Scenen aus Goethes Faust: A performer's analysis. Page: 34
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Figure 21: "Hier ist die aussicht frei," mm 19-23.
What is challenging for the baritone soloist performing this aria is the extremely high tessitura in
the final section. The score indicates that this aria can be performed by either a tenor or a
baritone, however, a lyric tenor would have a much easier time singing the lines of text "sind
Bisserinnen, ein zartes" (around her there are penitent women) with an ethereal tone quality in a
softer dynamic. The same is true in the final two measures of the aria where Schumann asks the
baritone to sing a high G with a pianissimo dynamic marking ("Gnade bedtirfend!" Grant us
mercy!). The skillful singer will execute this passage with a head voice dominant registration
accompanied by the appoggio breath management technique (see figure 22).
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the fial setion.The scre inicate thatthis aia ca be prformdb ihratnro
baritone however a lyrictenor wuld havea much esier ti e snigtelns ftx sn
Bisserinen eIMats aon e hr r eietwoe)wt nehra oeqaiyi
softr dnamc. Te sme s tue i th fial wo masues f th ara wereSchuannask th
baritone to sing a high G with ~~~~A paism.yai mrig(Gaebdfred"Gatu
mecy).Th silfu sngrwil xeut tispasawitha edoic oiatrgsrto
acmiedb h pogobet aaeettcnqe(e iue2)
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Paoletti Jr., Karl. Scenen aus Goethes Faust: A performer's analysis., dissertation, August 2008; Denton, Texas. (digital.library.unt.edu/ark:/67531/metadc9053/m1/40/: accessed May 29, 2017), University of North Texas Libraries, Digital Library, digital.library.unt.edu; .