Doctoral Lecture Recital: 2014-09-26 - Mikyung Lim, piano

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Description

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Creation Information

Lim, Mikyung September 26, 2014.

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Composers

  • Tellefsen, Thomas D. A., 1823-1874 Four Mazurkas, Op. 3, 1. Mazurka in G minor (Moderato), 2. Mazurka in G Major (Vivace), 3. Mazurka in B-flat Major (Allegro vivace), 4. Mazurka in F-sharp minor (Mesto)
  • Tellefsen, Thomas D. A., 1823-1874 Six Mazurkas, Op. 14, 1. Mazurka in D minor (Allegro), 2. Mazurka in G Major (Leggiero), 3. Mazurka in F minor (Leggiero), 4. Mazukra in F Major (Moderato), 5. Mazurka in D Major (Allegro vivace), 6. Mazurka in C minor (Lento simplice)

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  • Main Title: Doctoral Lecture Recital: 2014-09-26 - Mikyung Lim, piano
  • Series Title: Doctoral Lecture Recitals
  • Added Title: The Influence of Norwegian Folk Elements on Thomas Dyke Tellefsen's Mazurkas Op. 3 and Op. 14

Degree Information

Description

Lecture recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

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Program: htt...

The Influence of Norwegian Folk Elements on Thomas Dyke Tellefsen’s Mazurkas Op 3 (1849) and Op 14 (1853) (Thesis or Dissertation)

The Influence of Norwegian Folk Elements on Thomas Dyke Tellefsen’s Mazurkas Op 3 (1849) and Op 14 (1853)

Although Thomas Dyke Tellefsen’s mazurkas have been considered mere imitations of Chopin’s musical idiom, his mazurkas are closely related to Norwegian folk elements. Tellefsen adopted Norwegian folkloric elements from his own country and infused Norwegian spirit into his works to create his own musical language. To trace the Norwegian folk influence, this study examines folk dance (the springar), folk instruments (the hardanger fiddle and the langeleik), and folk melodic and rhythmic motifs. As the result, this research demonstrates that Tellefsen’s mazurkas were influenced by a phrase structure of Norwegian springar dance music and the exact sound effect of folk instruments (the hardanger fiddle and the langeleik) as well as Norwegian folk rhythmic and melodic formulas which are frequently used in Norwegian folk tunes. Furthermore, the comparison between Tellefsen and Chopin’s mazurkas demonstrates that although their mazurkas seem to have a similar musical style, Tellefsen’s mazurkas include his own traditional Norwegian folk aesthetic, which present original contributions to the genre.

Relationship to this item: (Is Part Of)

Dissertation: The Influence of Norwegian Folk Elements on Thomas Dyke Tellefsen’s Mazurkas Op 3 (1849) and Op 14 (1853),(OCoLC) 928064186, htt...

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Creation Date

  • September 26, 2014

Added to The UNT Digital Library

  • Jan. 26, 2017, 11:36 p.m.

Description Last Updated

  • March 15, 2017, 1:35 p.m.

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Citations, Rights, Re-Use

Lim, Mikyung. Doctoral Lecture Recital: 2014-09-26 - Mikyung Lim, piano, audio recording, September 26, 2014; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc948651/: accessed August 16, 2017), University of North Texas Libraries, Digital Library, digital.library.unt.edu; crediting UNT Music Library.