Doctoral Lecture Recital: 2014-02-19 - Shu-Yuan Huang, piano

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Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Creation Information

Huang, Shu-Yuan February 19, 2014.

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  • Main Title: Doctoral Lecture Recital: 2014-02-19 - Shu-Yuan Huang, piano
  • Series Title: Doctoral Recitals
  • Added Title: Erich Wolfgang Korngold's Idea of the "Modern": Developing Variation in the Piano Concerto in C Sharp, Op. 17

Degree Information

Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Notes

This study examines the Piano Concerto in C sharp, Op. 17 (1923), by Erich
Wolfgang Korngold (1897-1957), in light of developing variation, techniques that
transform motivic ideas and create musical continuity in this work. The troublesome reception history of Korngold’s piano concerto derives from its complex musical
features, which have created difficulties in understanding and evaluating this piece.
Consequently, critics and scholars often label the highly sophisticated yet tonal
musical language in this piece a residue of Romanticism from the nineteenth century.
In this document, in contrast, examination of motivic development and connections in Korngold’s piano concerto reveals thematic and structural coherence in light of Korngold’s idea of modernity. This study provides a historical and technical survey of developing variation and discusses Korngold’s implementation of these techniques in his early compositions and the piano concerto. By doing so, this study recognizes the progressive aspect in Korngold’s music.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

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Erich Wolfgang Korngold’s Idea of the “Modern”: Developing Variation in the Piano Concerto in C Sharp, Opus 17 (Thesis or Dissertation)

Erich Wolfgang Korngold’s Idea of the “Modern”: Developing Variation in the Piano Concerto in C Sharp, Opus 17

This study examines the Piano Concerto in C sharp, Op.17 (1923), by Erich Wolfgang Korngold (1897-1957), in light of developing variation, techniques that transform motivic ideas and create musical continuity in this work. The troublesome reception history of Korngold’s piano concerto derives from its complex musical features, which have created difficulties in understanding and evaluating this piece. Consequently, critics and scholars often label the highly sophisticated yet tonal musical language in this piece a residue of Romanticism from the nineteenth century. In this document, in contrast, examination of motivic development and connections in Korngold’s piano concerto reveals thematic and structural coherence in light of Korngold’s idea of modernity. This study provides a historical and technical survey of developing variation and discusses Korngold’s implementation of these techniques in his early compositions and the piano concerto. By doing so, this study recognizes the progressive aspect in Korngold’s music.

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Dissertation: htt...

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Creation Date

  • February 19, 2014

Added to The UNT Digital Library

  • Oct. 27, 2016, 8:54 p.m.

Description Last Updated

  • Nov. 13, 2017, 12:38 p.m.

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Huang, Shu-Yuan. Doctoral Lecture Recital: 2014-02-19 - Shu-Yuan Huang, piano, audio recording, February 19, 2014; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc917302/: accessed July 21, 2018), University of North Texas Libraries, Digital Library, digital.library.unt.edu; crediting UNT Music Library.