Doctoral Recital: 2014-11-17 - Daniel Adamson, trumpet

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Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Creation Information

Adamson, Daniel November 17, 2014.

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This audio recording is part of the collection entitled: College of Music Recordings and was provided by UNT Music Library to Digital Library, a digital repository hosted by the UNT Libraries. More information about this recording can be viewed below.

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UNT Music Library

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  • Main Title: Doctoral Recital: 2014-11-17 - Daniel Adamson, trumpet
  • Series Title: Doctoral Recitals

Degree Information

Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

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College of Music Program Book 2014-2015: Student Performances, Volume 1 (Book)

College of Music Program Book 2014-2015: Student Performances, Volume 1

Student performances program book from the 2014-2015 school year at the University of North Texas College of Music.

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A Comparative Analysis of Haydn's Horn Concerto and Trumpet Concerto (Thesis or Dissertation)

A Comparative Analysis of Haydn's Horn Concerto and Trumpet Concerto

Among the existing solo instrumental concertos of Joseph Haydn's oeuvre are two concertos for brass instruments. These are the Horn Concerto in D Major (Hob. VIId: 3) and Trumpet Concerto in E-flat Major (Hob. VIIe: 1). In addition to their standing as the only two concertos for solo brass instruments written by Haydn in existence, the two concertos provide a unique opportunity for insight into the history of the concerto genre and Haydn's change in compositional style. This is because of their chronological position within Haydn's oeuvre; the Horn Concerto was composed in 1762 during the early years of Haydn's employment with the Esterházy family and the Trumpet Concerto in 1796 as the last known concerto written by Haydn. Significant changes had occurred during that thirty four year time-span, not only in Haydn's life, but also within the field of music. This dissertation examines some of these changes and provides a comparative analysis of these two pieces. More specifically, it employs Schenkerian analysis of the voice-leading and structure of both concertos to examine the transformation in Haydn's compositional style and show the evolution of concerto form. This evolution in style between the Horn Concerto and Trumpet Concerto is most prominently marked by a loosening of compositional constraints, including freer formal procedures, instrumentation, harmonic structures, and an increase in chromaticism (aided by the new chromatic abilities of the trumpet). This document provides an in-depth comparative analysis within an often overlooked genre of music and gives insight into changes in Haydn's compositional style and the concerto genre.

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Dissertation: htt...

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Creation Date

  • November 17, 2014

Added to The UNT Digital Library

  • Jan. 26, 2017, 11:36 p.m.

Description Last Updated

  • Oct. 6, 2017, 3:26 p.m.

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Citations, Rights, Re-Use

Adamson, Daniel. Doctoral Recital: 2014-11-17 - Daniel Adamson, trumpet, audio recording, November 17, 2014; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc948660/: accessed December 11, 2017), University of North Texas Libraries, Digital Library, digital.library.unt.edu; crediting UNT Music Library.