Texas Fashion Collection - 4,142 Matching Results

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Purse

Description: Purse / Handbag for afternoon use. Rectangular plain polished gunmetal / steel frame with ball/snap closure and matching chain of elongated links. Body of purse formed of gunmetal / steel mesh, with linked chain latticework along bottom edge, terminating in small spheres. Purse of gunmetal mesh, suitable for afternoon use. Inside of frame is engraved "Bessie H. Brown" and "Dallas Texas 4205 Swiss Avenue"
Date: 1910/1915
Partner: UNT College of Visual Arts + Design

Pumps

Description: Pair of metallic leather pumps. Shoes of textured pink or rose metallic hue with silver undertones, edged in black velvet on vamp and around peep-toe. Slingback, fastened by black rhinestone-accented buckles. 3 1/4" spike/stiletto heels covered in the same leather. Each shoe marked inside vamp: "4 1/2 M 4311-SLW / 26080". Stamped on left shoe: "Herbert Levine / Fine Shoes"; Stamped on right shoe: "Neiman-Marcus". Stamped on both "Hand / Lasted".
Date: 1950/1959
Creator: Levine, Beth Katz
Partner: UNT College of Visual Arts + Design

Mourning Ensemble - Bodice and Skirt

Description: Black silk mourning ensemble consisting of bodice and skirt. The bodice of black silk is fitted and boned, with a high, standing black silk band collar with appliqued black lace medallions. It has full-length, modified bishop sleeves that gather into the armseye. Below the gathered cap, in the portion corresponding to the upper arm, the fullness of the sleeve is controlled with top-stitched vertical tucks. From the elbow to the cuff the fullness is again released in a bishop sleeve silhouette. The sleeves gather again into wide black silk cuffs with appliqued black lace medallions and four narrow bands of black velvet ribbon. The bodice front is constructed on the lines of a bolero jacket, with a deep V-shaped opening and wide ruffled collar which is constructed of horizontally tucked black crepe-patterned silk. The released fullness of the tucking creates the ruffled finish. The ruffled portion is edged with two narrow bands of black velvet ribbon. The bodice front has a bib fill of gathered black silk and tulle net that is secured with hook-and-eyes beneath the left collar overlay. The fill area disguises the true front opening which is secured with thirteen hook-and-eyes. The main body of the bodice, front and back, is constructed of vertically tucked black silk that finishes in a wide black silk waistband which is appliqued with black lace medallions and edged in narrow black velvet ribbon. The waistband laps slightly left of center and secures with three hook-and-eyes. The bodice is fully lined with heavily boned glazed black cotton and has figure enhancing pads sewn over the bust and underarm areas and has a black cotton petersham that hooks at center front. There are two hooks at back waist-level to connect the bodice to the skirt. The matching seven-panel gored skirt is of black ...
Date: 1900/1903
Partner: UNT College of Visual Arts + Design

Dress

Description: Dinner dress of printed silk organza. The dress is composed of two parts. The caftan-like outer layer of the dress consists of a square silk organza cocoon printed in psychedelic motifs in purples, blues, pinks and chartreuse. It has a high rounded neckline with center back opening secured with six loops and covered buttons. There are applied flat cuffs at the wrist openings and waist-level slits at center front to accommodate the sash. There is a center front slit from hem to knee-level. The inner dress is a matching, full-length, sleeveless sheath in printed silk of the same design. It has a high rounded neckline with center back zipper closure from neck to hip with a single hook-and-eye closure at the neckline. The outer caftan and inner sheath are joined at the neckline. There is a printed silk organza sash of the same fabric that meets at center front and secures with two hook-and-eye closures and has self ties to disguise closure. The sash is swing tacked at the back. There is a center front slit from the hem to knee-level. Lime green silk panels are inset at sideseams, running from the underarm to the hem, and may be later additions to the garment. The dress is fully lined in green silk crepe. Designer's label located inside left center back, beside the zipper: Pierre Cardin / Paris New York". Retailer's label located inside right center back, beside the zipper: "Maisonette / Neiman-Marcus"
Date: 1970
Creator: Cardin, Pierre, 1922-
Partner: UNT College of Visual Arts + Design

Ballgown

Description: Ensemble of red/coral/dark rose satin. The strapless dress has an empire bodice which curves up in front at bust and is lower in back. The full-length A-line skirt is pleated into the waistband with inverted box pleats. The gown has a center back zipper closure with two hook-and-eye closures and two snaps on the placket. The inner construction is complex, with red grosgrain ribbon bust and waist stays with hook-and-eye closures and a boned white horsehair inner bodice which is lined with red chiffon. Inner structure has its own center back zipper closure which is behind outer zipper. There is an attached full-length red satin petticoat with horsehair hem and nylon net inner structure to support front skirt pleats. The skirt is piece lined in red chiffon. The accompanying bolero jacket is of matching red satin with all-over quilting in a patterns of waves and arcs in a red thread. The cropped jacket is semi-fitted, and has an open curved neckline and center-front opening with no closure, all trimmed in a band of red satin. Each of the set-in long sleeves has a (non-functioning) large, red satin-covered button near the cuff; the cuffs are trimmed in a band of red satin. The jacket is lined in olive green satin, which shows the quilting, and has built-in shoulder pads. There are no labels in the garment.
Date: 1985/1989
Creator: De la Renta, Oscar
Partner: UNT College of Visual Arts + Design

Tunic

Description: Tunic of gold brocade. Knee-length A-line tunic with open rounded neckline and 3/4-length sleeves. The neckline, cuffs and hem are embellished with applied bands of gold, silver, topaz and rose-colored bugle beads, sequins and rhinestones. Center back zipper closure with four hook-and-eye closures at the neckline.
Date: 1970/1980
Creator: Curiel
Partner: UNT College of Visual Arts + Design

Evening Gown

Description: Black velvet evening gown with beaded jacket. a) Jacket: heavily beaded, sequined and embroidered. Cropped, tailored shell with the colors black, gold, green and burgundy predominating. Curved open neckline with full-length set-in sleeves. Piece embroidered. Fully lined in black silk. Designer's label stitched center back, below neckline: "Oscar de la Renta" with hand written style number(?) "5250s" Tag attached below designer's label: "Made in U.S.A." b) Dress: Strapless, full-length, fitted black velvet sheath. Zipper closure down left side seam with hook&eye at the neckline. Hip-level pockets. Neckline, waistline and pockets decorated with gold cord and bugle bead trim. Decorative center front waistline accent of gold-tone metal trimmed with sapphire and emerald rhinestones. Black grosgrain waist stay with double hook&eye closures. Fully lined in black silk. Designer's label stitched center back: "Oscar de la Renta" with hand written style number(?) "5250s" Tag attached below designer's label: "Made in U.S.A."
Date: 1980/1989
Creator: de la Renta, Oscar
Partner: UNT College of Visual Arts + Design

Evening Gown

Description: Evening gown of black lace and tulle with fitted bodice of black organza, silk tulle and lace. High rounded neckline with short sleeves; upper bodice is of black silk tulle; lower portion is of lace, tulle and organza; short tulle sleeves trimmed in black lace; waist seam bound in black satin; full-length, full circle skirt made of four layers of black silk tulle; outer layer has three rows of lace at the hem; outer two layers have horsehair supported hems and are swing tacked together; underskirt of black organza with tulle hem; zippered center back closure with hook & eyes at the neckline and mid-back; black grosgrain ribbon waist stay. Label stitched right of center back opening.
Date: unknown
Creator: de la Renta, Oscar
Partner: UNT College of Visual Arts + Design

Derby

Description: Derby of hot pink leaves. Hat in the style of a derby, completely covered in various shades of hot pink leaf-shapes cut out of velvet, satin, and other fabrics. Cylindrical crown, up-turned brim. The hat is lined in hot pink fabric and has a pink grosgrain ribbon inner hatband. Sewn into the inner hatband is a homemade(?) hand embroidered label: "Jo Bailey Hats"
Date: 1960
Creator: Bailey, Jo
Partner: UNT College of Visual Arts + Design

Pillbox Hat

Description: Pillbox hat of striped fabric. The low-crowned cylindrical hat is covered in a gray fabric having red, green, black, white, and gold stripes reminiscent of a man's tie. Around the crown the fabric is pleated and draped, giving the effect of a low turban. Lined in a pink satin, with dusty rose pink grosgrain ribbon inner hatband. Glued into the crown lining is a homemade(?) hand embroidered label: "Jo Bailey Hats"
Date: 1955
Creator: Bailey, Jo
Partner: UNT College of Visual Arts + Design

Ensemble - Vest and Pants

Description: Ensemble consisting of a vest and pants. The vest is of wool,with a scoop-neck and with 5 hook-and-eye closures down center front. It is covered in sewn-on black sequins, and has a 1" border of orange, white and gold beads with gold trim at neckline, front opening, hem, and armholes. On the front and back of the vest are 3" diamond shapes formed of the same beads. The white and orange beads are plastic. The vest is fully lined in black fabric. Labels in vest: "Valentina LTD / RN 34435 / Made in Hong Kong"; "100% Wool / Made in Hong Kong"; and "Medium". The pants are formed as a divided skirt of black wool in a satin weave simulating crepe-back satin. They are floor length, with full-length accordion pleats. There is a wide 3" waistband that is completely beaded to match the vest. The pants have a center back zipper closure with hook-and-eye at waistband, and are unlined. Inside the pants is a single tag at waistband: "Lot Number 11/12".
Date: 1979
Creator: Valentina Ltd.
Partner: UNT College of Visual Arts + Design

Coat

Description: Evening coat of brocade and fur. The full-length coat is of a pale yellow silk brocade, with a pattern of flowers and scrolls in reds, purples, blues, white, silver, and gold. It has long sleeves and opens along the center front, with no closures. The cuffs and collar are wide bands of dyed purple fox fur. The coat is lined in a pale tan/yellow silk. Sewn in below collar at inside center back is designer's label: "Designed / by Mouratidis / Washington DC" Attached inside right side near hip is original paper label printed on one side "Balenciaga / Paris", and written on the back "Brocade evening mystery / coat w/fox / R". Donated to the Texas Fashion Collection by Helen Noumas, in memory of her partner Michael Mouratidis, designer of the piece.
Date: 1989
Creator: Mouratidis, Michael, 1920-2002
Partner: UNT College of Visual Arts + Design

Boots

Description: Pair of brown suede boots. Almost knee-high, the boots are constructed as slip-on rounded-toe shoes or moccasins with added segments on the quarter to create the length of the boots. At the top, the suede of the boots is folded over outwards forming a pocket for a drawstring around top and a band of suede fringe around the outside of the boot. Indistinct trademark/logo stamped on sole. Illegible stamped mark inside boots. Referred to as "Squaw Boots", these were worn by the donor who acquired them in 1968 from the Fishing Bridge Store, in Yellowstone National Park.
Date: 1968
Partner: UNT College of Visual Arts + Design

Shirt

Description: Homemade, long-sleeved shirt of gold brocade, with straight button front, in the popular Elvis Presley or Renaissance style of the late 1960's. Multiple ballooned areas on the sleeves.
Date: 1962/1968
Partner: UNT College of Visual Arts + Design

Wedding Dress

Description: Wedding dress of purple calico. Full length, with slight ruffled standing collar, long sleeves with elastic cuffs, tucked bodice, gathered skirt with ruffle at waistline. Inside hem with thin band of purple lace. Center back zipper closure with hook-and-eye at top.
Date: 1972
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of printed silk with beads and sequins. Short dress of black silk is printed with a paisley design in yellow, red, and cream. The background is covered in heavy black beading and black sequins. The dress has a short standing collar and long set-in sleeves. There is a center back zipper from collar to hips. Fully lined in black fabric. Label of Dallas retailer inside back near collar on left side: "Marie Leavell"
Date: 1960/1969
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of navy blue silk chiffon. The full-length dress is sleeveless, with narrow straps extending across shoulders and meeting at center of the 2 1/2" wide A-line band at neckline. The straps and neckline band are covered with faux jewels. From the band drops the long A-line skirt of finely-pleated silk chiffon, which conceals a narrow sheath dress underneath. This dress is similar in style to one produced for Halley's 1967 collection.
Date: 1970/1975
Creator: Halley, George
Partner: UNT College of Visual Arts + Design

Skirt Suit

Description: Suit of black ribbed fabric. (a) jacket with notched collar of sateen; center front welted button closure; pink buttons with gold snake; armhole princess seams; double darts from pocket to bust point; faux single welt pockets with gathers; long sleeves with curved half cuffs in pink sateen with button closure; armhole princess seams on back; pink lining; pleat at center back. (b) matching knee-length skirt; waistband; 1 front waist dart; 1 front princess seam; center back closure; waistline darts; black lining.
Date: 1998~
Creator: Ungaro, Emanuel
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of blue, green, pink, and black taffeta and satin in horizontal woven bands. The full-length dress has a sweetheart neckline which gathers at bust to simulate a bow. The fitted bodice has short raglan-style sleeves with gathers at the shoulder seams. The long skirt is gathered at the natural waist. The dress is unlined, and has hook-and-eye closures on left side along bodice.
Date: 1930
Partner: UNT College of Visual Arts + Design

Dress

Description: Dress of black and purple diagonal woven stripe taffeta. It has a V- neckline in front and back, and has a fitted bodice with balloon peplum which gathers into the waist. Sleeveless, the dress has black velvet straps with striped flounces on each side and has black velvet petals attached to the straps. The long, straight skirt has a front slit. Dress has a center back zipper closure, and is unlined. No labels.
Date: 1935
Partner: UNT College of Visual Arts + Design

Ensemble - Dress and Coat

Description: Dress and coat of peacock feathers. The short, sleeveless dress is entirely covered with peacock breast feathers, accented with a 1" band of blue cording and chenille trim at neckline and with blue cord spaghetti straps. It is fully lined with navy polyester. The long, sleeveless coat is covered with peacock herl / flue feathers. It has a round neckline, and no closure. These pieces are part of a larger ensemble, consisting of a total of 9 pieces decorated with peacock and/or golden pheasant feathers. Worn to the Emmy Awards ceremony in Los Angeles, California, April 1976.
Date: 1976
Creator: Ventura, Jane
Partner: UNT College of Visual Arts + Design

Kipper Tie

Description: Wide kipper tie of large stylized paisley designs in yellows and gold on a blue field. Blue is somewhat faded from the original shade. The tie has a tag on reverse marked "Brent" and with the logo for Montgomery Ward. The creation of the kipper tie, a form of extra-wide necktie known for bright colors and patterns, is credited to British designer Michael Fish. He brought out the earliest ones in the 1960's. This example was a gift to the donor by his maternal grandmother, Mary Kathleen King Miller (1898-1969).
Date: 1966
Creator: Brent
Partner: UNT College of Visual Arts + Design

Jeans

Description: Pair of commercially produced Wrangler denim jeans that were found in the southern Rocky mountains across from Red River, New Mexico in the late 1960's. The pants had been bleached in irregular patterns by the sun, and had various worn and torn places. After discovery, the Wranglers were embellished with red velour fabric pieces to cover some of the worst structural damage, and with a commercially available embroidered butterfly patch added below waistband at center back. Labels: Evidence of rectangular tag having been sewn on right-side back pocket. Both back pockets have "W" stitching; Fly button engraved "Wrangler"; Tag sewn inside fly: "Wrangler / 30 x 34 / Sanforized / Made in U.S.A."; Zipper pull stamped "Gripper Zipper" and "Pat Pending"; Marked on left front pocket, inside pants: "GDW"
Date: 1960/1969
Creator: Wrangler
Partner: UNT College of Visual Arts + Design