Doctoral Recital: 2011-04-03 - Kathryn Jones, double bass

One of 2,405 items in the series: Doctoral Recitals available on this site.

Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (59 min., 45 sec.)

Creation Information

Jones, Kathryn E. April 3, 2011.

Context

This audio recording is part of the collection entitled: College of Music Recordings and was provided by the UNT Music Library to the UNT Digital Library, a digital repository hosted by the UNT Libraries. It has been viewed 84 times. More information about this recording can be viewed below.

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Titles

  • Main Title: Doctoral Recital: 2011-04-03 - Kathryn Jones, double bass
  • Series Title: Doctoral Recitals

Degree Information

Description

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (59 min., 45 sec.)

Notes

"Kol nidrei" transcribed by Jeffrey Bradetich.

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Relationships

  • Dissertation: Prokofiev Beckons the Double Bass Into the Modern Age: a Pedagogical Study of the Op 39 Quintet, ark:/67531/metadc699907

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Prokofiev Beckons the Double Bass Into the Modern Age: a Pedagogical Study of the Op 39 Quintet (Thesis or Dissertation)

Prokofiev Beckons the Double Bass Into the Modern Age: a Pedagogical Study of the Op 39 Quintet

Until Serge Prokofiev’s 1924 ballet score Trapèze, the double bass occupied a background or at best a doubling role in almost all composers’ use of the instrument. Technical challenge was limited in these pieces, because composers did not see the instrument’s potential in a chamber music environment. As luthiers developed the instrument, the technical ability of players grew, and composers began writing more challenging music for the instrument. As one of the first major composers to see the double bass in a new light, Prokofiev wrote challenging music for the instrument. This paper illuminates the alluring pedagogical aspects of Prokofiev's Quintet in G Minor, Op. 39 and provides recommendations for accomplishing some difficult passages with ease.

Relationship to this item: (Is Part Of)

Dissertation: Prokofiev Beckons the Double Bass Into the Modern Age: a Pedagogical Study of the Op 39 Quintet, ark:/67531/metadc699907

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Creation Date

  • April 3, 2011

Coverage Date

Added to The UNT Digital Library

  • July 10, 2012, 10:37 p.m.

Description Last Updated

  • Oct. 30, 2022, 2:34 p.m.

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Yesterday: 0
Past 30 days: 1
Total Uses: 84

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  • 33.210701, -97.150088

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Jones, Kathryn E. Doctoral Recital: 2011-04-03 - Kathryn Jones, double bass, audio recording, April 3, 2011; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc89203/: accessed April 23, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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