dress of red and black floral printed cotton. The dress is street-length, with natural shoulders, long sleeves and a high scoop neckline. At the waist is a black leather belt which passes through the garment at the sides, allowing the sides of the dress to be loose and flowing. The belt has a snap closure, and is designed to look "tied" at front. Also referred to as a Trapeze dress. Dress has two labels sewn inside at back of collar. Designer's label: "Claire McCardell Clothes / by Townley" and Retailer's label: "Neiman-Marcus" Belt has stamped in white on the back: "10 Claire McCardell 608" From the original Carrie Marcus Neiman Foundation collection assembled by Stanley and Edward Marcus.
Date: 1958
Creator: McCardell, Claire
Partner: UNT College of Visual Arts + Design

Calotte

Description: Black velvet calotte (also spelled "calot") covered with faux pearls and diamonds. The circular domed hat has a narrow, up-turned brim which is completely covered with a latticework of oval faux pearls, with faux diamonds set at each intersection. At the top of the crown is an upstanding black velvet covered wire surmounted by a "mushroom cap" beaded in the same way as the rest of the hat. Inside of brim lined with black grosgrain ribbon, the hat lined in black netting.
Date: 1935/1939
Partner: UNT College of Visual Arts + Design

Jumpsuit

Description: Jumpsuit of pink, yellow, green and blue horizontal striped paper. The full-length rayon fiber remay paper pantsuit has olive green, pink, blue and tan stripes. Bodice is sleeveless, empire style, with with high rounded neckline and narrow spread collar, with stripes going horizontally. There is a center back zipper closure from the neck to hip-level. Pants are full-length, wide legged palazzo pants with vertical stripes. The pant legs are slit from the hem to mid-calf, and are unhemmed. The piece is lined in a white rayon fiber paper cloth. Retailer's label at inside left beneath the collar: "Change-In-Time / Boutique / Dallas, Texas".
Date: 1966/1967
Partner: UNT College of Visual Arts + Design

Beachwear Ensemble - Bikini and Coverup

Description: Beach ensemble consisting of bikini and coverup. The bikini top and bottom are of jersey printed with a modern art design of greens, pink and red stripes. Top has ties that go up and behind neck, and bands that reach around to back and secure with metal clasp. At front, between the cups along top edge is a non-functional tie made of piping made from the jersey material. Bikini bottom is low-cut. The coverup is of light chiffon, possibly silk, with swirling stripes in the same pattern as bikini. It is sleeveless, has a boat neckline, and rounded hemline. The pieces of the ensemble have various tags: In bikini top: "12" In bikini bottom: "Emilio Schuberth / Roma / Fabricato in Italia"; Made in Italy / Exclusively for / Neiman-Marcus"; "Made in Italy"; "12"; Helanca / Filanca / Marche Int. Dep." Stamped near hem of coverup: "Enzo Mari Per / Fio / Rio"; Sewn in tags: "Fio / Rio"; "Emilio Schuberth / Roma / Fabricato in Italia". Pattern designed by Enzo Mari (b. Novara, Italy, 1932). From the original Carrie Marcus Neiman Foundation collection assembled by Stanley and Edward Marcus.
Date: 1965
Creator: Schuberth, Emilio, 1904-1972
Partner: UNT College of Visual Arts + Design

Handbag

Description: Handbag. Cast and chased silver framework decorated with openwork figures of children harvesting grapes. Ball/snap closure. Silver suspension chain of alternating oval links and links formed of three flower-heads. Bag is of black wool with petit point embroidery decoration on each side of a bouquet of flowers. Pink satin lining.
Date: 189u
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of polychrome cotton print. The floor-length dress is of cotton fabric with a raised "zig-zag" texture, in the style of cotton piqué weaving. It is printed with a series of horizontal bands in geometric designs in blues, reds, greens, tan/brown, orange, and purple. The sleeveless dress has a shallow boat neckline in front and deep squared-off neckline at back. The fitted bodice section ends at the natural waist, into which the long skirt is slightly gathered. The front of the skirt has two patch pockets of the same material, with the print matched to disguise the pockets. One of the lower bands of the skirt is embellished with applied non-functional circular gold-colored "buttons". The hem of the dress has a 7 cm. wide band horizontal band of red wool trim, from which hangs red wool fringe. The center back zipper closure has a single hook-and-eye at top. The dress is lined in red fabric. The dress has two labels sewn inside. At left side at seam is designer's label "Lanvin / Paris New York"; at right side near zipper is size label "6".
Date: 1970
Creator: Crahay, Jules-Francois
Partner: UNT College of Visual Arts + Design

Evening Dress

Description: Evening dress of embroidered silk organza with pink silk acetate lining and belt; square neckline; sleeveless with rhinestone embellished velvet straps attached by rhinestone snaps in front and back; velvet trim; three tiers with pink floral embroidery; pink velvet belt embellished with rhinestones and a velvet flower
Date: 1922
Creator: La Rege
Partner: UNT College of Visual Arts + Design