Doctoral Lecture Recital: 1988-03-28 – John Goodall, oboe

One of 2,407 items in the series: Doctoral Recitals available on this site.

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Recital presented at the NTSU School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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1 recording (47 min., 37 sec.)

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Goodall, John March 28, 1988.

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  • Main Title: Doctoral Lecture Recital: 1988-03-28 – John Goodall, oboe
  • Series Title: Doctoral Recitals
  • Series Title: Lecture Recitals
  • Added Title: Charles Martin Loeffler, Deux rapsodies for Oboe, Viola and Piano; L'Etang and La Cornemuse, After Poems by Maurice Rollinat; A Stylistic Analysis

Degree Information

Description

Recital presented at the NTSU School of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (47 min., 37 sec.)

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others (Thesis or Dissertation)

A Stylistic Analysis of Charles Martin Loeffler's Deux Rapsodies for Oboe, Viola and Piano, L'étang and La cornemuse, After Poems by Maurice Rollinat: A Lecture Recital, Together with Three Recitals of Selected Works by E. Rubbra, D. Beaty, B. Britten, W.A. Mozart, and Others

At the turn of this century, Charles Martin Loeffler (1861-1935) was considered to be among the finest of the handful of well-known American composers of the time. His music was often performed by major symphony orchestras, chamber groups and solo artists. Deux rapsodies for Oboe, Viola and Piano: L'Etang and La Cornemuse, after poems by Maurice Rollinat (1846-1903), show Loeffler's affinity for programmatic concepts. These works, completed in 1901, are revisions of settings of 1898 for low voice, clarinet, viola and piano, and are now, unfortunately, out of print; but the oboe, viola and piano setting has been published (originally as Deux rapsodies by G. Schirmer, 1905; the latest edition, Two Rhapsodies, is by McGinnis and Marx, N.Y., 1979) and recorded several times. Loeffler has reflected Rollinat's poetry in his settings by means of melodic, rhythmic and harmonic devices unique to his style. Formal and articulative devices also tend to point to his dependence on the poetry as a source of inspiration and as means for defining the final musical product. Indeed, the music seems incapable of existence independent of its source in the richly imagistic poetry of Rollinat.

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  • March 28, 1988

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Added to The UNT Digital Library

  • July 11, 2017, 7:49 p.m.

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  • Feb. 22, 2024, 10:48 a.m.

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  • 33.210664, -97.150118

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Goodall, John. Doctoral Lecture Recital: 1988-03-28 – John Goodall, oboe, audio recording, March 28, 1988; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc983812/: accessed May 26, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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