Healey Willan's Introduction, passacaglia and fugue: English style with German overtones, with three recitals of selected works by L. Vierne, J.S. Bach, F. Mendelssohn, W. Piston, V. Persichetti and others

PDF Version Also Available for Download.

Description

This document consists of the following elements: (1) an examination of Healey Willan's background in the English Cathedral tradition; (2) a study of the formation of his compositional style based on his knowledge of English composers and treatises of the day; (3) a look at the German influences on his compositional style; and (4) an analysis showing how he merged these styles into a unified whole to create a monumental work for the organ.

Creation Information

Bedford, Don Michael August 1998.

Context

This thesis or dissertation is part of the collection entitled: UNT Theses and Dissertations and was provided by UNT Libraries to Digital Library, a digital repository hosted by the UNT Libraries. More information about this document can be viewed below.

Who

People and organizations associated with either the creation of this thesis or dissertation or its content.

Chair

  • Major Professor

Committee Members

  • Minor Professor

Publisher

Provided By

UNT Libraries

With locations on the Denton campus of the University of North Texas and one in Dallas, UNT Libraries serves the school and the community by providing access to physical and online collections; The Portal to Texas History and UNT Digital Libraries; academic research, and much, much more.

Contact Us

What

Descriptive information to help identify this thesis or dissertation. Follow the links below to find similar items on the Digital Library.

Degree Information

Description

This document consists of the following elements: (1) an examination of Healey Willan's background in the English Cathedral tradition; (2) a study of the formation of his compositional style based on his knowledge of English composers and treatises of the day; (3) a look at the German influences on his compositional style; and (4) an analysis showing how he merged these styles into a unified whole to create a monumental work for the organ.

Language

Identifier

Unique identifying numbers for this document in the Digital Library or other systems.

Collections

This document is part of the following collection of related materials.

UNT Theses and Dissertations

Theses and dissertations represent a wealth of scholarly and artistic content created by masters and doctoral students in the degree-seeking process. Some ETDs in this collection are restricted to use by the UNT community.

What responsibilities do I have when using this thesis or dissertation?

When

Dates and time periods associated with this thesis or dissertation.

Creation Date

  • August 1998

Added to The UNT Digital Library

  • Nov. 15, 2016, 10:54 a.m.

Description Last Updated

  • July 18, 2017, 4:27 p.m.

Usage Statistics

When was this document last used?

Yesterday: 0
Past 30 days: 3
Total Uses: 6

Interact With This Thesis Or Dissertation

Here are some suggestions for what to do next.

Start Reading

PDF Version Also Available for Download.

Citations, Rights, Re-Use

Bedford, Don Michael. Healey Willan's Introduction, passacaglia and fugue: English style with German overtones, with three recitals of selected works by L. Vierne, J.S. Bach, F. Mendelssohn, W. Piston, V. Persichetti and others, thesis or dissertation, August 1998; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc935654/: accessed September 23, 2017), University of North Texas Libraries, Digital Library, digital.library.unt.edu; .