Doctoral Recital: 1987-01-19 - Michael R. Carney, percussion

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Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Creation Information

Carney, Michael R. January 19, 1987.

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  • Main Title: Doctoral Recital: 1987-01-19 - Michael R. Carney, percussion
  • Series Title: Doctoral Recitals

Degree Information

Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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  • Accession or Local Control No: 1987_01_19 Michael Carney DMA Percussion
  • Archival Resource Key: ark:/67531/metadc917343

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

School of Music Program Book 1986-1987, Volume 1: Fall/Spring Performances (Book)

School of Music Program Book 1986-1987, Volume 1: Fall/Spring Performances

Fall/spring performances program book from the 1986-1987 school year at the North Texas State University School of Music.

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Program: htt...

An Examination of Two Significant Percussion Compositions: Karlheinz Stockhausen's Zyklus and Ingolf Dahl's Duettino Concertante, a Lecture Recital Together with Five Recitals of Selected Works of A. Ginastera, A. Wilder, W. Kraft, and Others (Thesis or Dissertation)

An Examination of Two Significant Percussion Compositions: Karlheinz Stockhausen's Zyklus and Ingolf Dahl's Duettino Concertante, a Lecture Recital Together with Five Recitals of Selected Works of A. Ginastera, A. Wilder, W. Kraft, and Others

Zvklus (1959) by Karlheinz Stockhausen and Duettino Concertante (1966) by Ingolf Dahl represent two of the most significant percussion compositions that present the percussionist as soloist. The performer of these works, either unaccompanied or accompanied by a non-percussion instrument, is featured as executant, interpreter, and improvisor. They are regarded as classics in the medium of multiple percussion because of their frequency of performance and their profound effect on notation, musical composition, and the technical expectations of the percussionist. This paper examines these compositions and their historical significance to both percussion literature and the percussionist. Each of these compositions is analzyed by examining instrumentation, compositional procedures, and performance problems. Finally, the notational procedures and role of the performer in these compositions are compared. A discussion of the development of the percussion batterie, percussion ensemble, and the important early solo multiple percussion compositions provides historical perspective for these compositions. This perspective is enhanced by consideration of biography, influences, and stylistic development of each composer.

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Dissertation: ark:/67531/metadc332140

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Creation Date

  • January 19, 1987

Added to The UNT Digital Library

  • Oct. 27, 2016, 8:54 p.m.

Description Last Updated

  • July 27, 2018, 4:24 p.m.

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Carney, Michael R. Doctoral Recital: 1987-01-19 - Michael R. Carney, percussion, audio recording, January 19, 1987; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc917343/: accessed November 17, 2018), University of North Texas Libraries, Digital Library, digital.library.unt.edu; crediting UNT Music Library.