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Doctoral Recital: 2015-02-16 - Brian Horton, saxophone

One of 1,922 recordings in the series: Doctoral Recitals available on this site.
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Description

Recital presented at the UNT College of Music Kenton Hall.

Creation Information

Horton, Brian (Saxophonist) February 16, 2015.

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This audio recording is part of the collection entitled: College of Music Recordings and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 17 times. More information about this recording can be viewed below.

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Titles

  • Main Title: Doctoral Recital: 2015-02-16 - Brian Horton, saxophone
  • Series Title: Doctoral Recitals

Degree Information

Description

Recital presented at the UNT College of Music Kenton Hall.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

College of Music Program Book 2014-2015: Student Performances, Volume 1 (Book)

College of Music Program Book 2014-2015: Student Performances, Volume 1

Student performances program book from the 2014-2015 school year at the University of North Texas College of Music.

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Program: https…

Tone Parallels in Music for Film: The Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra by Brian Horton (Thesis or Dissertation)

Tone Parallels in Music for Film: The Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra by Brian Horton

This research investigates the culturally programmatic symbolism of jazz music in film. I explore this concept through critical analysis of composer Terence Blanchard's original score for Malcolm X directed by Spike Lee (1992). I view Blanchard's music as representing a non-diegetic tone parallel that musically narrates several authentic characteristics of African-American life, culture, and the human condition as depicted in Lee's film. Blanchard's score embodies a broad spectrum of musical influences that reshape Hollywood's historically limited, and often misappropiated perceptions of jazz music within African-American culture. By combining stylistic traits of jazz and classical idioms, Blanchard reinvents the sonic soundscape in which musical expression and the black experience are represented on the big screen. My new work––Black Magic––is a musical response to the research found within this study. The through-composed piece is written in three movements for a studio orchestra. It is an homage to the musical, cultural, and entertainment contributions of African-Americans in the magical realm of Hollywood cinema.

Tone Parallels in Music for Film: The Compositional Works of Terence Blanchard in the Diegetic Universe and a New Work for Studio Orchestra by Brian Horton - ark:/67531/metadc1011761

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Creation Date

  • February 16, 2015

Added to The UNT Digital Library

  • July 11, 2017, 7:49 p.m.

Description Last Updated

  • July 1, 2020, 12:58 p.m.

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Yesterday: 0
Past 30 days: 0
Total Uses: 17

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  • 33.210701, -97.150088

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Horton, Brian (Saxophonist). Doctoral Recital: 2015-02-16 - Brian Horton, saxophone, audio recording, February 16, 2015; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc983774/: accessed May 23, 2022), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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