Scenen aus Goethes Faust: A performer's analysis. Metadata

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Title

  • Main Title Scenen aus Goethes Faust: A performer's analysis.

Creator

  • Author: Paoletti Jr., Karl
    Creator Type: Personal

Contributor

  • Chair: DiFiore, Linda
    Contributor Type: Personal
    Contributor Info: Major Professor
  • Committee Member: Austin, Stephen F.
    Contributor Type: Personal
    Contributor Info: Minor Professor
  • Committee Member: Snider, Jeffrey
    Contributor Type: Personal

Publisher

  • Name: University of North Texas
    Place of Publication: Denton, Texas

Date

  • Creation: 2008-08
  • Digitized: 2008-11-12

Language

  • English

Description

  • Content Description: Robert Schumann's dramatic music remains, for the most part, undiscovered and therefore performed infrequently. Genoveva, Das Paradies und die Peri, Manfred, and Scenen aus Goethes Faust are comprised of some of Schumann's most beautiful music from his last stylistic period. Schumann envisioned a national German opera that had a complete union of text and music and a plot based upon the supernatural and mythical German legends. His lofty aspiration was to raise the dramatic music of his time to the high standards of the literary culture. Composing dramatic music for Goethe's Faust was a challenging endeavor for Schumann. Scenen aus Goethes Faust was a project that he struggled with from 1844-1853 because of both the text and the grand scale of the piece. One purpose of an analysis of the structure and content of Schumann's Scenen aus Goethes Faust and Goethe's poetry is to facilitate the solo vocal performer's interpretation. Utilizing selected scenes from Scenen aus Goethes Faust; "Scene im Garten" from Part I, "Sonnenaufgang," and "Mitternacht" from Part II and "Hier ist die Aussicht frei" from Part III, this research paper will define important recurring musical motives, assess Schumann's usage of contrasting vocal genres and their relationship to the unfolding drama, explore important vocal performance issues for the baritone and soprano soloists and investigate the manner in which Schumann uses the orchestra to depict and communicate the meaning of Goethe's text. Schumann's method of setting Goethe's text will also be examined, as the ability to comprehend the poetic text was of primary importance.

Subject

  • Keyword: Scenen aus Goethes Faust
  • Keyword: Robert Schumann
  • Library of Congress Subject Headings: Schumann, Robert, 1810-1856. Scenen aus Göthe's Faust.

Collection

  • Name: UNT Theses and Dissertations
    Code: UNTETD

Institution

  • Name: UNT Libraries
    Code: UNT

Rights

  • Rights Access: public
  • Rights License: copyright
  • Rights Holder: Paoletti Jr., Karl
  • Rights Statement: Copyright is held by the author, unless otherwise noted. All rights reserved.

Resource Type

  • Thesis or Dissertation

Format

  • Text

Identifier

  • OCLC: 429644005
  • Archival Resource Key: ark:/67531/metadc9053

Degree

  • Degree Name: Doctor of Musical Arts
  • Degree Level: Doctoral
  • Degree Discipline: Performance
  • Academic Department: College of Music
  • Degree Grantor: University of North Texas

Note