Doctoral Lecture Recital: 2014-09-26 - Mikyung Lim, piano
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- 01. Lim: Lecture 21:19
- 02. Tellefsen: Four Mazurkas, Op. 3, 1. Mazurka in G minor (Moderato) 1:45
- 03. Tellefsen: Four Mazurkas, Op. 3, 2. Mazurka in G Major (Vivace) 1:32
- 04. Tellefsen: Four Mazurkas, Op. 3, 3. Mazurka in B-flat Major (Allegro vivace) 1:15
- 05. Tellefsen: Four Mazurkas, Op. 3, 4. Mazurka in F-sharp minor (Mesto) 3:11
- 06. Tellefsen: Six Mazurkas, Op. 14, 1. Mazurka in D minor (Allegro) 3:22
- 07. Tellefsen: Six Mazurkas, Op. 14, 2. Mazurka in G Major (Leggiero) 1:49
- 08. Tellefsen: Six Mazurkas, Op. 14, 3. Mazurka in F minor (Leggiero) 3:52
- 09. Tellefsen: Six Mazurkas, Op. 14, 4. Mazurka in F Major (Moderato) 2:32
- 10. Tellefsen: Six Mazurkas, Op. 14, 5. Mazurka in D Major (Allegro vivace) 2:32
- 11. Tellefsen: Six Mazurkas, Op. 14, 6. Mazurka in C minor (Lento simplice) 2:22
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College of Music Program Book 2014-2015: Student Performances, Volume 1 (Book)
Student performances program book from the 2014-2015 school year at the University of North Texas College of Music.
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The Influence of Norwegian Folk Elements on Thomas Dyke Tellefsen’s Mazurkas Op 3 (1849) and Op 14 (1853) (Thesis or Dissertation)
Although Thomas Dyke Tellefsen’s mazurkas have been considered mere imitations of Chopin’s musical idiom, his mazurkas are closely related to Norwegian folk elements. Tellefsen adopted Norwegian folkloric elements from his own country and infused Norwegian spirit into his works to create his own musical language. To trace the Norwegian folk influence, this study examines folk dance (the springar), folk instruments (the hardanger fiddle and the langeleik), and folk melodic and rhythmic motifs. As the result, this research demonstrates that Tellefsen’s mazurkas were influenced by a phrase structure of Norwegian springar dance music and the exact sound effect of folk instruments (the hardanger fiddle and the langeleik) as well as Norwegian folk rhythmic and melodic formulas which are frequently used in Norwegian folk tunes. Furthermore, the comparison between Tellefsen and Chopin’s mazurkas demonstrates that although their mazurkas seem to have a similar musical style, Tellefsen’s mazurkas include his own traditional Norwegian folk aesthetic, which present original contributions to the genre.
Dissertation: The Influence of Norwegian Folk Elements on Thomas Dyke Tellefsen’s Mazurkas Op 3 (1849) and Op 14 (1853),(OCoLC) 928064186, htt...
Doctoral Lecture Recital: 2014-09-26 - Mikyung Lim, piano, audio recording, September 26, 2014; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc948651/: accessed July 22, 2018), University of North Texas Libraries, Digital Library, digital.library.unt.edu; crediting UNT Music Library.