Texas Fashion Collection - 2,597 Matching Results

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1962.001.118

Description: Dress in Mother Hubbard style of cotton muslin in printed paisley pattern in shades of pink. Also known as a Texas Prairie Gown. Long, demi-gigot sleeves. Gathers at center front; fan pleats at center back. Bodice lined in brown polished cotton; skirt is unlined.
Date: 1890
Partner: UNT College of Visual Arts + Design

Afternoon Dress

Description: Afternoon dress of dark green silk satin, crepe and chiffon. The tunic-style dress of dark green silk satin is street-length, with a drop waist. It has a slight standing collar at back which extends out in front to become long ties with a backing of dark maroon. Below the bow formed by the ties is V-shaped neckline. The full-length sleeves are dark green silk satin from shoulders to elbows and are translucent green crepe from elbows to cuffs. The main part of the gauze sections are embroidered with floral motifs in red, pink, and green/gold. The sleeves have two snaps at each cuff, which are trimmed with bands of pink crepe, maroon crepe, and dark green satin. On the front of the skirt are three wide, slightly overlapping tiers of fabric, split at center front, which start below the hips and end slightly above the hem. The dress is unlined, and there are no tags or labels.
Date: 1920/1925
Partner: UNT College of Visual Arts + Design

Afternoon Dress

Description: Afternoon ensemble of heavy black silk faille and lace. A) Bodice. Fitted; 3/4 length sleeves are split to show ice blue faille insets covered in black lace and are piped and scalloped with black embroidery and braid medallions. The lace on the sleeve insets extends from the elbow to the wrist with gathers in the lace at the back of the wrist. High standing collars with the front of the collar covered in matching blue faille covered in black lace; collar has hook & eye closure. Center front opening of 16 self-covered buttons and barred buttonholes. Center front opening is scalloped and piped to match sleeves and is trimmed with matching embroidered medallions. Boned with white moire silk grosgrain petersham which secures with two hook & eyes. Center back of petersham has three irregular pentagonal shaped tabs of black faille with barred buttonholes for securing bodice to skirt. B) Skirt. Full skirt is asymmetrical with blue faille panels inserted at front right side of skirt and two narrow inserts on left side. Left side inserts are partly covered by black faille pleating which forms folds at the left side waist. Front inserted panel is covered in black lace in floral motifs with diagonal striping. Hemline of front inserted panel is scalloped and piped in black faille with matching black embroidered medallions. Right side of skirt has an inserted panel of matching black faille that is piped and scalloped to match the bodice and is trimmed with matching embroidered medallions. Underskirt of black faille has a box pleated ruffle of self around the hemline. Center back hook & eye closure with three mother-of-pearl button on black grosgrain waistband for securing skirt to bodice. All blue insert faille panels have faded to white.
Date: 1880
Partner: UNT College of Visual Arts + Design

Alpine Hat

Description: Alpine hat of dark green felt hat. Brim slightly turned up. Hatband of lighter green yarn with feather brush on one side with metal bird on handle. One metal hat pin with a stag and doe and a black and red emblem in top right corner. Unlined with leather inner headband. Labels inside crown: "Ludwig Zapf hutmacher Werfen" and "Lanz Salzburg".
Date: 1946/1949
Creator: Lanz
Partner: UNT College of Visual Arts + Design

American Flag Shoes

Description: "American Flag Shoes". The pair of shoes is of white leather and red and blue suede. Styled in a way reminiscent of bowling shoes, the white leather shoes have rounded toes, and red suede overlays at toe box, upwards in a strip from toebox to vamp, and around lower part of heel. Blue suede overlay stripes at side have star-shaped cut-outs to allow white leather to show through. Blue suede edging at top of upper and top of heel. Shoes lace-up at front, 5 holes per side. White shoe laces. Shoes are "flats", with 3/4" high heels. Brand stamped on inside: "Flings" Illegible stamp inside.
Date: 197u
Partner: UNT College of Visual Arts + Design

At Home Ensemble

Description: At Home Ensemble consisting of two pieces: A) Bodysuit of bright green knitted silk jersey with over-length sleeves and legs. Center back lapped zipper closure from neckline to lower back, with one hook-and-eye closure at top of zipper. Designer's label at inside left back, just beside zipper: "Rudi Gernreich". B) Tunic/tabard formed of two long rectangular panels of black silk with white printed polka dots all over. Boat neckline with thin "straps" simulated at shoulders where panels meet. The panels are sewn at left side for 17 cm. below arm and open the rest of the length. On right side are three snaps and one hook-and-eye closure. Left shoulder sewn shut, right with one hook-and-eye closure. The panels are lined in shocking pink silk. Designer's label at front inside, just below neckline: "Rudi Gernreich" Retailer's label at back inside, just below neckline: "Neiman-Marcus / Trophy Room"
Date: 1965
Creator: Gernreich, Rudi
Partner: UNT College of Visual Arts + Design

Aviator's Cap Hat

Description: Hat in the form of a white leather Aviator's Cap. The domed ovoid crown is made in six triangular sections, and has straps which extend down and buckle under the chin with two oval gilt metal links. The cap is lined with black satin, and has an inner black grosgrain ribbon hatband. Designer's label: "Adolfo / New York Paris" Retailer's Label: "Amen Wardy / El Paso Texas"
Date: 1965~
Creator: Adolfo
Partner: UNT College of Visual Arts + Design

Aviator's Cap Hat

Description: Hat in the form of a black leather Aviator's Cap. The domed ovoid crown is made in six triangular sections, and has straps which extend down and buckle under the chin with two oval gilt metal links. The cap is lined with black satin, and has an inner black grosgrain ribbon hatband. Designer's label: "Adolfo / New York Paris" Retailer's Label: "Amen Wardy / El Paso Texas"
Date: 1964/1968
Creator: Adolfo
Partner: UNT College of Visual Arts + Design

Baby's gown

Description: Infant's gown of white cotton batiste with V-shaped ruffled yoke. Long sleeves. Center front of yoke and hemline have faggoting with narrow drawn work to each side. Cuffs and hem of ruffle have matching drawn work. Gown is box pleated at yoke. Center back opening; closure missing.
Date: 1905
Partner: UNT College of Visual Arts + Design

Bag

Description: Handbag for afternoon or evening use. Frame of simulated tortoiseshell, carved and with openwork, with ball/snap closure and chain. Body of bag is of beige fabric with multi-colored petit-point embroidery of a bouquet of flowers. Floral motif on bag in grey, greens, blues, pinks and rose. Lined in rose ribbed silk, and contains a change purse and mirror. French or English in origin.
Date: 1880/1920
Partner: UNT College of Visual Arts + Design

Ball gown

Description: Ballgown of beaded light blue silk satin. A) Dress: sleeveless, princess-line, flared, full-length evening gown with moderate square neckline. Overlay bodice detail of matching aqua satin. The overbodice has a slightly empire line with side panels extending over the hips. The overbodice is intricately pieced and embellished with cutwork details and beading. The cutwork treatment extends across the wide shoulder straps, down the bodice front and back and then completely covers the side panels. The beading incorporates clear rhinestones with square pillow-shaped studs in varying shades of aqua and turquoise. The beading was based on the tile work incorporated in the Southland Center, Dallas, Texas. The full, flared skirt is tacked into four wide inverted knife pleats down the front and it is asymmetrically pleated across the back. Center back zipper closure to hipline with a single hook&loop at midback neckline. Placket closure secured with one snap and one hook&eye. The skirt is lined with heavy white pellon and has a horsehair reinforced hem. Label located over inside front bustline. B) Petticoat: full-length, gored, ten panel petticoat of iridescent turquoise/aqua silk satin. Narrow waistband with center back placket opening secured with two hook&eyes. Horsehair reinforced hem.
Date: 1959
Creator: Wolff, Lilli
Partner: UNT College of Visual Arts + Design

Ball Gown

Description: Ball gown of pink silk taffeta. The off-the-shoulder design has several layers of cream colored Chantilly lace around the neckline/shoulder edge. The dress itself is of bright fuchsia pink silk taffeta with ties over each arm. The bodice is seamed and fitted, with a left side seam zipper. The attached matching taffeta skirt is gathered and draped horizontally, and has several layers of Chantilly lace at hem. The skirt has three hoops under the lining.
Date: 1955
Creator: Balenciaga, Cristobal, 1895-1972
Partner: UNT College of Visual Arts + Design

Ballgown

Description: Ballgown of dark, navy blue ribbed satin. Strapless. Center front opening with 14 self-covered buttons, top two nonfunctional, with bound buttonholes. At upper bust, to left and right of center front opening, are attached paired flaps of self fabric giving appearance of patch pockets with flaps. Skirt gathers at natural waist with full skirt. Gored panels to left and right of center back seam of skirt. Inner bodice of black net with boning and black grosgrain ribbon petersham; closes at center front with 9 hook & eyes. Unlined. Designer's label at center back seam near hem: "Christian Dior - New York / Original / Trade Mark" Hanging straps on bodice are embroidered "Neiman-Marcus"
Date: 1980/1989
Creator: Christian Dior New York, Inc.
Partner: UNT College of Visual Arts + Design

Ballgown

Description: Ballgown of pink chiffon. Fitted, boned empire bodice with V-shaped neckline and double spaghetti straps. The bodice is constructed of diagonally pleated pink silk chiffon that crisscrosses over the bust. Center back zipper closure from neck to hip line with a single hook & eye at the neckline supplemented with a hook & loop mid-back and one at the waist seam. Empire waist with full, gathered, circular, ankle-length over skirt of pink crepe chiffon. Semi-fitted underskirt of pink chiffon over pink silk crepe. Wide, boned, white silk/nylon petersham secured down center back with four hook & eyes. Retailer's label at knee-level of underskirt's center back seam: "Neiman-Marcus"
Date: 1970
Creator: Parnis, Mollie
Partner: UNT College of Visual Arts + Design

Ballgown

Description: Ensemble of red/coral/dark rose satin. The strapless dress has an empire bodice which curves up in front at bust and is lower in back. The full-length A-line skirt is pleated into the waistband with inverted box pleats. The gown has a center back zipper closure with two hook-and-eye closures and two snaps on the placket. The inner construction is complex, with red grosgrain ribbon bust and waist stays with hook-and-eye closures and a boned white horsehair inner bodice which is lined with red chiffon. Inner structure has its own center back zipper closure which is behind outer zipper. There is an attached full-length red satin petticoat with horsehair hem and nylon net inner structure to support front skirt pleats. The skirt is piece lined in red chiffon. The accompanying bolero jacket is of matching red satin with all-over quilting in a patterns of waves and arcs in a red thread. The cropped jacket is semi-fitted, and has an open curved neckline and center-front opening with no closure, all trimmed in a band of red satin. Each of the set-in long sleeves has a (non-functioning) large, red satin-covered button near the cuff; the cuffs are trimmed in a band of red satin. The jacket is lined in olive green satin, which shows the quilting, and has built-in shoulder pads. There are no labels in the garment.
Date: 1985/1989
Creator: De la Renta, Oscar
Partner: UNT College of Visual Arts + Design

Beach Clogs

Description: Beach clogs. The sandals are designed with rounded toe, and have a blond wood sole through which are threaded straps/ties of tan and brown woven in a vine/leaf pattern. Moderate heel.
Date: 1940
Partner: UNT College of Visual Arts + Design

Beach Clogs

Description: Beach clogs of painted wood, and red and yellow leather. The thick wooden soles are painted in a marbled pattern of greens and yellows on red ground. The toe-box is formed of two wide crossed leather straps, one red, the other yellow, each affixed to the sole by large-headed nails/tacks. The heels have red silk cord which is threaded through hole passing through the sole and tied around wearer's ankles. The modified French heels are painted to match the rest of the soles.
Date: 1938
Partner: UNT College of Visual Arts + Design

Beach Clogs

Description: Pair of wooden, raffia, and leather beach clogs. The slip-on shoes are designed with wooden platform soles with rounded toes, and a wide woven raffia strap across vamp which is dyed in stripes, red, off-white, black, orange, white, brown, and green. The raffia strap is attached at either side by narrow band of leather nailed into sides of sole. The 3" high heel is of a modified Louis style, and is painted with flower-heads in blues and reds, with similar floral forms on the sides of the platform near the toes.
Date: [1940..1959]
Partner: UNT College of Visual Arts + Design

Beach Clogs

Description: Pair of beach clogs of wood and fabric. The wooden platform soles are "foot shaped", and secure to feet with a wide strap of striped cloth which passes through the sole at instep and ties at top of instep. Fabric is striped in black, yellow, red, white, and yellow. Printed label affixed to sole: "Gymnastic" Stamped on side: "6"
Date: 1966~
Partner: UNT College of Visual Arts + Design

Beach Shoes

Description: Beach shoes of tan rope and red, white, and blue knitted cotton(?). Designed as thick-soled espadrilles with coiled rope soles and rounded toes, the toe-box and heel section are of knitted cotton(?) in red, white, and blue patterns of squares and zig-zags on bands of color. From instep to sides of heel are tied red silk(?) cords.
Date: 1946
Partner: UNT College of Visual Arts + Design