Search Results

Banda

Description: Man's Banda (Sash). Handwoven cotton on a backstrap loom, plain weave, red with jaspe (ikat) striping, loose knotting at the ends.
Date: 1940/1949
Partner: UNT College of Visual Arts + Design

Basket cloth

Description: Servilleta utility or basket cloth hand woven on the backstrap loom. Single breadth; double faced brocaded design in geometric, female, and angel motifs. White cotton warp and weft with pink, green and yellow cotton design threads. Hand twisted self fringe. Measures 34-1/2" x 29-3/4"
Date: 1950/1969
Partner: UNT College of Visual Arts + Design

Butterfly mola

Description: Mola. Decorative reverse appliquéd panel in predominantly red cotton in butterfly design motif. Backed in dark turquoise blue fabric. These panels were originally used as the front and back of a Kuna woman’s blouse. This example appears to be for trade. Measures 18" x 14"
Date: 1970/1990
Partner: UNT College of Visual Arts + Design

Caftan

Description: Caftan. Vintage Guatemalan skirt (possibly from Santa Maria de Jesus) remade into a contemporary caftan. Original skirt handwoven on treadle loom all cotton. Hand embroidered cotton randa (joining seam). Notice the handmade fabric toggle closure at neckline to complement original design of skirt.
Date: 1970/1979
Partner: UNT College of Visual Arts + Design

Ceremonial huipil

Description: Ceremonial/Cofradia (religious society) Huipil. 2 breadth garment back strap loomed in cotton with cotton and silk single-faced brocaded designs - broad and widely spaced red warp stripes amid very wide areas of ixcaco (natural brown cotton) - no trim at neck or sleeves.
Date: 1960/1970
Partner: UNT College of Visual Arts + Design

Cinta

Description: Cinta (woman’s hairband) of red cotton with multicolored stripes and silk floss tassels at both ends. Textile was handwoven on the backstrap loom with cotton warp and weft.
Date: 1970/1979
Partner: UNT College of Visual Arts + Design

Cinta

Description: Cinta (hair ribbon). Handwoven on hair ribbon loom (cross between backstrap and fixed floor loom) using a slit tapestry weave. Although this piece was tagged Zihuatenango it is likely it was only purchased there.
Date: 1970/1979
Partner: UNT College of Visual Arts + Design

Delantal

Description: Delantal (Apron). Made from remnant of jaspe (ikat) corte (skirt). Material is very nicely detailed with a scalloped bottom that is trimmed in velvet. The lining of the pockets is made from the same skirt material. This piece was probably used as an accessory to a garment for a statue of a saint.
Date: 1970/1979
Partner: UNT College of Visual Arts + Design

Hat

Description: Panama hat of natural straw. The tan straw crown is domed, with wide band of red, white, and blue grosgrain ribbon around base. At back of ribbon is an applied "bow" of the same ribbon, inverted, with trailing ends. The wide brim turns up at left side, and down at right. Inside of crown with inner tan grosgrain ribbon hatband, to which is attached a black elastic strap to secure hat to wearer's head. Stamped inside crown is retailer's label: "Sold by / 'Lupi's' / 41 Central Ave 41 / Panama"
Date: 1954
Partner: UNT College of Visual Arts + Design

Huipil panel

Description: Unused (neck opening never cut) huipil (woman's blouse). White cotton warp and weft handwoven on the back strap loom - technique called picb'il (supplementary weft brocade on a spaced or gauze weave textile - no supplemental weft). This style huipil is always wider than longer so the side panels will hang lower than the center panel. This huipil is never tucked into the skirt, thus giving the wearer freedom to move around and feel cool in the subtropical climate of 3500'.
Date: 1960/1969
Partner: UNT College of Visual Arts + Design

Huipil panel

Description: Center panel from a 3 breadth ceremonial huipil. Handwoven on a backstrap loom in cotton with cotton double- faced brocaded pattern motifs (geometric and double-faced eagles)
Date: 1970/1979
Partner: UNT College of Visual Arts + Design

Huipil panel

Description: Unused (neck opening never cut) huipil (woman's blouse). White cotton warp and weft handwoven on the backstrap loom - technique called picb'il (supplementary weft brocade on a spaced or gauze weave textile - no supplemental weft). This huipil is never tucked into the skirt, thus giving the wearer the freedom to move around and feel cool in the subtropical climate of 3500'.
Date: 1960/1969
Partner: UNT College of Visual Arts + Design

Huipil panel

Description: Unused (neck opening never cut) huipil (woman's blouse). White cotton warp and weft handwoven on the back strap loom - technique called picb'il (supplementary weft brocade on a spaced or gauze weave textile - no supplemental weft). This style of huipil is always wider than longer so the side panels will hang lower than the center panel. This huipil is never tucked into the skirt, thus giving the wearer the freedom to move around and feel cool in the subtropical climate of 3500'.
Date: 1960/1969
Partner: UNT College of Visual Arts + Design

Hupil

Description: Girl's huipil (blouse). Single breadth garment back strap loomed in cotton Double face brocaded geometric design motifs in synthetically-dyed cotton. Neck and side seams both hand stitched.
Date: 1980/1989
Partner: UNT College of Visual Arts + Design

Jacket

Description: Jacket of magenta and floral batik print. No collar, center front opening with no closure. Long sleeves. Padded shoulders. All-over channel quilting in horizontal lines. Piping on all edges. Designer's label inside at back neckline: Ana Colón Size label: 6
Date: 1975/1980
Creator: Colón, Ana
Partner: UNT College of Visual Arts + Design

Mola panel

Description: Mola (panel for a woman's blouse). Three layer handstitched reverse applique with four keys motif on a red background. There is no indication this piece was part of a blouse - it was probably woven for trade.
Date: 1970/1979
Partner: UNT College of Visual Arts + Design

Mola panel

Description: Mola (panel for a woman's blouse) 3 layer handstitched reverse applique with bird and fish motif on a black background. There is no indication this piece was part of a blouse - it was probably woven for trade.
Date: 1970/1979
Partner: UNT College of Visual Arts + Design

Morga skirt

Description: Ceremonial Morga (Skirt) of purple and blue striped and patterned handwoven cotton and rayon. Created on a treadle loom with warp jaspe (ikat) patterning.
Date: 1960/1969
Partner: UNT College of Visual Arts + Design

Pale pink slip

Description: Slip of pale pink silk-like synthetic with Madeira embroidery on front-bodice and net lace trim at hem; V-neckline with scalloped trim; spaghetti straps; Madeira embroidery of embroidered vines, cutwork, and eyelets; fabric is gathered under crescent seams below bust; chevron seam at empire waistline; below knee-length. Label at back neckline: L'Elegance/ Imported/ Puerto Rican/ Hand Made
Date: 1940
Partner: UNT College of Visual Arts + Design

Pants

Description: Man's Pantalones (Pants). Handwoven back strap loomed in cotton. White with purple stripes about 1/2" wide. Hand embroidered cotton design motifs at lower leg. Hand-stitched construction.
Date: 1930/1939
Partner: UNT College of Visual Arts + Design

Pants

Description: Man's Pantalones (pants) of red, blue, green, orange, and white striped woven cotton. Textile created on back strap loom. All hand seamed. One selvedge and three hemmed ends.
Date: 1940/1949
Partner: UNT College of Visual Arts + Design

Sun mola

Description: Mola. Decorative reverse appliqued panel of predominantly red cotton. Sun with face design motif. White fabric backing. These panels were originally used as the front and back of a Kuna woman’s blouse. This example appears to be for trade. Measures 18" x 14"
Date: 1970/1990
Partner: UNT College of Visual Arts + Design

Tzut

Description: Man's tzut (head or shoulder cloth) of handspun cotton, possibly for a member of the Cofradia (religious society). Back strap loomed warp face plain weave with warp stripes and warp jaspe (ikat).
Date: 1950/1959
Partner: UNT College of Visual Arts + Design
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