Doctoral Lecture Recital: 2010-02-26 – So Myung (Sonia) Hwang, piano

One of 2,395 recordings in the series: Doctoral Recitals available on this site.

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Recital presented at the UNT College of Music Main Auditorium in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

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1 recording (50 min., 10 sec.)

Creation Information

Hwang, So Myung (Sonia) February 26, 2010.

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  • Main Title: Doctoral Lecture Recital: 2010-02-26 – So Myung (Sonia) Hwang, piano
  • Series Title: Doctoral Recitals
  • Series Title: Lecture Recitals
  • Added Title: Stylistic Elements within the Texture and Formal Structure of Ernst von Dohnanyi: The Four Rhapsodies, Op. 11

Degree Information

Description

Recital presented at the UNT College of Music Main Auditorium in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Physical Description

1 recording (50 min., 10 sec.)

Notes

"Rhapsodies, piano, op. 11" - performed movements I and II.

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College of Music Recordings

The College of Music Recordings include doctoral, ensemble, faculty, guest, and senior recitals from the UNT College of Music. Access to these recordings is restricted to the UNT community.

Related Items

Stylistic Elements within the Texture and Formal Structure of Ernst von Dohnányi's Four Rhapsodies, op. 11 (Thesis or Dissertation)

Stylistic Elements within the Texture and Formal Structure of Ernst von Dohnányi's Four Rhapsodies, op. 11

Hungarian pianist, composer, conductor, teacher and administrator, Ernst von Dohnányi (Ernö Dohnányi in Hungarian), was considered one of the most versatile musicians and the first architect of Hungary's musical culture in the late nineteenth and early twentieth-century. Dohnányi composed the Four Rhapsodies, op. 11, between 1902 and 1903, and among his many piano compositions, op. 11 are regarded as some of his most substantial works. Without directly imitating the earlier works of Liszt and Brahms, Dohnányi contributed to the rhapsody tradition with op. 11 by using his own unique stylistic compositional elements in the textural and formal structure. Texture and form are the most indicative characteristics of his rhapsodic language because of the improvisational nature that permeates his compositional style in the rhapsodies. In this dissertation the works are examined from within its textural and formal structure. Within texture, rhythm and accompanimental figurations are examined. Each rhapsody's structural organization, including references to eighteenth-century forms, and the cyclical elements in the work is analyzed. Background information on Dohnányi and a brief history of the rhapsody in the 19th century is also included.

Relationship to this item: (Is Part Of)

Dissertation: https…

College of Music Program Book 2009-2010: Student Performances, Volume 1 (Book)

College of Music Program Book 2009-2010: Student Performances, Volume 1

Student performances program book from the 2009-2010 school year at the University of North Texas College of Music.

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Creation Date

  • February 26, 2010

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Added to The UNT Digital Library

  • July 10, 2012, 10:37 p.m.

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  • Feb. 22, 2024, 4:36 p.m.

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  • 33.210664, -97.150118

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Hwang, So Myung (Sonia). Doctoral Lecture Recital: 2010-02-26 – So Myung (Sonia) Hwang, piano, audio recording, February 26, 2010; Denton, Texas. (https://digital.library.unt.edu/ark:/67531/metadc89077/: accessed March 19, 2024), University of North Texas Libraries, UNT Digital Library, https://digital.library.unt.edu; crediting UNT Music Library.

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